• Пожаловаться

Philip Dick: Confessions of a Crap Artist

Здесь есть возможность читать онлайн «Philip Dick: Confessions of a Crap Artist» весь текст электронной книги совершенно бесплатно (целиком полную версию). В некоторых случаях присутствует краткое содержание. Город: New York, год выпуска: 1992, ISBN: 0679741143, издательство: Vintage, категория: Фантастика и фэнтези / на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале. Библиотека «Либ Кат» — LibCat.ru создана для любителей полистать хорошую книжку и предлагает широкий выбор жанров:

любовные романы фантастика и фэнтези приключения детективы и триллеры эротика документальные научные юмористические анекдоты о бизнесе проза детские сказки о религиии новинки православные старинные про компьютеры программирование на английском домоводство поэзия

Выбрав категорию по душе Вы сможете найти действительно стоящие книги и насладиться погружением в мир воображения, прочувствовать переживания героев или узнать для себя что-то новое, совершить внутреннее открытие. Подробная информация для ознакомления по текущему запросу представлена ниже:

Philip Dick Confessions of a Crap Artist

Confessions of a Crap Artist: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Confessions of a Crap Artist»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Confessions of a Crap Artist is one of Philip K. Dick’s weirdest and most accomplished novels. Jack Isidore is a crap artist—a collector of crackpot ideas (among other things, he believes that the earth is hallow and that sunlight has weight) and worthless objects, a man so grossly unequipped for real life that his sister and brother-in-law feel compelled to rescue him from it. But seen through Jack’s murderously innocent gaze, Charlie and Juddy Hume prove to be just as sealed off from reality, in thrall to obsessions that are slightly more acceptable than Jack’s, but a great deal uglier.

Philip Dick: другие книги автора


Кто написал Confessions of a Crap Artist? Узнайте фамилию, как зовут автора книги и список всех его произведений по сериям.

Confessions of a Crap Artist — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Confessions of a Crap Artist», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

Worse than anything else, Fay could never find a baby sitter up there in the country, and the consequence was that gradually she and Charley stopped visiting people. People had to visit them, and it took an hour and a half of difficult driving to get up there to Drake’s Landing from San Francisco.

And yet, they loved the house. They had four black-faced sheep cropping grass outside their glass side, their arabian horses, a collie dog as large as a pony that won prizes, and some of the most beautiful imported ducks in the world. During the time that I lived up there with them, I enjoyed some of the most interesting moments of my life.

3

In his Ford pick-up truck he drove with Elsie on the seat beside him, bouncing up and down as they turned across the gravel, from the asphalt, using the shoulders of the road. On the hillside sheep grazed. A white farmhouse below them.

“Will you get me some gum?” Elsie asked. “At the store? Will you get me some Black Jack gum?”

“Gum,” he said, clutching the wheel. He drove faster; the steering wheel spun in his hands. I have to get a box of Tampax, he said to himself. Tampax and chewing gum. What will they say down at the Mayfair Market? How can I do it?

He thought, How can she make me do it? Buy her Tampax for her.

“What do we have to get at the store?” Elsie chanted.

“Tampax,” he said. “And your gum.” He spoke with such fury that the baby turned to peer fearfully up at him.

“W-what?” she murmured, shrinking away to lean against the door.

“She’s embarrassed to buy it,” he said, “so I have to buy it for her. She makes me walk in and buy it.” And he thought, I’m going to kill her.

Of course, she had a good excuse. He had had the car—had been at friends’, down in Olema… .she phoned, said would he pick it up on his drive back. And the Mayfair closed in an hour or so; it closed either at five or six, he could not remember exactly. Sometimes one time, some days—weekdays—another.

What happens? he wondered, if she doesn’t get it? Do they bleed to death? Tampax a stopper, like a cork. Or—he tried to imagine it. But he did not know where the blood came from. One of those regions. Hell, I’m not supposed to know about that. That’s her business.

But, he thought, when they need it they need it. They have to get hold of it.

Buildings with signs appeared. He entered Point Reyes Station by crossing the bridge over Paper Mill Creek. Then the marsh lands to his left… the road swung to the left, past Cheda’s Garage and Harold’s Market. Then the old abandoned hotel.

In the dirt field that was the Mayfair’s parking lot he parked next to an empty hay truck.

“Come on,” he said to Elsie, holding the door open for her. She did not stir and he grabbed her by the arm and swung her from the seat and down; she stumbled and he kept his grip on her, leading her away from the car, toward the street.

I can buy a lot of stuff, he thought. Get a whole basketful and then they won’t notice.

