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Аннали Ньюиц: The Future of Another Timeline

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Аннали Ньюиц The Future of Another Timeline

The Future of Another Timeline: краткое содержание, описание и аннотация

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From Annalee Newitz, founding editor of io9, comes a story of time travel, murder, and the lengths we’ll go to protect the ones we love. 1992: After a confrontation at a riot grrl concert, seventeen-year-old Beth finds herself in a car with her friend’s abusive boyfriend dead in the backseat, agreeing to help her friends hide the body. This murder sets Beth and her friends on a path of escalating violence and vengeance as they realize many other young women in the world need protecting too. 2022: Determined to use time travel to create a safer future, Tess has dedicated her life to visiting key moments in history and fighting for change. But rewriting the timeline isn’t as simple as editing one person or event. And just when Tess believes she’s found a way to make an edit that actually sticks, she encounters a group of dangerous travelers bent on stopping her at any cost. Tess and Beth’s lives intertwine as war breaks out across the timeline—a war that threatens to destroy time travel and leave only a small group of elites with the power to shape the past, present, and future. Against the vast and intricate forces of history and humanity, is it possible for a single person’s actions to echo throughout the timeline?

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The abolitionist and women’s suffrage movements—connected before the Civil War—were driven apart when women were not given the vote at the same time freedmen were. During Reconstruction, the Democratic Party emerged as a white nationalist alternative to Lincoln’s anti-slavery Republican Party. Republicans deliberately ran black candidates for office in the South to capture the votes of recently enfranchised freedmen. Eventually, the South went Democratic, and stayed that way until the mid-twentieth century. You can read more about the Democratic Party’s origin story in Bruce Bartlett’s Wrong on Race: The Democratic Party’s Buried Past .

During the Haitian Revolution,a highly successful slave rebellion overthrew the French colonial government and left freed slaves and free people of color in charge of the nation. The French government insisted that Haiti pay steep reparations for “stealing” its slaves and plantations, thus destabilizing the burgeoning nation’s economy for decades to come. For more about this revolution, along with historical documents from the period, see Laurent Dubois and John D. Garrigus, Slave Revolution in the Caribbean, 1789–1804 . Dubois has also written a popular history of the revolution called Haiti: The Aftershocks of History .

Anthony Comstockwas appointed a “special agent” with the U.S. Postal Service, where his job was to open mail and hunt for obscene materials. He cemented his power by bringing a trunk full of nude postcards, novelty items, and rubber dildos that he had ordered through the mails to a congressional hearing, where he demonstrated how widespread the moral menace of obscenity was. His activism with the YMCA and citizen’s arrests of abortionists and sex educators made changes to U.S. obscenity laws that lasted almost a century. As a result of his work, any information about contraception and abortion was defined by the courts as obscene, and therefore illegal. He bragged in public speeches that his work had driven many women to suicide, and he was right. I learned a lot about Comstock’s life and legal battles from Amy Werbel’s incredible book Lust on Trial: Censorship and the Rise of American Obscenity in the Age of Anthony Comstock . I also took some of Comstock’s dialogue from his writing collected in Robert Bremner’s edition of Comstock’s 1883 book Traps for the Young .

Comstock’s persecution (and prosecution) led Spiritualist and women’s health advocate Ida Craddockto commit suicide in 1902. The character of Sophronia (Soph)is an homage to Ida, who was arrested after publishing a book about having very explicit sex with an angel named Soph. Though First Amendment lawyers (including Clarence Darrow) worked pro bono to argue Ida’s case, she was convicted of obscenity and sentenced to a lengthy jail term. Rather than go to prison, she killed herself. Ida also published an impassioned essay defending the sanctity of the danse du ventre on the Midway, which is how her work first came to Comstock’s attention. You can read Craddock’s work, including her essay on the danse du ventre, in Vere Chappell’s collection of her writing, Sexual Outlaw, Erotic Mystic: The Essential Ida Craddock .

