Jasper Fforde - The Well of Lost Plots

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Thursday Next: the story so far
Swindon, Wessex, England,
1985. SpecOps is the agency responsible for policing areas considered too specialised to be tackled by the regular force, and Thursday Next is attached to the literary detectives at SpecOps 27. Following the successful return of Jane Eyre to the novel of the same name, vanquishing master criminal Acheron Hades and bringing peace to the Crimean peninsula, she finds herself a minor celebrity.
On the trail of the seemingly miraculous discovery of the lost Shakespeare play
, she crosses swords with Yorrick Kaine, escapee from fiction and neo-fascist politician. She also finds herself blackmailed by the vast multinational known as the Goliath Corporation, who want their operative Jack Schitt out of Edgar Allan Poe's 'The Raven' in which he was imprisoned. To achieve this they call on Lavoisier, a corrupt member of the time-travelling SpecOps elite, the ChronoGuard, to kill off Thursday's husband. Travelling back thirty-eight years, Lavoisier engineers a fatal accident for the two-year-old Landen, but leaves Thursday's memories of him intact — she finds herself the only person who knows he once lived.
In an attempt to rescue her eradicated husband, she finds a way to enter fiction itself — and discovers that not only is there a policing agency within the BookWorld known as Jurisfiction, but that she has been apprenticed as a trainee agent to Miss Havisham of
. With her skills at bookjumping growing under Miss Havisham's stern and often unorthodox tuition, Thursday rescues Jack Schitt, only to discover she has been duped. Goliath have no intention of reactualising her husband, and instead want her to open a door into fiction, something Goliath has decided is a 'rich untapped marketplace' for their varied but ultimately worthless products and services.
Thursday, pregnant with Landen's child and pursued by Goliath and Acheron's little sister Aornis, an evil genius with a penchant for clothes shopping and memory modification, decides to enter the BookWorld and retire temporarily to the place where all fiction is created: the Well of Lost Plots. Taking refuge in an unpublished book of dubious quality as part of the Character Exchange Programme, she
she will have a quiet time.

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The crowd murmured and grunted their agreement. Humpty Dumpty continued as I stared at him, wondering whether his belt was actually a cravat, as it was impossible to tell which was his neck and which his waist.

'… we have a petition signed by over a thousand Orals who couldn't make it today,' said the large egg, waving a wad of papers amid shouts from the crowd.

'We're not joking this time, Mr Bellman,' added a baker, who was standing in a wooden tub with a butcher and a candlestick maker. 'We are quite willing to withdraw our rhymes if our terms are not met.'

There was a chorus of approval from the assembled characters.

'It was fine before they were unionised,' Bradshaw whispered in my ear. 'Come on, let's use the back door.'

We walked around to the side of the house, our feet crunching on the gravel chippings.

'Why can't characters from the oral tradition be a part of the Character Exchange Programme?' I asked.

'Who'd cover for them?' snorted Bradshaw. 'You?

'Couldn't we train up Generics as sort of, well, "character locums"?'

'Best to leave industrial relations to the people with the facts at their fingertips,' replied Bradshaw. 'We can barely keep pace with the volume of new material as it is. I shouldn't worry about Mr Dumpty; he's been agitating for centuries. It's not our fault he and his badly rhyming friends are still looked after by the old OralTradPlus agreement— Good heavens, Miss Dashwood! Does your mother know that you smoke?'

It was Marianne Dashwood, and she had been puffing away at a small roll-up as we rounded the corner. She quickly threw the butt away and held her breath for as long as possible before coughing and letting out a large cloud of smoke.

'Commander!' she wheezed, eyes watering. 'Promise you won't tell!'

'My lips are sealed,' replied Bradshaw sternly, just this once.'

Marianne breathed a sigh of relief and turned to me.

'Miss Next!' she enthused. 'Welcome back to our little book — I trust you are well?'

'Quite well,' I assured her, passing her the Marmite, Mintolas and AA batteries I had promised her from my last visit. 'Will you make sure these get to your sister and mother?'

She clapped her hands with joy and took the gifts excitedly.

'You are a darling!' she said happily. 'What can I do to repay you?'

'Don't let Lola Vavoom play you in the movie.'

'Out of my hands,' she replied unhappily, 'but if you need a favour, I'm here!'

We made our way up the servants' staircase and into the hall above where a much-bedraggled Bellman was walking towards us, shaking his head and holding the employment demands that Humpty Dumpty had thrust into his hands.

'Those Orals get more and more militant every day,' he gasped. 'They are planning a forty-eight-hour walk-out tomorrow.'

'What effect will that have?' I asked.

