My time is over. The dinosaurs and the humans—our time is over. New times are coming. New types of love. I dream of the future, and my dreams are filled with the rattle of metal claws.
* * *
This is a story about sex and love and death and evolution. I’m struck sometimes by the limited view that many people seem to take of evolution. Many people seem to regard Homo sapiens as the final word, the obvious end point of millennia of evolutionary change. When speculating about future changes in our species, people often predict changes that push us farther down the path we have already taken. The man of the future characteristically has an enormous forehead to accommodate his tremendous brain. Unfortunately, looking at the past provides no clues about the shape of the future. Dinosaurs, looking back on their past successes, might have predicted that their descendants would sport better armor and larger bodies.
Years ago, the essays of Loren Eisley, noted anthropologist and naturalist, made me aware of how foolish and limiting such a view of evolution really is. The forces that brought about the opposable thumb and the upright stance are with us still; the changes haven’t stopped. The future is coming and we really don’t know what it will look like.
PAT MURPHY
A Biography of Ellen Datlow
ELLEN DATLOW IS AN ACCLAIMED, AWARD-WINNING science fiction, fantasy, and horror editor.
Born and raised in New York, Datlow aspired to be a veterinarian when she was a child, but changed her plans when she realized how much she preferred reading and writing to math and science. Her first publishing job was in the New York office of Little, Brown & Co. in 1973. During the next eight years she worked at a handful of other publishing companies before finally finding her calling in 1981 as an editor of short fiction at OMNI magazine, where she worked until 1998. She has also worked at the online magazine Event Horizon and at scifi.com.
Datlow has edited more than fifty anthologies, including the bestselling collections Naked City: Tales of Urban Fantasy , Supernatural Noir , and Darkness: Two Decades of Modern Horror . She has published important science fiction and fantasy writers such as Stephen King, Joyce Carol Oates, Ursula K. Le Guin, Clive Barker, William S. Burroughs, and many more.
She has also edited or co-edited numerous critically acclaimed anthologies of speculative fiction, including the Year’s Best Fantasy and Horror series. She often collaborates with renowned co-editor Terri Windling, with whom she worked on Snow White, Blood Red , a work of adult fairy tales that has been one of their most successful projects together.
Datlow is the recipient of several awards, including multiple Shirley Jackson awards and Bram Stoker awards, Hugo Awards for Best Professional Editor, Hugo Awards for Best Short Form Editor, and Locus Awards for Best Editor, to name just a few. She also received the Karl Edward Wagner Award for “outstanding contribution to the genre.” In 2011, she was the recipient of a Life Achievement Award by the Horror Writers Association. Datlow also co-hosts a popular reading series, Fantastic Fiction, at the KGB Bar in New York City, where she resides.
Baby Datlow in 1950. The so-called “Gerber baby” portrait was common at the time.
Datlow’s high school graduation photo, taken in 1967.
Datlow at home, wearing a vintage dress for a science fiction function in 1981. She says that she favors 1940s-era clothing.
Datlow sitting at her desk in the OMNI offices in 1981, roughly a year after she began working there. On her desk is a Kaypro computer and the Selectric typewriter she kept for addressing envelopes. On her bulletin board she pinned, among other things, a photo of King Kong climbing the Empire State Building.
Datlow in 1989, on the roof of the building where John Clute, renowned science fiction and fantasy critic, and his artist wife, Judith, live. The Clutes are based in Camden Town, London, and have graciously hosted many writers and editors over the past few decades. (Datlow usually stays with them on her annual visit to London.) Datlow is on the left, John Clute is in the center, and Datlow’s good friend Pat Cadigan, an award-winning science fiction writer, is on the right.
A manipulated photo of Datlow taken in 1990 by art photographer and illustrator J. K. Potter, giving her cat eyes. It first appeared on the original back flap of Alien Sex .
Datlow in front of an advertisement for OMNI magazine in New York City in 1991. That winter day, Datlow wandered Manhattan with her camera and her friends, the married writers Steven Gould and Laura J. Mixon. They happened upon the advertisement just north of Datlow’s West Village home.
Datlow with fellow editor Terri Windling in 1994. Datlow and Windling have collaborated on anthologies for more than twenty years, yet rarely see each other. This photo is from one of those rare yet cherished meetings.
Datlow modeled for J. K. Potter’s cover of the illustrated edition of The Island of Dr. Moreau by H. G. Wells, published in 1990. Potter gave Datlow a print of the image, which hangs on her living room wall.
I SHOULD LIKE TO thank the following people, who in various ways, made the publication of Alien Sex possible: Bruce McAllister, Lucius Shepard, Ed Bryant, Harlan Ellison, David Hartwell, Merrilee Heifetz, Jeanne Martinet, and particularly, all the contributors.
In addition, The Science Fiction Encyclopedia, edited by Peter Nicholls and John Clute, first edition (1979), was used as a source in my Introduction.
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