Аннали Ньюиц - The Future of Another Timeline

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From Annalee Newitz, founding editor of io9, comes a story of time travel, murder, and the lengths we’ll go to protect the ones we love.
1992: After a confrontation at a riot grrl concert, seventeen-year-old Beth finds herself in a car with her friend’s abusive boyfriend dead in the backseat, agreeing to help her friends hide the body. This murder sets Beth and her friends on a path of escalating violence and vengeance as they realize many other young women in the world need protecting too.
2022: Determined to use time travel to create a safer future, Tess has dedicated her life to visiting key moments in history and fighting for change. But rewriting the timeline isn’t as simple as editing one person or event. And just when Tess believes she’s found a way to make an edit that actually sticks, she encounters a group of dangerous travelers bent on stopping her at any cost.
Tess and Beth’s lives intertwine as war breaks out across the timeline—a war that threatens to destroy time travel and leave only a small group of elites with the power to shape the past, present, and future. Against the vast and intricate forces of history and humanity, is it possible for a single person’s actions to echo throughout the timeline?

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I remembered Soph telling us that the Lady Managers were running an anti-abolition candidate for some office, but they were also devoted to promoting women’s rights. There had to be some sympathetic members of the group, and maybe they would see our point of view.

A short, harried-looking woman with a pile of unruly black hair tangled into an updo answered my knock on the Lady Managers’ office door.

“I’m here from the Algerian Village. Is there somebody I could talk to about hosting a meeting between the women in the village and the Lady Managers?”

She looked dubious. “You’re Algerian?”

“I work there. We’re on the Midway.”

“Oh, you’re one of those.”

“There are a lot of women working on the Midway, but especially in the theaters, and I thought maybe the Lady Managers Board might like to meet with us. For the sake of female solidarity?”

She put one arm akimbo and stared at me like I was an idiot. I had to put this in terms she would understand. I needed something that would lead them gently away from that Great Moments in White Feminism playbook. If they met Aseel and Salina and the others, they might find it harder to team up with Comstock to destroy their sisters on the Midway. What would appeal to these women? There had to be an idea so innocuous that they couldn’t say no.

“There are a lot of women in the villages who could benefit from a… cultural exchange,” I said hesitantly. “They could talk to you about how women live in their countries, and the Lady Managers could teach them about American womanhood. Maybe we could have a… woman’s cultural tea?”

Clearly one of those words was a magical key because suddenly she was smiling and nodding and showing me into the plush, oddly decorated interior of the office. Pink, fluffy curtains hung next to African prints, and Moorish tiles shared wall space with racist caricatures of indigenous Americans carved from corn cobs.

“Sorry about the mess. All this stuff was donated and we have no idea where to put it. I’m Sarah, by the way. This is Augusta.” Sarah indicated another woman at a desk, busy writing something in shorthand.

“I’m Tess.”

“So you’re really not from Algeria?”

“I’m from California.”

“I suppose that’s almost as savage, really. Tell Augusta about your idea for a woman’s cultural tea.”

Fifteen minutes later, Augusta had two pages full of shorthand, and Sarah was already planning how many kinds of biscuits they’d need. None of the other exhibits had done any cross-cultural events yet, and they wanted the Woman’s Building to be the first.

“The Woman’s Building has a hard time selling tickets to our exhibits, but surely people would pay to watch a civilized meal with women in their bizarre costumes from all across the world.” Sarah looked pensive. “Plus, don’t you think it would be the perfect opportunity to teach these wild women some manners?”

The more she talked, the more I felt like I had eaten a spoonful of salt. It sounded like she wanted to turn our tea into a freak show. “I don’t want to sell tickets,” I said. “I thought we’d have more of a private meal, to get to know each other.”

Augusta looked up from her notes, perplexed. “Whatever would we do at a private meal? A lot of those women on the Midway can’t even speak! They use grunts and hand gestures.” She grimaced and mimed grabbing something. “But wouldn’t that be a fun show? Primitives with tea and biscuits?”

I stood up, my face filling with blood. I thought of a million things I could say, cruel and wrathful and right. I thought about how easy it would be to pierce these women’s hearts with the letter opener on Augusta’s desk and blame it on a man. But I did none of that. I cleared my throat carefully and said nothing. When I left, I didn’t slam the door. Aseel had been right. Not all women were our allies.

I bought a hot dog for lunch and took a brief detour around the artificial lagoon next to the Woman’s Building. It was full of paddle boats that bore visitors to an artificial island, planted with invitingly shady trees and dotted with park benches. The avenues here in the White City were wide and clean, and it seemed like every exhibit was devoted to mechanical devices and inventions that would make us richer. It couldn’t have been more unlike the thronged, polyglot alleys of the Midway, where the villages sold trinkets and cheap entertainment. If the White City was the world that Americans imagined for themselves, perhaps the Midway was the reality they couldn’t accept.

* * *

Aseel had almost finished her song. The lyrics were set to the complete tune Sol had improvised, going beyond the awful Persian Palace ditty. She belted out the first verse and chorus for a small afternoon audience as Salina danced and the musicians played drums and piano. The result was a cheerful cacophony:

I will sing you a song
While the ladies dance along
’Bout a very moral man
Who swore he did no wrong
Sad for him no girl was pretty
He was not long in the city
All alone oh what a pity
Poor little lad
He never saw the streets of Cairo
On the Midway he was never glad
He never saw the hoochie coochie
Poor little country lad

I applauded until my hands hurt, and Soph let out a delighted squeal. She had finished her article about the danse du ventre and brought a copy of it for Aseel and me to read. New York World wanted to publish it, and she was excited that her byline would appear in the same pages that featured the reporting of Nellie Bly.

Aseel joined us in the dressing room a few minutes later, exuberant about her own creation.

“What did you think?”

“I love it but…” Soph looked anxious. “Well, do you have to say hoochie coochie? That isn’t the proper name.”

“Neither is danse du ventre, love. That’s simply French for belly dance.”

I interrupted. “In case you care about my opinion, I thought it was perfect.”

Aseel laughed and Soph threw her hands into the air. “Fine, fine. Call it whatever you want.” Then her face lit up again. “You guys are coming to the invocation tonight, right? You have to be there by half past eleven at the latest, because she comes at midnight.”

“What? Who?” I remembered Soph mentioning a Spiritualist meeting tonight, but this sounded like something more elaborate.

“We’re invoking the goddess!” Soph said.

Aseel grinned and winked at me. “You know… the goddess ?”

I didn’t know, but I sure as hell wasn’t going to miss it.

* * *

When I arrived at Soph’s chambers later that evening, a woman I’d never met before answered the door and shushed me as we came into the parlor. I could hear Soph speaking indistinctly and the murmur of other voices coming from her sitting room. The woman from the door handed me an ivory linen dressing gown. “Change into this,” she whispered. “You’ll need it to meet the goddess.” I could see now that the parlor was lined in neat piles of ladies’ clothing, each gown and skeletal corset balanced atop a pair of slippers. There must have been quite a crowd in there—I counted thirteen bundles, including my own.

The room smelled of sweat and incense when I slid between the pocket doors. Soph sat in the lotus position at the center of the room, surrounded by women lying back on pillows. Some rested heads on other women’s bellies, while others stayed at the periphery, their backs against the wall. All of them had their legs spread, hands pressed lightly against the fabric draped over their pelvic bones. It looked disappointingly like a New Age-y tantra situation. Then Soph spoke and I knew it was something else.

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