Clifford Simak - Dusty Zebra - And Other Stories

“Wesley Adams!” howled the general. “My God, man, where have you been all these years?”

“Well, I don’t imagine you’ll believe me, but the fact is…”

“We’ve been waiting for you. For twenty-five long years! Or, rather, I’ve been waiting for you. Those other idiots gave up. I’ve waited right here for you, Adams, for the last three years, ever since they called off the guard.”

Adams gulped. “I’m sorry about the car. You see, it was this way…”

The general, he saw, was beaming at him fondly.

“I had faith in you,” the general said.

He waved the shotgun by way of invitation. “Come on in. I have a call to make.”

Adams stumbled up the stairs.

“Move!” the general ordered, shivering. “On the double! You want me to catch my death of cold out here?”

Inside, he fumbled for the lights and turned them on. He laid the shotgun across the kitchen table and picked up the telephone.

“Give me the White House at Washington,” he said. “Yes, I said the White House… The President? Naturally he’s the one I want to talk to… Yes, it’s all right. He won’t mind my calling him.”

“Sir,” said Adams tentatively.

The general looked up. “What is it, Adams? Go ahead and say it.”

“Did you say twenty-five years?”

“That’s what I said. What were you doing all that time?”

Adams grasped the table and hung on. “But it wasn’t…”

“Yes,” said the general to the operator. “Yes, I’ll wait.”

He held his hand over the receiver and looked inquiringly at Adams. “I imagine you’ll want the same terms as before.”

“Terms?”

“Sure. Recognition. Point Four Aid. Defense pact.”

“I suppose so,” Adams said.

“You got these saps across the barrel,” the general told him happily. “You can get anything you want. You rate it, too, after what you’ve done and the bonehead treatment you got—but especially for not selling out.”

The night editor read the bulletin just off the teletype.

“Well, what do you know!” he said. “We just recognized Mastodonia.”

He looked at the copy chief.

“Where the hell is Mastodonia?” he asked.

The copy chief shrugged. “Don’t ask me. You’re the brains in this joint.”

“Well, let’s get a map for the next edition,” said the night editor.

Tabby, the saber-tooth, dabbed playfully at Cooper with his mighty paw.

Cooper kicked him in the ribs—an equally playful gesture.

Tabby snarled at him.

“Show your teeth at me, will you!” said Cooper. “Raised you from a kitten and that’s the gratitude you show. Do it just once more and I’ll belt you in the chops.”

Tabby lay down blissfully and began to wash his face.

“Some day,” warned Hudson, “that cat will miss a meal and that’s the day you’ll be it.”

“Gentle as a dove,” Cooper assured him. “Wouldn’t hurt a fly.”

“Well, one thing about it, nothing dares to bother us with that monstrosity around.”

“Best watchdog there ever was. Got to have something to guard all this stuff we’ve got. When Wes gets back, we’ll be millionaires. All those furs and ginseng and the ivory.”

“ If he gets back.”

“He’ll be back. Quit your worrying.”

“But it’s been five years,” Hudson protested.

“He’ll be back. Something happened, that’s all. He’s probably working on it right now. Could be that he messed up the time setting when he repaired the unit or it might have been knocked out of kilter when Buster hit the helicopter. That would take a while to fix. I don’t worry that he won’t come back. What I can’t figure out is why did he go and leave us?”

“I’ve told you,” Hudson said. “He was afraid it wouldn’t work.”

“There wasn’t any need to be scared of that. We never would have laughed at him.”

“No. Of course we wouldn’t.”

“Then what was he scared of?” Cooper asked.

“If the unit failed and we knew it failed, Wes was afraid we’d try to make him see how hopeless and insane it was. And he knew we’d probably convince him and then all his hope would be gone. And he wanted to hang onto that, Johnny. He wanted to hang onto his hope even when there wasn’t any left.”

“That doesn’t matter now,” said Cooper. “What counts is that he’ll come back. I can feel it in my bones.”

And here’s another case, thought Hudson, of hope begging to be allowed to go on living.

God, he thought, I wish I could be that blind!

“Wes is working on it right now,” said Cooper confidently.

He was. Not he alone, but a thousand others, working desperately, knowing that the time was short, working not alone for two men trapped in time, but for the peace they all had dreamed about—that the whole world had yearned for through the ages.

For to be of any use, it was imperative that they could zero in the time machines they meant to build as an artilleryman would zero in a battery of guns, that each time machine would take its occupants to the same instant of the past, that their operation would extend over the same period of time, to the exact second.

It was a problem of control and calibration—starting with a prototype that was calibrated, as its finest adjustment, for jumps of 50,000 years.

Project Mastodon was finally under way.

During his fifty-five-year career, CLIFFORD D. SIMAK produced some of the most iconic science fiction stories ever written. Born in 1904 on a farm in southwestern Wisconsin, Simak got a job at a small-town newspaper in 1929 and eventually became news editor of the Minneapolis Star-Tribune, writing fiction in his spare time.

Simak was best known for the book City, a reaction to the horrors of World War II, and for his novel Way Station. In 1953 City was awarded the International Fantasy Award, and in following years, Simak won three Hugo Awards and a Nebula Award. In 1977 he became the third Grand Master of the Science Fiction and Fantasy Writers of America, and before his death in 1988, he was named one of three inaugural winners of the Horror Writers Association’s Bram Stoker Award for Lifetime Achievement.

DAVID W. WIXON was a close friend of Clifford D. Simak’s. As Simak’s health declined, Wixon, already familiar with science fiction publishing, began more and more to handle such things as his friend’s business correspondence and contract matters. Named literary executor of the estate after Simak’s death, Wixon began a long-term project to secure the rights to all of Simak’s stories and find a way to make them available to readers who, given the fifty-five-year span of Simak’s writing career, might never have gotten the chance to enjoy all of his short fiction. Along the way, Wixon also read the author’s surviving journals and rejected manuscripts, which made him uniquely able to provide Simak’s readers with interesting and thought-provoking commentary that sheds new light on the work and thought of a great writer.

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These are works of fiction. Names, characters, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.