'I should have thought that would be obvious,' chided the Bellman. 'Nursery rhymes will be unavailable for recall. In the Outland there will be a lot of people thinking they have bad memories. It won't do the slightest bit of good — a story book is usually in reach wherever a nursery rhyme is told.'

'Ah,' I said.

'The biggest problem,' added the Bellman, mopping his brow, 'is that if we give in to the nursery rhymsters everyone else will want to renegotiate their agreements — from the poeticals all the way through to nursery stories and even characters in jokes. Sometimes I'm glad I'm up for retirement — then someone like you can take over, Commander Bradshaw!'

'Not me!' he said grimly. 'I wouldn't be the Bellman again for all the Ts in Little Tim Tottle's twin sisters take time tittle-tattling in a tuttle-tuttle tree — twice .'

The Bellman laughed and we entered the ballroom of Norland Park.

'Have you heard?' said a young man who approached us with no small measure of urgency in his voice. 'The Red Queen had to have her leg amputated. Arterial thrombosis, the doctor told me.'

'Really?' I said. 'When?'

'Last week. And that's not all.'

He lowered his voice.

' The Bellman has gassed himself! '

'But we were just talking to him,' I replied.

'Oh,' said the young man, thinking hard, 'I meant Perkins has gassed himself.'

Miss Havisham joined us.

'Billy!' she said in a scolding tone. 'That's quite enough of that. Buzz off before I box your ears!'

The young man looked deflated for a moment then pulled himself up, announced haughtily that he had been asked to write additional dialogue for John Steinbeck and strode off. Miss Havisham shook her head sadly.

'If he ever says "good morning",' she said, 'don't believe him. All well, Trafford?'

'Top hole, Estella, old girl, top hole. I bumped into Tuesday here in the Well.'

'Not selling parts of your book, were you?' she asked mischievously.

'Good heavens, no!' replied Bradshaw, feigning shock and surprise. 'Goodness me,' he added, staring into the room for some form of escape, 'I must just speak to the Cheshire Cat. Good day!'

And, tipping his pith helmet politely, he was gone.

'Bradshaw, Bradshaw,' sighed Miss Havisham, shaking her head sadly, 'soon Bradshaw defies the Kaiser will have so many holes we could use it as a colander.'

'He wanted to buy a dress for Mrs Bradshaw,' I explained.

'Have you met her yet?'

'Not yet.'

'When you do, don't stare, will you? It's very rude.'

'Why would I—'

'Come along!' interrupted Miss Havisham. 'Almost time for roll-call!'

The ballroom of Norland Park had long since been used for nothing but Jurisfiction business. The floor space was covered with tables and filing cabinets, and the many desks were piled high with files tied up with ribbon. There was a table to one side with food upon it and waiting for us — or the Bellman, at least — were the staff at Jurisfiction. There were about thirty operatives on the active list, and since up to ten of them were busy on assignment and five or so active in their own books, there were never more than fifteen people in the office at any one time. Vernham Deane gave me a cheery wave as we entered. He was the resident cad and philanderer in a Daphne Farquitt novel entitled The Squire of High Potternews , but you would never know to talk to him — he had always been polite and courteous to me. Next to him was Harris Tweed, who had intervened back at the Slaughtered Lamb only the day before.

'Miss Havisham!' he exclaimed, walking over and handing us both a plain envelope. 'I've got your bounty for those grammasites you killed; I split it equally, yes?'

He winked at me, then left before Havisham could say anything.

'Thursday!' said Akrid Snell. 'Sorry to dash off like that yesterday. Hello, Miss Havisham — I heard you got swarmed by a few grammasites; no one's ever shot six Verbisoids in one go before!'

'Piece of cake,' I replied. 'And Akrid, I've still got that — er — thing you bought.'

'Thing? What thing?'

'You remember,' I urged, knowing that trying to influence his own narrative was strictly forbidden, 'the thing . In a bag. You know.'

'Oh! Ah … ah, yes,' he said, finally realising what I was talking about. 'The thing thing. I'll pick it up after work, yes?'

'Snell insider-trading again?' asked Havisham quietly as soon as he had left.

'I'm afraid so.'

'I'd do the same if my book was as bad as his.'

I looked around to see who else had turned up. Sir John Falstaff was there, as was King Pellinore, Deane, Lady Cavendish, Mrs Tiggy-winkle with Emperor Zhark in attendance, Gully Foyle, and Perkins.

'Who are they?' I asked Havisham, pointing to two agents I didn't recognise.

'Ichabod Crane is the one on the left holding the pumpkin,' she explained. 'Beatrice is the other. A bit loud for my liking, but good at her job.'

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