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Jasper Fforde: The Well of Lost Plots

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Jasper Fforde The Well of Lost Plots

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Thursday Next: the story so far Swindon, Wessex, England, 1985. SpecOps is the agency responsible for policing areas considered too specialised to be tackled by the regular force, and Thursday Next is attached to the literary detectives at SpecOps 27. Following the successful return of Jane Eyre to the novel of the same name, vanquishing master criminal Acheron Hades and bringing peace to the Crimean peninsula, she finds herself a minor celebrity. On the trail of the seemingly miraculous discovery of the lost Shakespeare play , she crosses swords with Yorrick Kaine, escapee from fiction and neo-fascist politician. She also finds herself blackmailed by the vast multinational known as the Goliath Corporation, who want their operative Jack Schitt out of Edgar Allan Poe's 'The Raven' in which he was imprisoned. To achieve this they call on Lavoisier, a corrupt member of the time-travelling SpecOps elite, the ChronoGuard, to kill off Thursday's husband. Travelling back thirty-eight years, Lavoisier engineers a fatal accident for the two-year-old Landen, but leaves Thursday's memories of him intact — she finds herself the only person who knows he once lived. In an attempt to rescue her eradicated husband, she finds a way to enter fiction itself — and discovers that not only is there a policing agency within the BookWorld known as Jurisfiction, but that she has been apprenticed as a trainee agent to Miss Havisham of . With her skills at bookjumping growing under Miss Havisham's stern and often unorthodox tuition, Thursday rescues Jack Schitt, only to discover she has been duped. Goliath have no intention of reactualising her husband, and instead want her to open a door into fiction, something Goliath has decided is a 'rich untapped marketplace' for their varied but ultimately worthless products and services. Thursday, pregnant with Landen's child and pursued by Goliath and Acheron's little sister Aornis, an evil genius with a penchant for clothes shopping and memory modification, decides to enter the BookWorld and retire temporarily to the place where all fiction is created: the Well of Lost Plots. Taking refuge in an unpublished book of dubious quality as part of the Character Exchange Programme, she she will have a quiet time.

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'What about Text Grand Central? Do you know anyone there?'

TGC I had heard of: they monitored the books in the Great Library and passed any textual problems on to us at Jurisfiction, who were purely a policing agency — but I knew no more than that. I shook my head again.

'Blast!' he muttered, staring at the ground. 'I've applied to the C of G for a cross-genre makeover but you might as well try and speak to the Great Panjandrum himself.'

'Why don't you change the book from within ?' I asked.

'Change without permission?' he replied, shocked at my suggestion. 'That would mean rebellion. I want to get the C of G's attention but not like that — we'd be crushed in less than a chapter!'

'But if the inspectorate haven't been round yet,' I said slowly, 'then how would they even know anything had changed?'

He thought about this for a moment.

'Easier said than done — if I start to fool with the narrative it might all collapse like a pack of cards!'

'Then start small,' I proposed, 'change yourself first. If that works, you can try to bend the plot slightly.'

'Y-esss,' said Jack slowly. 'What did you have in mind?'

'Give up the booze.'

'How did you know about my drink problem?'

'All maverick loner detectives with domestic strife have drink problems,' I commented. 'Give up the liquor and go home to your wife.'

'That's not how I've been written,' replied Jack slowly. 'I just can't do it — it would be going against type — the readers—!'

'Jack, there are no readers. And if you don't at least try what I suggest, there never will be any readers — or any Jack Spratt. But if things go well, you might even be in … a sequel.'

'A sequel?' repeated Jack with a sort of dreamy look in his eyes. 'You mean — a Jack Spratt series ?

'Who knows,' I added, 'maybe even one day a boxed set.'

His eyes gleamed and he stood up.

'A boxed set,' he whispered, staring into the middle distance. 'It's up to me, isn't it?' he added in a slow voice.

'Yes. Change yourself, change the book — and soon, before it's too late, make the novel into something the Book Inspectorate will want to read.'

'Okay,' he said at last, 'beginning with the next chapter. Instead of arguing with Briggs about letting a suspect go without charging them, I'll take my ex-wife out to lunch.'

'No.'

'No?'

'No,' I affirmed. 'Not tomorrow or next chapter or even next page or paragraph — you're going to change now .'

'We can't!' he protested. 'There are at least nine more pages while you and I discuss the state of the body with Dr Singh and go through all that boring forensic stuff.'

