Judith Merril - The Year's Greatest Science Fiction & Fantasy 4

Mary—she had to then—called Mama Death. Mama waddled in, and Casey spit in her mask.

“Now, arthur, what is this, arthur, you know we want to help you get well and go home, arthur,” she arthured at Slop Chute. “Be a good boy now, arthur, and go along to the clinic.”

She motioned the orderlies to pick him up anyway. Casey hit one in the mask and Slop Chute growled, “Sheer off, you bastards!”

The orderlies hesitated.

Mama’s little eyes squinted and she wiggled her hands at them. “Let’s not be naughty, arthur. Doctor knows best, arthur.”

The orderlies looked at Slop Chute and at each other. Casey wrapped his arms around Mama Death and began chewing on her neck. He seemed to mix right into her, someway, and she broke and run out of the ward.

She came right back, though, trailing Uncle Death. Casey met him at the door and beat hell out of him all the way to Slop Chute’s bunk. Mama sent Mary for the chart, and Uncle Death studied Slop Chute’s reflection for a minute. He looked pale and swayed a little from Casey’s beating.

He turned toward Slop Chute and breathed in deep and Casey was on him again. Casey wrapped his arms and legs around him and chewed at his mask with those big yellow teeth. Casey’s hair bristled and his eyes were red as the flames of hell.

Uncle Death staggered back across the ward and fetched up against Carnahan’s bunk. The other masks were scared spitless, looking all around, kind of knowing.

Casey pulled away, and Uncle Death said maybe he was wrong, schedule it for tomorrow. All the masks left in a hurry except Mary. She went back to Slop Chute and took his hand.

“I’m sorry, Slop Chute,” she whispered.

“Bless you, Connie,” he said, and grinned. It was the last thing I ever heard him say.

Slop Chute went to sleep, and Casey sat beside his bunk. He motioned me off when I wanted to help Slop Chute to the head after lights out. I turned in and went to sleep.

I don’t know what woke me. Casey was moving around fidgety-like, but of course not making a sound. I could hear the others stirring and whispering in the dark too.

Then I heard a muffled noise—the bubbling cough again, and spitting. Slop Chute was having another hemorrhage and he had his head under the blankets to hide the sound. Carnahan started to get up. Casey waved him down.

I saw a deeper shadow high in the dark over Slop Chute’s bunk. It came down ever so gently and Casey would push it back up again. The muffled coughing went on.

Casey had a harder time pushing back the shadow. Finally he climbed on the bunk straddle of Slop Chute and kept a steady push against it.

The blackness came down anyway, little by little. Casey strained and shifted his footing. I could hear him grunt and hear his joints crack.

I was breathing forced draft with my heart like to pull off its bed bolts. I heard other bedsprings creaking. Somebody across from me whimpered low, but it was sure never Slop Chute that done it.

Casey went to his knees, his hands forced almost level with his head. He swung his head back and forth and I saw his lips curled back from the big teeth clenched tight together… Then he had the blackness on his shoulders like the weight of the whole world.

Casey went down on hands and knees with his back arched like a bridge. Almost I thought I heard him grunt… and he gained a little.

Then the blackness settled heavier, and I heard Casey’s tendons pull out and his bones snap. Casey and Slop Chute disappeared under the blackness, and it overflowed from there over the whole bed… and more… and it seemed to fill the whole ward.

It wasn’t like going to sleep, but I don’t know anything it was like.

The masks must’ve towed off Slop Chute’s hulk in the night, because it was gone when I woke up.

So was Casey.

Casey didn’t show up for sick call and I knew then how much he meant to me. With him around to fight back I didn’t feel as dead as they wanted me to. Without him I felt deader than ever. I even almost liked Mama Death when she charlesed me.

Mary came on duty that morning with a diamond on her third finger and a brighter sparkle in her eye. It was a little diamond, but it was Curly Waldo’s and it kind of made up for Slop Chute.

I wished Casey was there to see it. He would’ve danced all around her and kissed her nice, the way he often did. Casey loved Mary.

It was Saturday, I know, because Mama Death come in and told some of us we could be wheeled to a special church hooraw before breakfast next morning if we wanted. We said no thanks. But it was a hell of a Saturday without Casey. Sharkey Brown said it for all of us—“With Casey gone, this place is like a morgue again.”

Not even Carnahan could call him up.

“Sometimes I think I feel him stir, and then again I ain’t sure,” he said. “It beats hell where he’s went to.”

Going to sleep that night was as much like dying as it could be for men already dead.

Music from far off woke me up when it was just getting light. I was going to try to cork off again, when I saw Carnahan was awake.

“Casey’s around somewhere,” he whispered.

“Where?” I asked, looking around. “I don’t see him.”

“I feel him,” Carnahan said. “He’s around.”

The others began to wake up and look around. It was like the night Casey and Slop Chute went under. Then some­thing moved in the solarium…

It was Casey.

He come in the ward slow and bashful-like, jerking his head all around, with his eyes open wide, and looking scared we was going to throw something at him. He stopped in the middle of the ward.

“Yea, Casey!” Carnahan said in a low, clear voice.

Casey looked at him sharp.

“Yea, Casey!” we all said. “Come aboard, you hairy old bastard!”

Casey shook hands with himself over his head and went into his dance. He grinned… and I swear to God it was Slop Chute’s big, lopsided grin he had on.

For the first time in my whole damn life I wanted to cry.

Some people will tell you that Fritz Leiber was born backstage, in the traditional trunk, during the witches’ scene in Macbeth. This is not true. But he did grow up in an atmosphere of greasepaint and iambic monologue; and he did put in at least one season of Shakespearean barnstorming himself. He also studied for the ministry, acted in Hollywood, taught at a college, worked in a factory, and edited a science magazine. But all that time he was writing, too.

Very few authors are equally successful with fantasy and science fiction. Leiber already had a reputation in Weird Tales when, in 1943, two novels of his appeared almost simultaneously in Astounding and Unknown Worlds. “Gather Darkness” is still generally regarded as one of the best American science-fiction novels; “Conjure Wife” is a modern fantasy with the unique distinction of being the only story that has ever frightened me the third time through.

Two years ago, after a silence of five years, Leiber began writing fiction again, (HE’S BACK!, one magazine cover shouted.) Last year, a two-part serial of his in Galaxy took the “Hugo” award for best novel of the year at the World Science-Fiction Convention. Most hopeful news we’ve had this year is that Leiber at last is writing full-time. (Well, almost—just a bit of tournament chess on the side.)

Gummitch was a superkitten, as he knew very well, with an I.Q. of about 160. Of course, he didn’t talk. But everybody knows that I.Q. tests based on language ability are very one-sided. Besides, he would talk as soon as they started setting a place for him at table and pouring him coffee. Ashurbanipal and Cleopatra ate horsemeat from pans on the floor and they didn’t talk. Baby dined in his crib on milk from a bottle and he didn’t talk. Sissy sat at table but they didn’t pour her coffee and she didn’t talk—not one word. Father and Mother (whom Gummitch had nicknamed Old Horsemeat and Kitty-Come-Here) sat at table and poured each other coffee and they did talk. Q.E.D.