Jasper Fforde - The Well of Lost Plots

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Thursday Next: the story so far
Swindon, Wessex, England,
1985. SpecOps is the agency responsible for policing areas considered too specialised to be tackled by the regular force, and Thursday Next is attached to the literary detectives at SpecOps 27. Following the successful return of Jane Eyre to the novel of the same name, vanquishing master criminal Acheron Hades and bringing peace to the Crimean peninsula, she finds herself a minor celebrity.
On the trail of the seemingly miraculous discovery of the lost Shakespeare play
, she crosses swords with Yorrick Kaine, escapee from fiction and neo-fascist politician. She also finds herself blackmailed by the vast multinational known as the Goliath Corporation, who want their operative Jack Schitt out of Edgar Allan Poe's 'The Raven' in which he was imprisoned. To achieve this they call on Lavoisier, a corrupt member of the time-travelling SpecOps elite, the ChronoGuard, to kill off Thursday's husband. Travelling back thirty-eight years, Lavoisier engineers a fatal accident for the two-year-old Landen, but leaves Thursday's memories of him intact — she finds herself the only person who knows he once lived.
In an attempt to rescue her eradicated husband, she finds a way to enter fiction itself — and discovers that not only is there a policing agency within the BookWorld known as Jurisfiction, but that she has been apprenticed as a trainee agent to Miss Havisham of
. With her skills at bookjumping growing under Miss Havisham's stern and often unorthodox tuition, Thursday rescues Jack Schitt, only to discover she has been duped. Goliath have no intention of reactualising her husband, and instead want her to open a door into fiction, something Goliath has decided is a 'rich untapped marketplace' for their varied but ultimately worthless products and services.
Thursday, pregnant with Landen's child and pursued by Goliath and Acheron's little sister Aornis, an evil genius with a penchant for clothes shopping and memory modification, decides to enter the BookWorld and retire temporarily to the place where all fiction is created: the Well of Lost Plots. Taking refuge in an unpublished book of dubious quality as part of the Character Exchange Programme, she
she will have a quiet time.

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He stopped kissing me and took a step back.

'Thursday, this is all wrong .'

'What could be wrong?' I asked, staring at him unsteadily. 'Do you want to come and see my bedroom? It has a great view of the ceiling.'

I stumbled slightly and held the back of the sofa.

'What are you staring at?' I asked Pickwick, who was glaring at me.

'My head's thumping,' muttered Arnold.

'So's mine,' I replied.

Arnold cocked his head and listened.

'It's not our heads — it's the door.'

'The door of perception,' I noted, 'of heaven and hell.'

He opened the door and a very old woman dressed in blue gingham walked in. I started to giggle but stopped when she strode up to me and took away my wineglass.

'How many glasses have you had?'

'Two?' I replied, leaning against the table for support.

'Bottles,' corrected Arnie.

'Crates,' I added, giggling, although nothing actually seemed that funny all of a sudden. 'Listen here, Gingham Woman,' I added, wagging my finger, 'give me my glass back.'

'What about the baby?' she demanded, staring at me dangerously.

'What baby? Who's having a baby? Arnie, are you having a baby?'

'It's worse than I thought,' she muttered. 'Do the names Aornis and Landen mean anything to you?'

'Not a thing,' I replied, 'but I'll drink to them, if you want. Hello, Randolph.'

Randolph and Lola had arrived at the doorstep and were staring at me in shock.

'What?' I asked them. 'Have I grown another head or something?'

'Lola, fetch a spoon,' said Gingham Woman. 'Randolph, take Thursday to the bathroom.'

'Why?' I asked as I collapsed in a heap. 'I can walk.'

The next thing I saw was the view down the back of Randolph's legs and the living-room floor, then the stairs as I was carried up over his shoulder. I started to giggle but the rest was a bit blurry. I remember choking and throwing up in the loo, then being deposited in bed, then starting to cry.

'She died. Burned.'

'I know, darling,' said the old woman. 'I'm your grandmother, do you remember?'

'Gran?' I sobbed, realising who she was all of a sudden. 'I'm sorry I called you Gingham Woman!'

It's okay. Perhaps being drunk is for the best. You're going to sleep now, and dream — and in that dream you'll do battle to win back your memories. Do you understand?'

'No.'

She sighed and wiped my forehead with her small pink hand. It felt reassuring and I stopped crying.

'Be vigilant, my dear. Keep your wits about you and be stronger than you have ever been. We'll see you on the other side, come the morning.'

