Нэнси Кресс - The End Is Now

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Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild.
THE APOCALYPSE TRIPTYCH will tell their stories. Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, The Apocalypse Triptych is a series of three anthologies of apocalyptic fiction.
THE END IS NIGH focuses on life before the apocalypse.
THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME explores life after the apocalypse.
THE END IS NIGH is about the match.
THE END HAS COME is about what will rise from the ashes.
THE END IS NOW is about the conflagration.

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“If you didn’t come here to get rescued, then why? Jonesing for hot dog buns?”

He moved his left hand away from his gun and back to his guitar strings. He plinked.

“My family used to come,” he said. “Compete in 4-H. Eat fried dough ’til we puked. Ride those cheap-ass rides. This area’s real close-knit, so you’d see everybody like a backyard party. That’s all I wanted—to be somewhere I knew. Somewhere I would remember.”

The wind shifted. Could be worse, but the dead were in the breeze.

“Smells like their plan didn’t work out,” Nayima said.

“Unless it did.” He shrugged. “You need to leave me alone now.”

Coming as it did at the end of the living portrait he’d just painted, the theft of his company burned a hole in her. She needed him already. Father, son, brother, lover, she didn’t care which. She didn’t want to be without him. Couldn’t be without him, maybe.

His silence turned the fairgrounds gloomy again. This smell was the reason she preferred the open road, for now.

“At least tell me your name,” she said. Her voice quavered.

But he only played his fantasy of bright, spinning lights.

* * *

With only two hours left before dark, Nayima remembered her situation. She was down to her last two bottles of water—so there was that. She noted every hose and spigot, mapping the grounds in her mind. Even with the water turned off, sometimes the reserves weren’t dry.

Nayima went to search for a car first, since that would decide what else she needed. She didn’t break into cars with locked doors during her first sweep. She decided she would only break a window if she saw a key. Glass was unpredictable, and her life was too fragile for everyday infections. The first vehicles she found with keys—the first engines she heard turn—had less than an eighth of a tank. Not enough.

Then she saw the PT Cruiser parked at B-7. Berry purple. The cream-colored one she’d driven in college at Spelman had been reincarnated in her favorite color, calling to her. Unlocked door. No stench inside. Half a bottle of water waiting in the beverage cup, nearly hot as steam from a day in the sun. No keys in the ignition, but they were tucked in the passenger visor, ready to be found. The engine choked complaints about long neglect, but finally hummed to life. And the gas tank, except by a hair, was full. Nayima felt so dizzy with relief that she sank into the car’s bucket seat and closed her eyes. She thanked the man on the road and his music in the sky.

She could pack a working car with enough supplies for a month or more. With so much gas, she would easily make it to the closest town. She would stake out the periphery, find an old farmhouse in the new quiet. Clean up its mess. Rest with a proper roof.

Nayima’s breath caught in her throat like a stone. Her first miracle in the New World.

The rest of her searching took on a leisurely pace, one step ahead of the setting sun. Nayima avoided the guitar player while she scouted, honoring his perimeter. She drove from the parking lot to the fairway, her slow-moving wheels chewing the gravel. Her driver’s seat was a starship captain’s throne.

Weather and dust were no match for the colors at the County Line Road Fair. Painted clowns and polar bears and ringmasters in top hats shouted red, blue, and yellow from wildly-named booths promising sweet, salty, and cold. In the colors and the guitar music, ghostly faces emerged, captured at play. The fairground teemed with children. Nayima heard their carefree abandon.

For an instant, she let in the children’s voices—until her throat burned. The sky seemed ready to fall. She held her breath until her lungs forced her to suck in the air. To breathe in that smell she hated. The false memory was gone.

As she’d expected, airtight packages of hot dog buns looked fresh enough to last for millennia. She found boxes of protein bars in a vendor’s cabinet and a sack of unshelled peanuts so large she had to carry it over her back like a child. She stuffed the PT Cruiser with a growing bounty of clean blankets, an unopened twenty-four pack of water bottles and her food stash—even a large purple stuffed elephant, just because she could. The PT Cruiser, her womb on wheels, cast a fresh light on the world.

But there was the question of the passenger seat, still empty. The may, maybe, might part was making her too anxious to enjoy her fair prizes.

Then Nayima saw the stenciled sign:

RESCUE CENTER

The arrow pointed away from the vendors’ booths, toward the Farm World side of the fair, with its phantom Petting Zoo and Pony Rides in dull earth tones; really more an alleyway than a world. On the other end, a long wood-plank horse stall like one she had seen at the Kentucky Derby stood behind an empty corral, doors firmly shut.

Nayima climbed out of her PT Cruiser, pocketing her precious keys. She followed the dried tracks of man and beast side by side, walking on crushed hay. On the Farm World side, she could barely make out the sounds of the guitar. She felt like she had as a kid swimming in the ocean, testing a greater distance from shore. He might stop playing and disappear. It seemed more and more likely that she had only dreamed him.

But she had to see the rescue center. Like the driver from the PT Cruiser who had left her water bottle half full, in her imagination Nayima melted into scuffling feet, complaining children, muffled sobs.

The signs were posted on neatly-spaced posts. Each sign, helpful and profound.

FAMILIES SHOULD REMAIN TOGETHER

YOUR CALM HELPS OTHERS STAY CALM

SMILE—REMOVE YOUR MASK

The smell worsened with each step toward the looming structure. In front of the closed double doors stood two eight-foot folding tables—somewhat rusted now. Sun-faded pages flapped from a clipboard. Nayima glanced at a page of dull bureaucracy: handwritten names and addresses: Gerald Hillbrandt, Party of 4. As she’d guessed, a few hundred people had come.

SHOES

Nayima’s eyes followed the next sign to the southwest corner of the stall, where she found rows of shoes neatly paired against the wall. Mama Bear, Papa Bear, Baby Bear, all side by side. Cheerfully surrendered. Nayima, who wore through shoes quickly, felt a strange combination of exhilaration and sorrow at the sight of the shoes on merry display.

ENTRANCE

The next sign pointed around the corner, away from the registration table and cache of shoes. The entrance to the intake center had been in the rear, not the front. The rear double barn doors were closed, but they also had tables on either side, each with a large opaque beverage dispenser half-filled with a dark liquid that could be iced tea.

A refreshments table, she thought—until she saw the signs.

MAKE SURE EVERYONE IN YOUR PARTY TAKES A FULL CUP

PARENTS, WATCH YOUR CHILDREN DRINK BEFORE DRINKING YOURSELF

MAKE SURE CUPS ARE EMPTIED BEFORE ENTERING

TRASH HERE, PLEASE

Beneath the last sign, a large garbage can halfway filled with crumpled plastic cups. Nayima stared. Some cups were marked with lipstick. Several, actually. Had they come to the Rescue Center wearing their Sunday best? Had they dressed up to meet their maker?

The smell, strongest here, was not fresh; it was the smell of older, dry death. The door waited—locked, perhaps—but Nayima did not want to go inside. Nayima laid her palm across the building’s warm wooden wall, a communion with whoever had left her the PT Cruiser. And the shoes she would choose. What visionary had brought them here in this humane way? Had they known what was waiting? Her questions filled her with acid grief. She was startled by her longing to be with them, calm and resting.

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