Уильям Гибсон - Agency

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San Francisco, 2017. Clinton’s in the White House, Brexit never happened -
and Verity Jane’s got herself a new job. They call Verity the app-whisperer, and she’s just been hired by a shadowy
start-up to evaluate a pair-of-glasses-cum-digital-assistant called Eunice.
Only Eunice has other ideas.
Pretty soon, Verity knows that Eunice is smarter than anyone she’s ever met,
conceals some serious capabilities and is profoundly paranoid — which is just
as well since suddenly some bad people are after Verity.
Meanwhile, in a post-apocalyptic London a century from now, PR fixer Wilf
Netherton is tasked by all-seeing policewoman Ainsley Lowbeer with interfering
in the alternative past in which Verity and Eunice exist. It appears something
nasty is about to happen there - and fixing it will require not only Eunice’s
unique human-AI skillset but also a little help from the future.
A future which Verity soon fears may never be…

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“Stool at the window,” Eunice said.

She took the tray to one of the steel stools at the shelflike counter, all of them vacant, facing Valencia.

“Keep the money on your lap,” Eunice said.

Seated, Eunice’s hundred thousand like a lead apron across her thighs, she bisected the muffin, releasing warm yellow yolk, and began to eat, washing it down with black coffee. The sun had found its way through cloud layer and fog again, brightening passersby, most of whom she took to be from start-up land, fellow toilers amid tillandsia.

“Ever imagine what hippies would make of this, if they knew it was 2017?” Eunice asked. “Somebody from 1967?”

“They’d assume they’d won, on first glance,” Verity said. “But they couldn’t possibly guess what most of these people do for a living, or imagine any of what’s behind that.”

“You got it,” Eunice said, facially recognizing a young man who looked like a sturdy Amish farmboy having a healthgoth day.

“Why do you keep doing that?”

“They mostly either live or work around here. Get enough of ’em, anomalies start to stand out.”

“How’s that different from being paranoid?”

“Same. Except not crazy.”

Verity started on another bite of McWolven.

“You do due diligence, on this new employer of yours?” Eunice asked.

“Not so much,” around egg and muffin.

“At all?”

Swallowing. “Been a while since anybody offered.”

“They’re spooks, the parent firm. Your ex would know what I mean.”

“That’s over.”

“Ever talk?”

“No. And now he’s engaged. To somebody who had her own publicist before she met him. Media’s all over it.”

“Caitlin. The Franco-Irish architect.”

“If I went anywhere near him, I’d hit every tabloid trip wire.”

“Or maybe not, you do it right,” Eunice said. “He’d know about Cursion.”

“Know what, about them?”

“That they’re a subspecies of a former fully deniable Department of Defense op.”

“Like CIA venture capital stuff?”

“Nothing like it,” Eunice said. “That stuff’s up front. Megafauna. Cursion, when they were as legit as they ever really were, lived down in the underbrush. Still do, but their new coloration’s gaming. Sometimes, if DoD doubles down hard enough on the deniability, there’s zero memory left of the original mission. The op drifts free of the department, unfunded, forgotten. Doesn’t happen nearly as often as it did during Iraq, but that’s what Cursion is.”

“How do you know?”

“I multitask. Do it behind my own back, like I don’t know how I know that about Cursion. Do I sound kinda sorta like what Gavin told you to expect?”

“Why?”

“If I am,” Eunice said, “I figure Cursion took the keys to something with them, when they drifted on DoD. Or maybe drifted back, long enough to lift something. Tulpagenics would be their front for monetizing it.”

“It?”

“Me. Eat up. Delivery’s incoming.” She opened a feed, angled down, as from a security cam, the cursor finding a darkly ball-capped man, white, bearded, yet looking somehow not of the tillandsia. Who strode now, unsmiling, along what looked like Valencia, a black messenger bag under his arm. “He’ll come in, get a coffee, sit beside you. To your right. Give him the tote, under the counter. He’ll take the money, put it in his bag, put a Pelican case in the tote.”