'Leave it to me,' I told him. 'We'll jump back a paragraph or two. Ready?'

He nodded and we moved to the top of the previous page, just as Briggs was leaving.

Jack did indeed get it and Briggs departed.

He shivered in the cold and looked at the young DS again. 'Mary Jones, eh?'

'Yes, sir.'

'What have you found out so far?'

She dug in her pocket for a notebook, couldn't find it so counted the points off on her fingers instead.

'Deceased's name is Sonny DeFablio.'

'What else?'

'Your wife phoned.'

'She … did?'

'Yes. Said it was important.'

'I'll drop by this evening.'

'She said it was very urgent,' stressed Jones.

'Hold the fort for me, would you?'

'Certainly, sir.'

Jack walked from the crime scene leaving Jones with Dr Singh.

'Right,' said Mary, 'what have we got? …'

* * *

We ran the scene together, Dr Singh telling me all the information that she was more used to relating to Jack. She went into a huge amount of detail regarding the time of death and a more-than-graphic explanation of how she thought it had happened. Ballistics, trajectory, blood-splatter patterns, you name it. I was really quite glad when she finished and the chapter moved off to Jack's improvised meeting with his ex-wife. As soon as we were done, Dr Singh turned to me and said in an anxious tone:

'I hope you know what you're doing.'

'Not a clue.'

'Me neither,' replied the quasi-pathologist. 'You know that long speech I made just now about post-mortem bruising, angles of bullet entry and discoloration of body tissues—?'

'Yes?'

She leaned closer.

'Didn't understand a word. Eight pages of technical dialogue and haven't the foggiest what I'm talking about. I only trained at Generic college as a mother figure in domestic potboilers. If I'd known I was to be drafted to this I would have spent a few hours in a Cornwell. Do you have any clues as to what I'm actually meant to do?'

I rummaged in her bag and brought out a large thermometer.

'Try this.'

'What do I do with it?'

I pointed.

'You're kidding me,' replied Dr Singh, aghast.

3

Three witches, multiple choice and sarcasm

'Jurisfictionis the name given to the policing agency that works inside books. Under a remit from the Council of Genres and working with the intelligence-gathering capabilities of Text Grand Central, the Prose Resource Operatives at Jurisfiction comprise a mixed bag of characters, most drawn from the ranks of fiction but some, like Harris Tweed and myself, from the real world. Problems in fiction are noticed by "spotters" employed at Text Grand Central, and from there relayed to the Bellman, a ten-yearly elected figure who runs Jurisfiction under strict guidelines laid down by the Council of Genres. Jurisfiction has its own code of conduct, technical department, canteen, and resident washerwoman.'

THURSDAY NEXT — The Jurisfiction Chronicles

Mrs Singh didn't waste the opportunity, and she gathered together several other trainee pathologists she knew from the Well. They all sat spellbound as I recounted the limited information I possessed. Exhausted, I managed to escape four hours later. It was evening when I finally got home. I opened the door to the flying boat and kicked off my shoes. Pickwick rushed up to greet me and tugged excitedly at my trouser leg. I followed her through to the living room and then had to wait while she remembered where she had left her egg. We finally found it rolled behind the hi-fi and I congratulated her, despite there being no change in its appearance.

I returned to the kitchen, ibb and obb had been studying Mrs Beeton all day, and ibb was attempting steak Diane with french fries. Landen used to cook that for me and I suddenly felt very lonesome and small, so far from home I might very well be on Pluto, obb was putting the final touches to a fully decorated four-tier wedding cake.

'Hello, ibb,' I said, 'how's it going?'

'How's what going?' replied the Generic in that annoying literal way in which they speak. 'And I'm obb.'

'Sorry — obb .'

'Why are you sorry? Have you done something?'

'Never mind.'

I sat down at the table and opened a package that had arrived. It was from Miss Havisham and contained the Jurisfiction Standard Entrance Exam . Jurisfiction was the policing agency within fiction that I had joined almost by accident — I had wanted to get Jack Schitt out of 'The Raven' and getting involved with the agency seemed to be the best way to learn. But Jurisfiction had grown on me and I now felt strongly about maintaining the solidity of the written word. It was the same job I had undertaken at SpecOps, just from the other side. But it struck me that, on this occasion, Miss Havisham was wrong — I was not yet ready for full membership.

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