Nebula Awards Showcase 2012

No choice, then.

She moved before he could react—shifting her whole weight toward him and bearing him to the ground, even as her hand moved to cover his mouth. As they landed, there was a crunch like bones breaking—for a moment, she thought she’d killed him, but he was still looking at her in disbelief, trying to bite her—with her other hand, she reached into her skin-suit, and withdrew a syringe.

He gasped when she injected him, his eyes rolling up, the cornea an eerie white in the starlight. Now that her eyes were accustomed to the darkness, she could see him clearly: his skin smooth and dark, his hands clenching, then relaxing as the teonanácatl inhibitor took hold.

She could only hope that she’d got the doses right: he was wirier than most adults, and his metabolism was still that of a child.

As she left the courtyard, he was twitching, in the grip of the hallucinations that came as a side effect. With luck, he’d wake up with a headache, and a vague memory of everything not being quite right—but not remember the vivid nightmares the drug gave. She thought of beseeching the gods for small or large mercies; but the only two in her wake were the Black One and Xolotl, the Taker of the Dead.

“I’m sorry,” she whispered, knowing he couldn’t hear her; knowing he would hate and fear her for the rest of his days.

“But I can’t trust the justice of this House—I just can’t.”

Xochitl stands by the stall, dubiously holding the cloak of quetzal-feathers against her chest. “It’s a little too much, don’t you think?”

“No way,” Onalli says.

“If your idea of clothing is tawdry, sure,” Tecipiani says, with an amused shake of her head. “This is stuff for almond-eyed tourists.”

And, indeed, there are more Asians at the stall than trueblood Mexica—though Onalli, who’s half and half, could almost pass for Asian herself. “Aw, come on,” Onalli says. “It’s perfect. Think of all the boys queuing for a kiss. You’d have to start selling tickets.”

Xochitl makes a mock stab at Onalli, as if withdrawing a knife from under her tunic. But her friend is too quick, and steps aside, leaving her pushing at empty air.

“What’s the matter? Eagles ate your muscles?” Onalli says—always belaboring the obvious.

Xochitl looks again at the cloak—bright and garish, but not quite in the right way. “No,” she says, finally. “But Tecipiani’s right. It’s not worth the money.” Not even for a glance from Palli—who’s much too mature, anyway, to get caught by such base tricks.

Tecipiani, who seldom brags about her triumphs, simply nods. “There’s another stall further down,” she says. “Maybe there’ll be something—”

There’s a scream on the edge of the market: not that of someone being robbed, but that of a madman.

What in the Fifth World—

Xochitl puts back the cloak, and shifts, feeling the reassuring heaviness of the obsidian blades at her waist. Onalli has already withdrawn hers; but Tecipiani has moved before them all, striding toward the source. Her hands are empty.

Ahead, at the entrance to the marketplace, is a grounded aircar, its door gaping empty. The rest of the procession that was following it is slowly coming to a stop—though with difficulty, as there is little place among the closely crammed stalls for fifteen aircars.

The sea of muttering faces disembarking from the aircars is a hodgepodge of colors, from European to Asian, and even a few Mexica. They wear banners proudly tacked to their backs, in a deliberately old-fashioned style: coyotes and rabbits drawn in featherwork spread out like fans behind their heads.

It’s all oddly familiar and repulsive at the same time, a living remnant of another time. “Revivalists,” Xochitl says, aloud.

Which means—

She turns, scanning the marketplace for a running man: the unwilling sacrifice victim, the only one who had a reason to break and run.

What Xochitl sees, instead, is Tecipiani, walking determinedly into a side aisle of the marketplace as if she were looking for a specific stall.

The revivalists are gathering, harangued by a blue-clad priest who is organizing search parties.

“Idiots,” Onalli curses under her breath. She’s always believed more in penance than in human sacrifice; and the Revivalists have always rubbed her the wrong way. Xochitl isn’t particularly religious, and has no opinion either way.

“Come on,” she says.

They find Tecipiani near the back of the animals section—and, kneeling before her, is a hunched man, still wearing the remnants of the elaborate costume that marked him as the sacrifice victim. He’s shivering; his face contorts as he speaks words that Xochitl can’t make out amidst the noises of the chattering parrots and screaming monkeys in their metal cages.

As they come closer, Tecipiani makes a dismissive gesture; and the man springs to life, running away deeper into the marketplace.

“The search party is coming this way,” Onalli says.

Tecipiani doesn’t answer for a while: she’s looking at the man—and, as she turns back toward her friends, Xochitl sees burning hope and pity in her gaze.

“They won’t catch him,” she says. “He’s strong, and fast. He’ll make it.”

Onalli looks as though she might protest, but doesn’t say anything.

“We should head back,” Tecipiani says, finally. Her voice is toneless again; her eyes dry and emotionless.

On their way back, they meet the main body of the search party: the fevered eyes of the priest rest on them for a while, as if judging their fitness as replacements.

Tecipiani moves, slightly, to stand in the priest’s way, her smile dazzling and threatening. She shakes her head, once, twice. “We’re not easy prey,” she says, aloud.

The priest focuses on her; and, after a long, long while, his gaze moves away. Too much to chew. Tecipiani is right: they won’t be bested so easily.

They walk on, through the back streets by the marketplace, heading back to the House to find some shade.

Nevertheless, Xochitl feels as though the sunlight has been blotted out. She shivers. “They’re sick people.”

“Just mad,” Onalli says. “Don’t think about them anymore. They’re not worth your time.”

She’d like to—but she knows that the priest’s eyes will haunt her nightmares for the months to come. And it’s not so much the madness; it’s just that it doesn’t make sense at all, this frenzy to spread unwilling, tainted blood.

Tecipiani waits until they’re almost back to the House to speak. “They’re not mad, you know.”

“Yeah, sure,” Onalli says.

Tecipiani’s gaze is distant. “There’s a logic to it. Spreading unwilling blood is a sin, but Tonatiuh needs blood to continue shining down on us. Grandmother Earth needs blood to put forth maize and cotton and nanomachines.”

“It’s still a fucking sin, no matter which way you take it.” Onalli seems to take the argument as a challenge.

Tecipiani says nothing for a while. “I suppose so. But still, they’re only doing what they think is good.”

“And they’re wrong,” Xochitl says, with a vehemence that surprises her.

“Perhaps,” Tecipiani says. “And perhaps not. Would you rather take the risk of the world ending?” She looks up, into the sky. “Of all the stars falling down upon us, monsters eager to tear us apart?”

There’s silence, then. Xochitl tries to think of something, of anything to counter Tecipiani, but she can’t. She’s been too crafty. She always is.

“If you believe that,” Onalli says, with a scowl, “why did you let him go?”

Tecipiani shakes her head, and in her eyes is a shadow of what Xochitl saw, back in the marketplace—pity and hope. “I said I understood. Not that I approved. I wouldn’t do anything I didn’t believe in whole-heartedly. I never do.”