Гарри Гаррисон - There Won't Be War

“Somebody did it, anyway,” January said.

“Ah, Frank,” Matthews said. “Show some spunk. You’re always so cool.”

“Old Professor Stoneface,” Fitch said, glancing at January with a trace of amused contempt. “Come on, let’s get to the briefing.”

The briefing hut, one of the longer Quonsets, was completely surrounded by MPs holding carbines. “Gosh,” Matthews said, subdued by the sight. Inside it was already smoky. The walls were covered by the usual maps of Japan. Two blackboards at the front were draped with sheets. Captain Shepard, the naval officer who worked with the scientists on the gimmick, was in back with his assistant Lieutenant Stone, winding a reel of film onto a projector. Dr. Nelson, the group psychiatrist, was already seated on a front bench near the wall. Tibbets had recently sicced the psychiatrist on the group—another one of his great ideas, like the spies in the bar. The man’s questions had struck January as stupid. He hadn’t even been able to figure out that Easterly was a flake, something that was clear to anybody who flew with him, or even played him in a single round of poker. January slid onto a bench beside his mates.

The two Brits entered, looking furious in their stiff-upper-lip way. They sat on the bench behind January. Sweeney’s and Easterly’s crew filed in, followed by the other men, and soon the room was full. Fitch and the rest pulled out Lucky Strikes and lit up; since they had named the plane only January had stuck with Camels.

Scholes came in with several men January didn’t recognize, and went to the front. The chatter died, and all the smoke plumes ribboned steadily into the air.

Scholes nodded, and two intelligence officers took the sheets off the blackboards, revealing aerial reconnaisance photos.

“Men,” Scholes said, “these are the target cities.”

Someone cleared his throat.

“In order of priority they are Hiroshima, KokUra, and Nagasaki. There will be three weather scouts: Straight Flush to Hiroshima, Strange Cargo to Kokura, and Full House to Nagasaki. The Great Artiste and Number 91 will be accompanying the mission to take photos. And Lucky Strike will fly the bomb.”

There were rustles, coughs. Men turned to look at January and his mates, and they all sat up straight. Sweeney stretched back to shake Fitch’s hand, and there were some quick laughs. Fitch grinned.

“Now listen up,” Scholes went on. “The weapon we are going to deliver was successfully tested stateside a couple of weeks ago. And now we’ve got orders to drop it on the enemy.” He paused to let that sink in. “I’ll let Captain Shepard tell you more.”

Shepard walked to the blackboard slowly, savoring his entrance. His forehead was shiny with sweat, and January realized he was excited or nervous. He wondered what the shrink would make of that.

“I’m going to come right to the point,” Shepard said. “The bomb you are going to drop is something new in history. We think it will knock out everything within four miles.”

Now the room was completely still. January noticed that he could see a great deal of his nose, eyebrows, and cheeks; it was as if he were receding back into his body, like a fox into its hole. He kept his gaze rigidly on Shepard, steadfastly ignoring the feeling. Shepard pulled a sheet back over a blackboard while someone else turned down the lights.

“This is a film of the only test we have made,” Shepard said. The film started, caught, started again. A wavery cone of bright cigarette smoke speared the length of the room, and on the sheet sprang a dead gray landscape: a lot of sky, a smooth desert floor, hills in the distance. The projector went click-click-click-click, click-click-click-click. “The bomb is on top of the tower,” Shepard said, and January focused on the pin-like object sticking out of the desert floor, off against the hills. It was between eight and ten miles from the camera, he judged; he had gotten good at calculating distances. He was still distracted by his face.

Click-click-click-click, click— then the screen went white for a second, filling even their room with light. When the picture returned the desert floor was filled with a white bloom of fire. The fireball coalesced and then quite suddenly it leaped off the earth all the way into the stratosphere, by God, like a tracer bullet leaving a machine-gun, trailing a whitish pillar of smoke behind it. The pillar gushed up and a growing ball of smoke billowed outward, capping the pillar. January calculated the size of the cloud, but was sure he got it wrong. There it stood. The picture flickered, and then the screen went white again, as if the camera had melted or that part of the world had come apart. But the flapping from the projector told them it was the end of the film.

January felt the air suck in and out of his open mouth. The lights came on in the smoky room and for a second he panicked, he struggled to shove his features into an accepted pattern, the shrink would be looking around at them all—and then he glanced around and realized he needn’t have worried, that he wasn’t alone. Faces were bloodless, eyes were blinky or bug-eyed with shock, mouths hung open or were clamped whitely shut. For a few moments they all had to acknowledge what they were doing. January, scaring himself , felt an urge to say, “Play it again, will you?” Fitch was pulling his curied black hair off his thug’s forehead uneasily. Beyond him January saw that one of the Limeys had already reconsidered how mad he was about missing the flight. Now he looked sick. Someone let out a long whew, another whistled. January looked to the front again, where the shrink watched them, undisturbed.

Shepard said, ‘It’s big, all right. And no one knows, what will happen when it’s dropped from the air. But the mushroom cloud you saw will go to at least thirty thousand feet, probably sixty. And the flash you saw at the beginning was hotter than the sun.”

Hotter than the sun. More licked lips, hard swallows, readjusted baseball caps. One of the intelligence officers passed out tinted goggles like welder’s glasses, January took his and twiddled the opacity dial.

Scholes said, “You’re the hottest thing in the armed forces, now. So no talking, even among yourselves.” He took a deep breath, “Let’s do it the way Colonel Tibbets would have wanted us to. He picked every one of you because you were the best, and now’s the time to show he was right. So—so let’s make the old man proud.”

The briefing was over. Men filed out into the sudden sunlight. Into the heat and glare. Captain Shepard approached Fitch.”Stone and I will be flying with you to take care of the bomb,” he said.

Fitch nodded, “Do you know how many strikes we’ll fly?”

“As many as it takes to make them quit.” Shepard stared hard at all of them. “But it will only take one.”

War breeds strange dreams. That night January writhed over his sheets in the hot wet vegetable darkness, in that frightening half-sleep when you sometimes know you are dreaming but can do nothing about it, and he dreamed he was walking ...

... Walking through the streets when suddenly the sun swoops down, the sun touches down and everything is instantly darkness and smoke and silence, a deaf roaring. Walls of fire. His head hurts and in the middle of his vision is a bluewhite blur as if God’s camera went off in his face. Ah—the sun fell, he thinks. His arm is burned. Blinking is painful. People stumbling by, mouths open, horribly burned —

He is a priest, he can feel the clerical collar, and the wounded ask him for help. He points to his ears, tries to touch them but can’t. Pall of black smoke over everything, the city has fallen into the streets. Ah, it’s the end of the world. In a park he finds shade and cleared ground. People crouch under bushes like frightened animals. Where the park meets the river red and black figures crowd into steaming water. A figure gestures from a copse of bamboo. He enters it, finds five or six faceless soldiers huddling. Their eyes have melted, their mouths are holes. Deafness spares him their words. The sighted soldier mimes drinking. The soldiers are thirsty. He nods and goes to the river in search of a container. Bodies float downstream.