Damon Knight - Orbit 20

As you see, I returned alive from the park after all. Tonight before I retire I will eat an egg; but first I will briefly set down my experiences.

The park lies on the opposite side of the Washington Channel, between the city and the river. It can be reached by land only at the north end. Not choosing to walk so far and return, I hired a little boat with a tattered red sail to carry me to the southern tip, which is called Hains Point. Here there was a fountain, I am told, in the old times; but nothing remains of it now.

We had clear, sunny spring weather, and made our way over exhilarating swells of wave with nothing of the deadly wallowing that oppressed me so much aboard the Princess Fatimah. I sat in the bow and watched the rolling greenery of the park on one side of the channel and the ruins of the old fort on the other, while an elderly man handled the tiller, and his thin, sun-browned granddaughter, aged about eleven, worked the sail.

When we rounded the point, the old man told me that for very little more he would take me across to Arlington to see the remains of what is supposed to be the largest building of the country’s antiquity. I refused, determined to save that experience for another time, and we landed where a part of the ancient concrete coping remained intact.

The tracks of old roads run up either shore; but I decided to avoid them, and made my way up the center, keeping to the highest ground in so far as I could. Once, no doubt, the whole area was devoted to pleasure. Very little remains, however, of the pavilions and statuary that must have dotted the ground. There are little, worn-away hills that may once have been rockeries but are now covered with soil, and many stagnant pools. In a score of places I saw the burrows of the famous giant American rats, though I never saw the animals themselves. To judge from the holes, their size has not been exaggerated—there were several I could have entered with ease.

The wild dogs, against which I had been warned by both the hotel manager and the old boatman, began to follow me after I had walked about a kilometer north. They are short-haired, and typically blotched with black and brown flecked with white. I would say their average weight was about twenty-five kilos. With their erect ears and alert, intelligent faces they did not seem particularly dangerous; but I soon noticed that whichever way I turned, the ones in back of me edged nearer. I sat on a stone with my back to a pool and made several quick sketches of them, then decided to try my pistol. They did not seem to know what it was, so I was able to center the red aiming laser very nicely on one big fellow’s chest before I pressed the stud for a high energy pulse.

For a long time afterward, I heard the melancholy howling of these dogs behind me. Perhaps they were mourning their fallen leader. Twice I came across rusting machines that may have been used to take invalids through the gardens in such fair weather as I myself experienced today. Uncle Mirza says I am a good colorist, but I despair of ever matching the green-haunted blacks with which the declining sun painted the park.

I met no one until I had almost reached the piers of the abandoned railway bridge. Then four or five Americans who pretended to beg surrounded me. The dogs, who as I understand it live mostly upon the refuse cast up by the river, were more honest in their intentions and cleaner in their persons. If these people had been like the pitiful creatures I had met in the Silent City, I would have thrown them a few coins; but they were more or less able-bodied men and women who could have worked, and chose instead to rob. I told them that I had been forced to kill a fellow countryman of theirs (not mentioning that he was a dog) who had assaulted me; and asked where I could report the matter to the police. At that they backed off, and permitted me to walk around the northern end of the channel in peace, though not without a thousand savage looks. I returned here without further incident, tired and very well satisfied with my day.

I have eaten one of the eggs! I confess I found it difficult to take the first taste; but marshaling my resolution was like pushing at a wall of glass—all at once the resistance snapped, and I picked the thing up and swallowed it in a few bites. It was piercingly sweet, but there was no other flavor. Now we will see. This is more frightening than the park by far.

Nothing seemed to be happening, so I went out to dinner. It was twilight, and the carnival spirit of the streets was more marked than ever—colored lights above all the shops, and music from the rooftops where the wealthier natives have private gardens. I have been eating mostly at the hotel, but was told of a “good” American-style restaurant not too far south on Maine Street.

It was just as described—people sitting on padded benches in alcoves. The table tops are of a substance like fine-grained, greasy, artificial stone. They looked very old. I had the Number One Dinner—buff-colored fish soup with the pasty American bread on the side, followed by a sandwich of ground meat and raw vegetables doused with a tomato sauce and served on a soft, oily roll. To tell the truth, I did not much enjoy the meal; but it seems a sort of duty to sample more of the American food than I have thus far.

I am very tempted to end the account of my day here, and in fact I laid down this pen when I had written thus far, and made myself ready for bed. Still, what good is a dishonest record? I will let no one see this—just keep it to read over after I get home.

Returning to the hotel from the restaurant, I passed the theater. The thought of seeing Ellen again was irresistible; I bought a ticket and went inside. It was not until I was in my seat that I realized that the bill had changed.

The new play was Mary Rose. I saw it done by an English company several years ago, with great authenticity; and it struck me that (like Mary herself) it had far outlived its time. The American production was as inauthentic as the other had been correct. For that reason, it retained—or I should have said it had acquired —a good deal of interest.

Americans are superstitious about the interior of their country, not its coasts, so Mary Rose’s island had been shifted to one of the huge central lakes. The highlander, Cameron, had accordingly become a Canadian, played by General Powers’ former aide. The Speldings had become the Morelands, and the Morelands had become Americans. Kreton was Harry, the knife-throwing wounded soldier; and my Ellen had become Mary Rose.

The role suited her so well that I imagined the play had been selected as a vehicle for her. Her height emphasized the character’s unnatural immaturity, and her slenderness, and the vulnerability of her pale complexion, would have told us, I think, if the play had not, that she had been victimized unaware. More important than any of these things was a wild and innocent affinity for the supernatural, which she projected to perfection. It was that quality alone (as I now understood) that had made us believe on the preceding night that Kreton’s spaceship might land in the Speldings’ rose garden—he would have been drawn to Ellen, though he had never seen her. Now it made Mary Rose’s disappearances and reappearances plausible and even likely; it was as likely that unseen spirits lusted for Mary Rose as that Lieutenant Blake (previously John Randolf) loved her.

Indeed it was more likely. And I had no sooner realized that, than the whole mystery of Mary Rose— which had seemed at once inexplicable and banal when I had seen it well played in Teheran —lay clear before me. We of the audience were the envious and greedy spirits. If the Morelands could not see that one wall of their comfortable drawing room was but a sea of dark faces, if Cameron had never noticed that we were the backdrop of his island, the fault was theirs. By rights then, Mary Rose should have been drawn to us when she vanished. At the end of the second act I began to look for her, and in the beginning of the third I found her, standing silent and unobserved behind the last row of seats. I was only four rows from the stage, but I slipped out of my place as unobtrusively as I could, and crept up the aisle toward her.