Comstock, with the Lady Managers,did visit the Midway dance attractions and convinced the general-director of the fair to get a court order to shut down the Persian Palace. A court immediately granted representatives of the Persian Palace an injunction and none of the dance attractions on the Midway were shut down. You can read more about this in Popular Culture and the Enduring Myth of Chicago, 1871–1968, by Lisa Krissoff Boehm.

All of the Midwayattractions and World’s Fair locations in the novel are real, based on maps of the Expo drawn at the time.

A lot of seemingly insignificant details of 1893–94 Chicago lifeare based on truths about our own timeline, gleaned from historical documents available online. Seamstresses were in fact paid about $1.50 per day, and there was a successful strike led by steelworkers at the Expo to get overtime pay on weekends and after hours. Sheet music companies popped up on Wabash Street after the Midway closed, along with theaters advertising dancers from the Midway. Many commentators of the time complained that the entire city smelled like rotting meat because of runoff from the slaughterhouses in the river and sewer system. The problem continued until engineers working with the city’s newly formed Chicago Sanitary District reversed the flow of the Chicago River in 1900.

Raqmu, heart of the Nabataean Kingdom,is what I imagine Petra, Jordan, might still be called today if ancient Greeks and Romans had not colonized the city over two thousand years ago. Petra is the Greek name for a city that once called itself Raqmu.

Lucy Parsonswas one of Chicago’s most respected anarchist leaders, and a founder of the IWW. Though she claimed to be indigenous or Spanish, scholars today believe she was an African American born into slavery. This is thanks entirely to new research by historian Jacqueline Jones for her book Goddess of Anarchy: The Life and Times of Lucy Parsons, American Radical (which is what Tess had read, and referenced when she talked to Aseel and Soph). Lucy and Emma Goldmandid in fact get into a very public fight over sexual liberation, equal to today’s biggest Twitter train wrecks. And yes, Emma did have a boyfriend named Sasha (Alexander Berkman),who failed spectacularly to assassinate Henry Frick. Emma continued to date him after he got out of prison. She was jailed by Comstock more than once for her writings and speeches about sexuality.

Aseel’s alter-ego Lady Asenathpays homage to an elusive figure called Little Egypt, who was rumored to be the greatest belly dancer on the Midway. After the Expo ended, many different performers called themselves Little Egypt, particularly white women who appropriated dances from nomadic groups in North Africa for their burlesque performances. Aseel is extremely loosely based on many of the dancers described by Donna Carlton in her excellent history of belly dancing, Looking for Little Egypt . One, Fahreda Mahzar Spyropoulos, supposedly came to the Midway from Arizona and later settled down in Chicago to run her husband’s restaurant. But Carlton can find no evidence that anyone calling themselves Little Egypt ever performed on the Midway. The name seems to have become popular afterward among burlesque and vaudeville dancers. It was used most famously by a dancer named Ashea Wabe. In 1896, Wabe was hired by two grandsons of P.T. Barnum—members of the Four Hundred—to perform the danse du ventre for their bachelor party at Sherry’s. After she was arrested on charges of stripping, the event became an enormous scandal, dubbed by the press “the awful Seeley dinner.” Wabe went on to become a notorious performer and very wealthy self-made woman. She died of gas asphyxiation in 1908. It was likely a suicide.

Grumpy theater critic George Bernard Shawdid indeed coin the term “Comstockery”to mean prudery or over-the-top moralism—though he did it about ten years after the events described in this novel. You can read his first use of the term in a letter to The New York Times in 1905 ( https://timesmachine.nytimes.com/timesmachine/1905/09/26/117951415.pdf). It became a popular term in the early twentieth century to mock people who wanted to censor art, or who were culturally ignorant.

Sol Bloom,remarkably, was a real person. In his early twenties, he was a music promoter who brought the dance troupe for the Algerian Village over to the United States from France, and wound up landing a job managing all the attractions on the Midway. Famously, he didn’t want the job and demanded a salary higher than the U.S. president. To his surprise, the city of Chicago met his salary request. After a very successful stint in the music business, he became a U.S. senator who advocated for immigrant rights until the day he died. He published a book about his life, called simply The Autobiography of Sol Bloom .

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