Damon Knight - Orbit 15

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A man of no perspective and small importance, my uncle. A man committed to the service of his state, my uncle. A man who liked to pick his teeth and hear an occasional dirty story, my uncle.

Just one of the men who was commissioned to haul off giant’s shit. Not so terribly different from you, Polonius. Nor, I suppose, from me. Who among us is really that different?

At any rate, “It’s just a job,” my uncle liked to joke. “It’s no great matter.” One sniff would have convinced you otherwise. It was great matter indeed, and offensive.

But my uncle did his duty, every time the Man-Mountain was moved to do his, and he made a little extra pocket money selling fetish items to the curious, the kinky, the artistically sensitive.

In only a week’s time he had enough to buy a new wheelbarrow, a red one. He pushed it with his head in a cloud, serving the state. The exquisite vapor of the proud laborer emanated from every pore.

Of course, this could not last. People lost interest; my uncle’s markets dried up. The High Museum of Art can put on display only so many artificially fossilized, free-form coprolites.

The red wheelbarrow remained, that and my uncle’s pride. Although my aunt had adjusted to the new wheelbarrow and her husband’s pride, she could not accept her family’s sudden effluviance.

Eventually she moved. Later she suggested a trial separation. Finally she filed for divorce. And there was my uncle, a man of no perspective, brokenheartedly pushing his barrow in the service of the state.

Why don’t I recant? How can I deny the existence of our departed giant when my very own uncle still moves within the aura of his presence? How betray my uncle again? The answer is, I can’t.

6. Just what is it you want?

Pygmies on a green strand, the roof rolled back.
The glinting of a gigantic scimitar.
Two marbled eyes bathing in the zodiac.
And whinnying horses on a brackish shore.

7. That’s all very well, but not very precise.

Would you like some advice?

The bitten gold coin
Leaves its spittle on the palm:
A philanthropy.

So too with advice.
Cruel girls, studying ballet,
Laugh at the legless.

And that, inmates, is our show for today.
Look in tomorrow for
fun, prizes, excitement galore.
Try to guess
the identity
of our mystery interogee. . . .

It could be

YOU!

~ * ~

I go to the skinned eye of my cell
and with my fingernail
slide the panel across the screeing balloon of Polonius’ face:

Pop!

And all around me the perspiring mortar
of the Mildendo Madhouse, the night sweat of expressionless
stone.
I see Polonius hanging on the wall. I see his grin.

viii Dissertation on the Burial Customs of the Lilliputians

We bury the dead man on his head, inter
his corpse upside down. Mouthing dirt, he grows
into the encoffining loam like a tuber;
not carrots, nor turnips, nor sweet potatoes

point downward more tenaciously than he.
In eleven thousand moons the Earth will turn
over upon itself. The dead will shake free,
their eyes clotted with poinsettia and fern.

Each corpse will slip through bog: a human plant
writhing its tendrils at a tarnished sun,
moving its mired roots, doffing wet dirt,
mouthing bald bulbs.
Little wonder that I can’t
term such topsy-turvy interment fun:
What vegetable love does not traduce the heart?

ix A Vision of Horses Comforts the Madman

On the lawn,
on the asylum lawn are horses,
many horses.

Years ago,
we evacuated them from the beach
at Blefuscu,
under heavy assault, martial duress:
banners, helmets, half-pikes, blades—
a veritable parade of slaughter.

(See
how their entrails—
horses’ entrails—
spill from their bellies
like
sodden ladies’ scarves
glistering
in the rain!)

Still,
many were saved
& hoisted up onto
the slimy decks of men-of-war
& galleon-galloped home.

Now,
on the asylum lawn
(where we retired them),
they scarcely move, but wear out
the grass
with yellow teeth & heavy hooves.

I am behooved
to watch them,
grey apparitions
in the incandescent sun—
nightmares & nightgeldings,
also nightstallions,
all in the full noon
of an incandescent sun.

Because I must,
I watch: In the apparitions
of old horses
resides a kind of balm,
an unguent
without urgency,
but not without sting.

It is
an infinitely equine,
infinitely patient thing.

Like them,
like black, like bay,
like dapple-grey horses,
I have never learned
to say
the thing which is not—

except in dreams,
like this equivocal little one
that I have sung:

Gulliver, one day, will return.

Unlike
my horses on the lawn
(the black, the bay, the dapple-grey),
substantial apparitions all,
I am myself
a thing which is not.

Ergo,
my every equivocation
is the truth.

In my singing,
the thing which is not
is a thing which is not,
for in my singing
is the equivocal truth:
Gulliver, one day, will return.

In the madhouse outside Mildendo
I sit at the window. I leer out.

ERNIE

Lowell Kent Smith

Someone who really cared about you, in a place

like that—how could he be real?

They took him to L. A. General.

He was an old man and he was sick.

When he woke up he was in a hospital bed. He was scared. He was afraid of hospitals. He’d never been sick before. So he was scared. The room was too clean. When you’re used to the street, clean places make you edgy. And there were no smells in the room. And it was sunny—too bright for his eyes.

They had him in a hospital gown. He felt naked. He rarely took a bath and just having his clothes off frightened him.

He felt cut off from his past, from reality. While he was unconscious the real world had seeped away from him. Or they had stolen it.

He closed his eyes, put his hands over his face and tried to remember. Tried to see in his mind’s eye what had happened, why he was in the hospital. But all he could see in the past was the street. An endless succession of nights in the street, all alike. And then this room.

He shivered. Then, after gazing at the clean, odorless, sunny room for some time, he pulled the blanket over his face, closed his eyes and waited.

After a time he slept.

~ * ~

He awoke because someone was calling his name.

“Bill,” the voice said. “Bill?”

He was Bill. The voice knew him. He opened his eyes and pulled the blanket down so he could see where the voice came from.

There was a screen in the ceiling over his bed. A gray-haired man, dressed in rumpled white, was on the screen. “Are you feeling any better, Bill?”

“Who are you?” said Bill.

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