“Pelican?”

“Hard-sided plastic. Nothing heavy’s in it, but it’s bulky. It’ll fit the tote, but just barely. You look out the window, pretend nothing’s happening. He passes it back to you, under the counter, you leave, go back upstairs.”

“What’s he giving me?”

“Unobtainium.”

“A hundred thousand dollars’ worth?”

“Scratch built, except for the engines, batteries, cams, like that.”

“Why are you doing this, Eunice?” Verity asked, as the man in the ball cap crossed in front of her, just beyond the window, right to left, not glancing in.

“Agency.”

“I don’t like it.”

“Finish your coffee.”

Resisting the urge to turn and look at him, she obeyed.

“This vacant?” A male voice.

She turned, looking up. “Yes.”

“Thanks.”

She looked ahead again, not seeing Valencia. Peripherally, she saw him put his mug of coffee on the counter. He seated himself beside her.

“Pass him the Dyneema,” Eunice said, “under the counter.”

She didn’t want to, but she did, instinctively expecting him to object. She forced herself to stare straight ahead, aware of rustling beneath the counter. Two distinct clicks. Fasteners of some kind, on his bag. More rustling.

Then he passed the tote back, something hard and rectangular filling it entirely.

“Good to go,” Eunice said. “Now.”

“Excuse me,” Verity said, pulling the tote from beneath the counter. In it, something’s exposed end was coyote brown, the name of the color, she remembered Joe-Eddy having said, of whatever mall-ninja gear wasn’t black or olive drab.

“No problem,” making eye contact, Eunice’s thousand Franklins evidently in the bag under his left arm.

She turned and headed for the entrance.

“Good,” Eunice said. “Now get upstairs.”

“The money was for him?” she asked, outside, turning for Joe-Eddy’s.

“Shop in Oakland, does prop work for studios in L.A.”

Inside now, she deadlocked and bolted the door behind her. Climbed the stairs, the tote bumping against her leg.

In the kitchen, she put it down on the table and edged the thing out. It had an oddly massive folding handle, but wasn’t particularly heavy. The plastic shell was lightly, uniformly textured. PELICAN CASE 1400 TORRANCE CA was screened on a small aluminum plate, to one side of the apparently inch-thick lid.

“Open it,” said Eunice.

Verity examined the unfamiliar mechanism of one of the latches. “How?”

White-outlined cartoon hands appeared, demonstrating the opening of a white-outlined lid. Doing as the hands had done, she undid the real latches, raised the real lid. Four square holes formed a larger square, in a deep bed of black foam. “Check it out,” Eunice said.

From the bottom of one hole, not quite silently, rose something dark gray and nonreflective. When it was level with her glasses, Eunice opened a feed, Verity abruptly looking into her own eyes, unflatteringly captured. Then it rose again, the feed showing her the kitchen behind her, the entrance to the living room.

Stets had had drones, a collection of them. People gave them to him, hoping he’d angel their start-up. This one was quieter than any of his, effectively silent. “How long can it stay up?”

“Eight hours. Less with a payload.”

“None of them last that long,” Verity said.

“This one’s military, or wants to be. Open the kitchen window.”

Verity went to the window, turned its paint-crusted latch, and heaved it up. In the feed, the drone’s POV reversed, showing her the doorway into the kitchen. Fast-forward blur, then her own back, in Joe-Eddy’s orange plaid shirt-jacket, which she instantly decided never to wear again, and then it was past her, with just the faintest gnat-zip, and rising, as quickly, straight up. Clearing the flat roof’s low parapet.

She’d never seen the roof here before, not that anything seemed to be up there. The drone confirmed this, quickly reconnoitering. It hovered over something. A rain-flattened clutter of gray bone, a small beaked skull, a hint of fossil wings.

“Gull,” said Eunice.

“How do you get up here? Without a drone, I mean.”

The drone turned, showing Verity a hatch, sheathed in dented metal sheeting, dull aluminum paint flaking.

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