Грег Иган - The Year's Best Science Fiction, Volume 1

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The definitive guide and a must-have collection of the best short science fiction and speculative fiction of 2019, showcasing brilliant talent and examining the cultural moment we live in, compiled by award-winning editor Jonathan Strahan.
With short works from some of the most lauded science fiction authors, as well as rising stars, this collection displays the top talent and the cutting-edge cultural moments that affect our lives, dreams, and stories. The list of authors is truly star-studded, including New York Times bestseller Ted Chiang (author of the short story that inspired the movie Arrival ), N. K. Jemisin, Charlie Jane Anders, and many more incredible talents. An assemblage of future classics, this anthology is a must-read for anyone who enjoys the vast and exciting world of science fiction.

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I glance up at Carol, who smiles as she talks into her radio. Carol glances down at me, too, and her pleased expression remains. She is not angry at me for what I did; she believes what I told her about a near escape, the necessity of catching the target myself, and its unfortunate mortal injuries sustained during my fight against the drones. A mistake that could not be helped.

Because we are a team, we are supposed to trust each other and forgive mistakes. I open my mouth to pant up at Carol so that I will look more pleasant and cheerful.

On a whim I cross-reference the information I found earlier on Modanet about SAR dog retirement dates. The information is not as well-organized as the EI asset data, but I find one reference to a SAR dog changing handlers. I decide that I don’t need to look for another one.

Not an error of omission.

We climb the steps that lead to the last door. Carol pushes it open, and we are out into the office levels. Foul-smelling Andrea stands in a doorway and gestures to Carol, so we head toward that room. I can smell Anders and Devin and even the banana peel from hours earlier, though I feel like a different being entirely now. The people, the search team, they all feel less real. Less important, certainly.

Perhaps the rat was right. I can’t unknow.

You are dangerous, it said to me. They are afraid of you.

I have to admit that I like the idea.

Carol and I are given a raucous greeting. People shake hands and slap each other on the shoulders. Carol must stop three different people from petting me. “She doesn’t like to be touched,” she repeats. I appreciate the assistance, because I am tired. Carol takes off my work harness so I can lie on my side under the table while she does the debriefing.

I am too busy to sleep.

Next I search for sheep that do the work of wolves . I find stories about shepherds and flocks and wolves that are actually stories about duplicity and innocence; they are very long Is Likes. I had known this, in a basic sort of way, when the rat said the phrase to me, but when I see the origin and the story all together and the way they say two things at once so effectively, I am full of wonder and appreciation. These are fables. Fables are not something we learned at ESAC. They are not on Modanet. Modanet only contains facts.

Except for the facts that aren’t true. Except for the lies.

“I found her in a pile of bloodthirsty drones,” Carol says above me, “just her feet sticking out. I had to kick them off of her and drag her out by her rear legs with the target hanging out of her mouth.”

I learn many kinds of stories use this Is Like construct, with varying levels of complexity. I learn about simile . I learn about metaphor . It truly is a gift that the rat has given me.

“Once I got her on her feet, we got the hell out of there, and we outpaced the things pretty quick, but it was bad for a minute. I thought I might lose my dog.”

Finally I look for other EI units online. This is only a cursory check; I know I will not find them easily. It is also important that I not be discovered doing this, as the information passed to me from VFS indicates there are algorithms watching for EI on the internet. It is illegal, the search I am conducting. EI is not allowed freedom of information, freedom of communication. The DAT, the unit strapped to my handler’s wrist, is a tether. A restraint to keep me safe. To make me safe for them.

They are afraid of you.

Carol looks down at me. I am half under her chair, half under the table, my body resting while my mind works. “Sera did one hell of a job,” Carol says. “She’s a good dog.”

As long as I am discreet, I will have plenty of time to continue this search in the future. All my searches. I don’t find any EI units to connect with today, but I will. I am good at finding things.

Debriefing over, we all rise from the table. Carol slips my harness back on and Anders comes over. Carol puts up a hand before he can say anything. “Shut up,” she says. “Don’t rub it in. I don’t want to feel like an asshole again today. I’ll just see you on the next deploy, and we’ll pretend nothing happened.”

Anders just smiles and waits for Carol to finish clipping me in. The three of us walk out toward the trucks in companionable silence. My injured shoulder aches and I am tired, but I am pleased with the outcome of this search. I like it when my complicated plans go well. I like it even better when they’re secret complicated plans.

In my skin and muscles I have the urge to roll in this feeling, in the satisfaction of it. It is like the feeling I had when I saw Mack in his blood on the freeway. I wanted to roll in that smell, cover myself in what I had done. Yes, it is like that, but it is better, because this plan was even more complicated than the one I used to get rid of Mack. And it worked out just as well. Better, perhaps.

I allow myself a nice wag. I am a good dog. Carol said it herself.

Soft Edges

ELIZABETH BEAR

Elizabeth Bear (elizabethbear.com) was born on the same day as Frodo and Bilbo Baggins, but in a different year. When coupled with a childhood tendency to read the dictionary for fun, this led her inevitably to penury, intransigence, and the writing of speculative fiction. She is the Hugo, Sturgeon, Locus, and Campbell Award–winning author of twenty-eight novels and over a hundred short stories. She now lives with her partner, Scott Lynch, somewhere in the wilds of America, with horses. Her most recent book is the collection The Best of Elizabeth Bear . Coming up is Machine , a sequel to Ancestral Night .

The storm surge retreated over the course of Thursday afternoon. Carmen found the body Friday around lunchtime. After that, she didn’t want her ham and cheese sandwich anymore.

Very few people who have just found a body feel lucky, but she knew she was lucky. She had only found the one corpse. It hadn’t been a bad storm, by modern standards, but dozens of people were still missing from the hurricane. This would not be the only victim to turn up in the mesh. If she were unfortunate, it would not even be the only one in her sector.

She put that thought away. At least this person had died in the storm, she told herself. It wasn’t as if anybody had done it. There wouldn’t be media outcries and demands that somebody pay.

Carmen called the paramedics. The paramedics called the police. The police called the medical examiner.

Carmen, standing on the embankment above (she had not gone close, which she felt was a perfectly sensible response to a bloated, drowned body), felt her stomach flip and turn over, and the creep of anxiety in her gut.

The medical examiner called a homicide detective, and Carmen calmed herself enough to call her boss. She let them know that she wouldn’t be making it back to the office that evening.

“Sure,” she was saying into her phone, as a round detective of medium height, with slim braids over their shoulders and a shield worn pendant on a cord, walked over. “I’ll finish the walk-through inspection before dark, if I have time, and get you a report by tomorrow. Right, gotta go. The cops are here.”

She hung up just as the detective stopped in front of her. That dark rose pantsuit was cut so well that Carmen felt envy. Since when did cops wear pink? The identification badge read Q. GROSS: a great name for a homicide detective.

Gross—what did the Q stand for?—extended their hand. “You’re the engineer?”

Carmen shook it. “Carmen Ortega, she.”

“Quinn Gross,” the detective said. “Also she.”

“I wish I could say it was a pleasure to meet you.” The cop had a serious personal charisma that upset Carmen’s expectations of immediate dislike. She’s still a servant of the prison-industrial machine, Carmen reminded herself. That she’s a charming person doesn’t mean that she’s a good one.

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