In the entrance of the Mayfair, fright overcame him; he stopped and bent down, pretending to tie his shoe.

“Is your shoe untied?” Elsie asked.

He said, “You know god damn well it is.” He untied the lace and retied it.

“Don’t forget to buy the Tampax,” Elsie told him.

“Shut up,” he said with fury.

“You’re a bad boy,” Elsie said, beginning to cry. Her voice wailed. “Go away.” She began to slap at him; he straightened up and she retreated, still slapping.

Taking hold of her arm he propelled her into the store, past the wooden counters, to the shelves of canned food. “Listen, god damn you,” he said to her, bending down. “You keep still and stick close to me, or when we get back to the car I’m going to whale you good; you hear me? You understand? If you keep quiet I’ll get you your gum. You want your gum? You want the gum?” He led her to the candy rack by the door. Reaching down he gave her two packages of Black Jack gum. “Now keep quiet,” he said, “so I can think. I have to think.” He added, “I have to remember what I’m supposed to get.”

He put bread and a head of lettuce and a package of cereal into a cart; he bought several things that he knew were always needed, frozen orange juice and a carton of Pall Malls. And then he went by the counter where the Tampax was. Nobody was around. He put a box of the Tampax into the cart, down with the other items. “Okay,” he said to Elsie. “We’re through.” Without slowing he pushed the cart toward the check stand.

At the check stand two of the women clerks, in their blue smocks, stood bending over a snapshot. A woman customer, an older lady, had handed it to them; the three of them discussed the snapshot. And, directly across from the check stand, a young woman examined the different wines. So he wheeled the cart back to the rear of the store and began unloading the different items from it. But then he realized that the clerks had seen him pushing the cart, so he could not empty it; he had to buy something, or they would think it was strange, him filling a cart and then a little later walking out without buying anything. They might think he was sore. So he put only the Tampax box back; the rest he kept in the cart. He wheeled the cart back to the check stand and got in line.

“What about the Tampax?” Elsie asked, in a voice so overlain with caution that, had he not known what word was meant, he would not have been able to understand her.

“Forget it,” he said.

After he had paid the clerk he carried the bag of groceries across the street to the pick-up truck. Now what? he asked himself, feeling desperate. I have to get it. And if I go back I’ll be more conspicuous than ever. Maybe I can drive down to Fairfax and get it, at one of those big new drugstores.

Standing there, he could not decide. Then he caught sight of the Western Bar. What the hell, he thought. I’m going to sit in there and decide. He took hold of Elsie’s hand and led her down the street to the bar. But, on the brick steps, he realized that with the child along he could not get in.

“You’re going to have to stay in the car,” he told her, starting back. At once she began to cry and drag against his weight. “For a couple of seconds—you know they won’t let you in the bar.”

“No!” the child screamed, as he dragged her back across the street. “I don’t want to sit in the car. I want to go with you!”

He put her into the cab of the truck and locked the doors.

God damn people, he thought. Both of them. They’re driving me out of my cottonplucking mind.

At the bar he drank a Gin Buck. No one else was there, so he felt relaxed and able to think. The bar was as always dark, spacious.

I could go into the hardware store, he thought, and buy her some kind of a present. A bowl or something. A kitchen gadget.

And then the intention to kill her returned. I’ll go home and run into the house and beat the shit out of her, he thought. I’ll beat her; I will.

He had a second Gin Buck.

“What time is it? he asked the bartender.

“Five fifteen,” the bartender said. Several other men had wandered in and were drinking beer.

“Do you know what time the Mayfair closes?” he asked the bartender. One of the men said he thought it closed at six. An argument began between him and the bartender.

“Forget it,” Charley Hume said.

After he had drunk down a third Gin Buck he decided to go back to the Mayfair and get the Tampax. He paid for his drinks and left the bar. Presently he found himself back in the Mayfair, roaming around among the shelves, past the canned soups and packages of spaghetti.

In addition to the Tampax he bought a jar of smoked oysters, a favorite of Fay’s. Then he returned to the pick-up truck. Elsie had fallen asleep, resting against the door. He pulled on the door for a moment, trying to open it, and then he remembered that he had locked it. Where the hell was the key? Putting down his paper bag he groped in his pockets. Not in the ignition switch… he put his face to the doorwindow. God in heaven, it wasn’t there either. So where could it be? He rapped on the glass and called,

Читать дальше
Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Confessions of a Crap Artist»

Представляем Вашему вниманию похожие книги на «Confessions of a Crap Artist» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё не прочитанные произведения.


Отзывы о книге «Confessions of a Crap Artist»

Обсуждение, отзывы о книге «Confessions of a Crap Artist» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.