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Марта Уэллс: Rogue Protocol

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Марта Уэллс Rogue Protocol

Rogue Protocol: краткое содержание, описание и аннотация

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Rogue Protocol is the third entry in Martha Wells’s Hugo, Nebula, Alex, and Locus Award-winning, New York Times and USA Today bestselling series, The Murderbot Diaries. Starring a human-like android who keeps getting sucked back into adventure after adventure, though it just wants to be left alone, away from humanity and small talk. Who knew being a heartless killing machine would present so many moral dilemmas? Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah’s SecUnit is. And Murderbot would rather those questions went away. For good. cite — New York Times bestselling author Ann Leckie

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I did stop in the ring mall, at an automated kiosk that sold feed interfaces for non-augmented humans, portable display surfaces, and memory clips. The clips were for extra data storage, and were each about the size of a fingertip. They were used by humans who had to set up new systems or travel to places that didn’t have the feed, or who wanted to store data somewhere that wasn’t feed accessible. (Though company SecSystems had ways of reading them; clients sometimes tried to hide proprietary data on them.) I bought a set of clips with my hard currency card. (I saw it still had plenty of money left on it; Tapan and the others must have paid me a lot.)

The private docks were never as busy as the public ones, with just a few humans heading in or out, and lots of hauler bots moving cargo. I scanned for drones as I crossed the embarkation floor, but there were only two there to monitor hauler bot activity. I found the supply ship’s lock and pinged it to see if anyone was home. The bot pilot pinged back.

It was a lower-level bot, not high functioning enough to be bored while in dock or interested in the prospect of something to do. Like the transport bots I’d run into (ART was the exception) it communicated in images. Yes, it was a supply ship. Yes, it was going to Milu, it went to Milu on a forty-seven-cycle schedule. An update had come from transit control that it was to hold its departure, but it expected clearance sometime in the next two cycles. It was like talking to a recorded travelers’ information ad.

But I figured I’d gotten lucky for once.

I made it think I had Port Authority authorization and asked it to let me board, and it did. Then I gently excised my entrance from its memory. As far as it was concerned, I had always been onboard. I didn’t like to do it; I like to negotiate with bot pilots. But this one was so limited, I was afraid it was incapable of making a deal and sticking to it. I didn’t want to risk it telling the Port Authority about me because it didn’t understand why that was a bad idea.

I went down a short corridor into the main compartment and found the passage into the cargo and supply storage. It was small, just big enough for a console used to attach and remove the two cargo modules, and the lockers for onboard supplies. Both modules were already attached, so if the ship were waiting for cargo, one would have to be detached and reloaded. With the configuration of the crew area, that shouldn’t affect me, though.

I used the time to search around, mostly because I was a little edgy and it’s still programmed habit to patrol. Ship’s repair drones followed me, attracted by a moving body where there wasn’t supposed to be one, but without direction from Ship they didn’t bother me. There were no private cabins, just a couple of bunks built against the bulkheads up on the control deck next to the pilot suite, and two more in cubbies behind the cargo station, next to the emergency MedSystem and a tiny restroom cubby. I didn’t need it, and it would be a relief not to have to pretend to use it often enough to look human. Though I was getting used to having access to a human shower. Compared to a company security ready room, the accommodations were lavish. I settled on one of the bunks on the control deck and started sorting my new media.

(Okay, I should have realized that the pacs of bedding and other supplies in one of the lockers were probably there for a reason.)

After trying and rejecting a few newly downloaded shows, I started on a first episode that looked promising. It took place in an alt-world with magic and improbable talking weapons. (Improbable because I was a talking weapon and I knew how people felt about me.)

Some twenty or so hours later, I was still deep in the show, and enjoying my human-free vacation. Fortunately, when the life support cycled on, I felt the air pressure increase. (I don’t need much air, and can always go into hibernation mode if I run out, so the minimal atmosphere on automated transports is fine for me.)

I paused the show and sat up. I queried the bot pilot and asked if anyone was coming aboard. Yes, the two passengers were coming aboard, and it had received an update from transit authority that it was now cleared to file for a departure time.

Another one of those “oh shit” moments.

I’d searched the ship already, at least, so I had a couple of likely spots in mind. I rolled off the bunk, remembered to grab my bag, dropped down the vertical passage to the main compartment. I crossed the compartment and went down the passage to the cargo area. I picked the locker that was the least accessible, and shifted the contents around until I could squeeze myself into the back, the supply pacs screening me from view. I cozied up to the bot pilot and reminded it I was supposed to be here and there was no need to mention me to anybody else, including its passengers and the Port Authority. It didn’t have any security cameras (transports not controlled by corporate political entities rarely do) but it did have the drones. With their scanners, I had a good view of all the interior compartments, once I filtered out the maintenance data I didn’t need.

Sixteen minutes later, the lock cycled and two passengers came aboard. Two augmented humans, carrying traveling packs and a couple of cases I recognized immediately. Combat gear, including armor and weapons.

Huh. Bots were more common for combat than humans for the same reason SecUnits were more common for security contracts: if we don’t follow orders, we get our brains fried. But there were joint corporate and other political entity treaties about the use of combat bots. (Though everybody seemed to find ways around that. It was a pretty common plot on some of the serials from outside the Corporation Rim.)

I listened in with the drones and Ship’s feed, but the two humans didn’t talk much, just stowing their gear with occasional remarks to each other. From their feed signatures, I knew their names were Wilken and Gerth. It was too much to expect that they would chat about why they were going to Milu, but there were ways.

As a SecUnit, a large part of my function was helping the company record everything my clients did and said so the company could data mine it and sell anything worthwhile. (They say good security comes at a price and the company takes that literally.) Most of the recordings are just junk that gets deleted, but it has to be analyzed first and the good bits pulled out. Normally this is done in conjunction with a SecSystem, but I can do it alone and I still have all the code for it. It was taking up space in my storage that could have been used for media, but it was also something I couldn’t replace on the fly.

While the two humans pulled some supply pacs from the locker I wasn’t in and got settled, I adjusted the drones’ code to let them record. Once I collected enough data, I could start the analysis in background.

As Ship disengaged from the lock and started its trip to Milu, I was already watching my new show again.

* * *

It took twenty cycles by Ship’s local time to get to Milu.

I hadn’t expected it to bother me. I’ve been in transport boxes and cubicles for much longer, and a lot of those trips were before I hacked my governor module and started downloading media. But I wasn’t used to traveling as cargo anymore, even with new shows, serials, and several hundred books to go through. The transient rest tube hadn’t bothered me, and I had spent three other transport trips, including the one with ART, mostly without moving. I wasn’t sure what the difference was. Okay, maybe I was sure: in all the other spaces, I’d had the ability to move whenever I wanted.

Whatever, it was a relief when Ship reported that it was on approach to Milu. Two minutes later I realized I was picking up the station feed, but there was nothing on it. Usually there’s traffic and docking information, potential navigation hazards, travelers’ news, that kind of thing, but here there was nothing. I checked with Ship, who reported that there was no other traffic on approach, but this matched with its previous experiences docking at this station. (I had watched a serial once that featured a dead haunted station and okay, that was unlikely, but it’s better to make sure.)

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