But she was starting to fade as slumber swept over me, her voice ringing in my ears as my mind relaxed and transported me deep into my subconscious.

27

The lighthouse at the edge of my mind

'The Hades family when I knew them comprised, in order of age: Acheron, Styx, Phlegethon, Cocytus, Lethe, and the only girl, Aornis. Their father died many years previously, leaving their mother in charge of the youthful and diabolical family all on her own. Described once by Vlad the Impaler as 'unspeakably repellent', the Hades family drew strength from deviancy and committing every sort of horror that they could. Some with panache, some with half-hearted seriousness, others with a sort of relaxed insouciance about the whole thing. Lethe, the 'white sheep' of the family, was hardly cruel at all — but the others more than made up for him. In time, I was to defeat three of them.'

THURSDAY NEXT — Hades. Family from Hell

A wave burst on the rocks behind me, showering me with cold water and flecks of foam. I shivered. I was on a rocky outcrop in the darkest gale-torn night, and before me stood a lighthouse. The wind whistled and moaned around the tower and a flash of lightning struck the apex. The bolt coursed down the earthing cable and trailed a shower of sparks, leaving behind the acrid stench of brimstone. The lighthouse was as black as obsidian and, as I looked up, it seemed as though the arc lamp rotating within the vast lenses was floating in midair. The light swept through the inky blackness illuminating nothing but a heaving, angry sea. I looked backwards in my mind but could see nothing — I was without memory or past experiences. This was the loneliest outpost of my subconscious, a memoryless island where nothing existed other than that which I could feel and see and smell at this moment in time. But I still had emotions, and I was aware of a sense of danger, and purpose. Somehow I understood I was here to vanquish — or be vanquished.

Another wave burst behind me and with beating heart I pulled on the locking lever of the steel front door and was soon inside, safe from the gale. The door securely fastened, I looked around. There was a central spiral staircase but nothing else — not a stick of furniture, a book, a packing case; nothing.

I shivered again and pulled out my gun.

'A lighthouse,' I murmured, 'a lighthouse in the middle of nowhere.'

I walked slowly up the concrete steps, keeping a careful watch as they curved away out of sight. The first floor was empty and I moved on up, each circular room I reached devoid of any signs of habitation. In this way I slowly climbed the tower, gun arm outstretched and trembling with a dread of impending loss that I could not control, nor understand. On the top floor the spiral staircase ended; a steel ladder was the only means by which to climb any higher. I could hear the electric motors that drove the rotating lamp whine above me, the bright white light shining through the open roof hatch as the beam swept slowly about. But this room was not empty. Sitting in an armchair was a young woman in the process of powdering her nose with the help of a small hand mirror.

'Who are you?' I asked, pointing my gun at her.

She lowered the mirror, smiled and looked at the pistol.

'Dear me!' she exclaimed. 'Always the woman of action, aren't you?'

'What am I doing here?'

'You really don't know, do you?'

'No,' I replied, lowering the gun. I couldn't remember any facts but I could feel love, and loss, and frustration, and fear. The woman was linked to one of these but I didn't know which.

'My name,' said the young woman, 'is—'

She stopped, and smiled again.

'No, I think even that is too much.'

She rose and walked towards me.

'All you need to know is that you killed my brother.'

'I'm a murderer?' I whispered, searching in my heart for guilt of such a crime and finding none. 'I … I don't believe you.'

'Oh, it's true,' she said, 'and I will have my revenge. Let me show you something.'

She took me to the window and pointed. There was another flash of lightning and the view outside was illuminated. We were on the edge of a massive waterfall which curved away from us into the darkness. The ocean was emptying over the edge; millions of gallons every second, falling into the abyss. But that wasn't all. In another flash of lightning I could see that the waterfall was rapidly eroding the small island on which the lighthouse was built — as I watched, the first piece of the rocky outcrop fell away noiselessly and disappeared into space.

'What's happening?' I demanded.

'You are forgetting everything,' she said simply, sweeping her hands in the direction of the room. 'These are a just a few of your memories I have cobbled together — a last stand, if you like. The storm, the lighthouse, the waterfall, the night, the wind — none of them is real.' She walked closer to me until I could smell her perfume. 'All this is merely a representation of your mind. The lighthouse is you; your consciousness. The sea around us your experience, your memories — everything that makes you the person you are. They are all draining away like water from a bath. Soon the lighthouse will topple into the void and then—'

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