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Майкл Суэнвик: Tales of Old Earth [A collection of short-stories]

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Майкл Суэнвик Tales of Old Earth [A collection of short-stories]

Tales of Old Earth [A collection of short-stories]: краткое содержание, описание и аннотация

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From pure fantasy to hard science fiction, this finely crafted offering by one of the greatest science fiction writers of his generation promises to stretch readers' minds far beyond ordinary limits. Nineteen tales from Michael Swanwick's best short fiction of the past decade are gathered here for the first time, including the 1999 Hugo Award-nominated "Radiant Doors" and "Wild Minds" and this year's winning story, "The Very Pulse of the Machine."  The collection also features "The Raggle Taggle Gypsy-O," written especially for this volume.

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Now we come to the matter of Swanwick being a “difficult writer.” What’s this allegation about? Well, let me be up-front here: he’s not for mundane wimps. Forget about it. Terrible things happen in Swanwick fiction. People suffer, often gruesomely. Furthermore, it’s a rare Swanwick work which does not include some mind-altering, meticulous instance of evil sex.

So, yes, by the blinkered standards of the Christian Coalition he is somewhat disgusting and obscene. However, the true core of the matter is the Swanwick is an inherently and intrinsically strange human being. Oh sure, he’s married, has a child, pays his taxes, stays out of the slammer, but at his core he’s a high-voltage visionary. He’s not a professional writer dabbling in the sci-fi genre. He is that rarer and far more valuable thing, an inherently science-fictional thinker who has trained himself, through years of devoted effort, to speak fluently.

His approach to theme, plot, character, situation, are all completely orthogonal to the norm. When you start a Swanwick story, it’s as if a guy had knocked on your door and come in walking on his hands. And not as a mere stunt either, for he proceeds to make himself entirely at home; he does the dishes with his feet, fetches a beer from the fridge with the crook of his knee, settles on the couch with the remote control in his toes and starts making sardonic comments. They’re rather insightful, disturbing, off-the-wall assessments, replete with stick-to-your-skull images that demonstrate a lifetime of imaginative concentration. Your world is not the same when he leaves.

He’s not always graceful or easy, he never caters or panders, but Michael Swanwick is the Real Thing. He is entirely authentic and in full command of his material. He’s gone so far into science fiction that he’s coming out the far side at high velocity. So, my task is done here: you’re up to speed now, you have been warned. The rest is your own lookout.

I’m proud to call him my colleague.

Bruce Sterling January 2000

1

The Very Pulse of the Machine

Click .

The radio came on.

“Hell.”

Martha kept her eyes forward, concentrated on walking. Jupiter to one shoulder, Daedalus’s plume to the other. Nothing to it. Just trudge, drag, trudge, drag. Piece of cake.

“Oh.”

She chinned the radio off.

Click .

“Hell. Oh. Kiv. El. Sen.”

“Shut up, shut up, shut up!” Martha gave the rope an angry jerk, making the sledge carrying Burton’s body jump and bounce on the sulfur hardpan. “You’re dead, Burton, I’ve checked, there’s a hole in your faceplace big enough to stick a fist through, and I really don’t want to crack up. I’m in kind of a tight spot here and I can’t afford it, okay? So be nice and just shut the fuck up.”

“Not. Bur. Ton.”

“Do it anyway.”

She chinned the radio off again.

Jupiter loomed low on the western horizon, big and bright and beautiful and, after two weeks on Io, easy to ignore. To her left, Daedalus was spewing sulfur and sulfur dioxide in a fan two hundred kilometers high. The plume caught the chill light from an unseen sun and her visor rendered it a pale and lovely blue. Most spectacular view in the universe, and she was in no mood to enjoy it.

Click .

Before the voice could speak again, Martha said, “I am not going crazy, you’re just the voice of my subconscious, I don’t have the time to waste trying to figure out what unresolved psychological conflicts gave rise to all this, and I am not going to listen to anything you have to say.”

Silence.

The moon rover had flipped over at least five times before crashing sideways against a boulder the size of the Sydney Opera House. Martha Kivelsen, timid groundling that she was, was strapped into her seat so tightly that when the universe stopped tumbling, she’d had a hard time unlatching the restraints. Juliet Burton, tall and athletic, so sure of her own luck and agility that she hadn’t bothered, had been thrown into a strut.

The vent-blizzard of sulfur dioxide snow was blinding, though. It was only when Martha had finally crawled out from under its raging whiteness that she was able to look at the suited body she’d dragged free of the wreckage.

She immediately turned away.

Whatever knob or flange had punched the hole in Burton’s helmet had been equally ruthless with her head.

Where a fraction of the vent-blizzard—“lateral plumes” the planetary geologists called them—had been deflected by the boulder, a bank of sulfur dioxide snow had built up. Automatically, without thinking, Martha scooped up double-handfuls and packed them into the helmet. Really, it was a nonsensical thing to do; in a vacuum, the body wasn’t about to rot. On the other hand, it hid that face.

Then Martha did some serious thinking.

For all the fury of the blizzard, there was no turbulence. Because there was no atmosphere to have turbulence in . The sulfur dioxide gushed out straight from the sudden crack that had opened in the rock, falling to the surface miles away in strict obedience to the laws of ballistics. Most of what struck the boulder they’d crashed against would simply stick to it, and the rest would be bounced down to the ground at its feet. So that—this was how she’d gotten out in the first place—it was possible to crawl under the near-horizontal spray and back to the ruins of the moon rover. If she went slowly, the helmet light and her sense of feel ought to be sufficient for a little judicious salvage.

Martha got down on her hands and knees. And as she did, just as quickly as the blizzard had begun—it stopped.

She stood, feeling strangely foolish.

Still, she couldn’t rely on the blizzard staying quiescent. Better hurry, she admonished herself. It might be an intermittent.

Quickly, almost fearfully, picking through the rich litter of wreckage, Martha discovered that the mother tank they used to replenish their airpacks had ruptured. Terrific. That left her own pack, which was one-third empty, two fully-charged backup packs, and Burton’s, also one-third empty. It was a ghoulish thing to strip Burton’s suit of her airpack, but it had to be done. Sorry, Julie. That gave her enough oxygen to last, let’s see, almost forty hours.

Then she took a curved section of what had been the moon rover’s hull and a coil of nylon rope, and, with two pieces of scrap for makeshift hammer and punch, fashioned a sledge for Burton’s body.

She’d be damned if she was going to leave it behind.

Click .

“This is. Better.”

“Says you.”

Ahead of her stretched the hard, cold sulfur plain. Smooth as glass. Brittle as frozen toffee. Cold as hell. She called up a visor-map and checked her progress. Only forty-five miles of mixed terrain to cross and she’d reach the lander. Then she’d be home free. No sweat, she thought. Io was in tidal lock with Jupiter. So the Father of Planets would stay glued to one fixed spot in the sky. That was as good as a navigation beacon. Just keep Jupiter to your right shoulder, and Daedalus to your left. You’ll come out fine.

“Sulfur is. Triboelectric.”

“Don’t hold it in. What are you really trying to say?”

“And now I see. With eye serene. The very. Pulse. Of the machine.” A pause. “Wordsworth.”

Which, except for the halting delivery, was so much like Burton, with her classical education and love of classical poets like Spencer and Ginsberg and Plath, that for a second Martha was taken aback. Burton was a terrible poetry bore, but her enthusiasm had been genuine, and now Martha was sorry for every time she’d met those quotations with rolled eyes or a flip remark. But there’d be time enough for grieving later. Right now she had to concentrate on the task at hand.

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