Philip Dick - The Philip K Dick Reader

"Beware, Miller!" Fleming blanched nervously and lowered his voice. "You damn scholars. Come up out of your tapes and face reality. You'll get us all in trouble, talking this way. Idolize the past, if you want. But remember -- it's gone and buried. Times change. Society progresses." He gestured impa­tiently at the exhibits that occupied the level. "That's only an imperfect replica."

"You impugn my research?" Miller was seething. "This exhibit is abso­lutely accurate! I correct it to all new data. There isn't anything I don't know about the twentieth century."

Fleming shook his head. "It's no use." He turned and stalked wearily off the level, onto the descent ramp.

Miller straightened his collar and bright hand-painted necktie. He smoothed down his blue pin stripe coat, expertly lit a pipeful of two-century-old tobacco, and returned to his spools.

Why didn't Fleming leave him alone? Fleming, the officious representa­tive of the great hierarchy that spread like a sticky gray web over the whole planet. Into each industrial, professional, and residential unit. Ah, the free­dom of the twentieth century! He slowed his tape scanner a moment, and a dreamy look slid over his features. The exciting age of virility and individual­ity, when men were men --

It was just about then, just as he was settling deep in the beauty of his research, that he heard the inexplicable sounds. They came from the center of his exhibit, from within the intricate, carefully regulated interior.

Somebody was in his exhibit.

He could hear them back there, back in the depths. Somebody or some­thing had gone past the safety barrier set up to keep the public out. Miller snapped off his tape scanner and got slowly to his feet. He was shaking all over as he moved cautiously toward the exhibit. He killed the barrier and climbed the railing on to a concrete pavement. A few curious visitors blinked, as the small, oddly dressed man crept among the authentic replicas of the twentieth century that made up the exhibit and disappeared within.

Breathing hard, Miller advanced up the pavement and on to a carefully tended gravel path. Maybe it was one of the other theorists, a minion of the Board, snooping around looking for something with which to discredit him. An inaccuracy here -- a trifling error of no consequence there. Sweat came out of his forehead; anger became terror. To his right was a flower bed. Paul Scarlet roses and low-growing pansies. Then the moist green lawn. The gleaming white garage, with its door half up. The sleek rear of a 1954 Buick -- and then the house itself.

He'd have to be careful. If this was somebody from the Board he'd be up against official hierarchy. Maybe it was somebody big. Maybe even Edwin Carnap, President of the Board, the highest ranking official in the N'York branch of the World Directorate. Shakily, Miller climbed the three cement steps. Now he was on the porch of the twentieth-century house that made up the center of the exhibit.

It was a nice little house; if he had lived back in those days he would have wanted one of his own. Three bedrooms, a ranch style California bungalow. He pushed open the front door and entered the living room. Fireplace at one end. Dark wine-colored carpets. Modern couch and easy chair. Low hard­wood glass-topped coffee table. Copper ashtrays. A cigarette lighter and a stack of magazines. Sleek plastic and steel floor lamps. A bookcase. Televi­sion set. Picture window overlooking the front garden. He crossed the room to the hall.

The house was amazingly complete. Below his feet the floor furnace radiated a faint aura of warmth. He peered into the first bedroom. A woman's boudoir. Silk bedcover. White starched sheets. Heavy drapes. A vanity table. Bottles and jars. Huge round mirror. Clothes visible within the closet. A dressing gown thrown over the back of a chair. Slippers. Nylon hose carefully placed at the foot of the bed.

Miller moved down the hall and peered into the next room. Brightly painted wallpaper: clowns and elephants and tight-rope walkers. The children's room. Two little beds for the two boys. Model airplanes. A dresser with a radio on it, pair of combs, school books, pennants, a No Parking sign, snap­shots stuck in the mirror. A postage stamp album. Nobody there, either.

Miller peered in the modern bathroom, even in the yellow-tiled shower. He passed through the dining room, glanced down the basement stairs where the washing machine and dryer were. Then he opened the back door and examined the back yard. A lawn, and the incinerator. A couple of small trees and then the three-dimensional projected backdrop of other houses receding off into incredibly convincing blue hills. And still no one. The yard was empty -- deserted. He closed the door and started back.

From the kitchen came laughter.

A woman's laugh. The clink of spoons and dishes. And smells. It took him a moment to identify them, scholar that he was. Bacon and coffee. And hot cakes. Somebody was eating breakfast. A twentieth-century breakfast.

He made his way down the hall, past a man's bedroom, shoes and clothing strewn about, to the entrance of the kitchen.

A handsome late-thirtyish woman and two teenage boys were sitting around the little chrome and plastic breakfast table. They had finished eating; the two boys were fidgeting impatiently. Sunlight filtered through the window over the sink. The electric clock read half past eight. The radio was chirping merrily in the corner. A big pot of black coffee rested in the center of the table, surrounded by empty plates and milk glasses and silverware.

The woman had on a white blouse and checkered tweed skirt. Both boys wore faded blue jeans, sweatshirts, and tennis shoes. As yet they hadn't noticed him. Miller stood frozen at the doorway, while laughter and small talk bubbled around him.

"You'll have to ask your father," the woman was saying, with mock stern­ness. "Wait until he comes back."

"He already said we could," one of the boys protested.

"Well, ask him again."

"He's always grouchy in the morning."

"Not today. He had a good night's sleep. His hay fever didn't bother him. The new anti-hist the doctor gave him." She glanced up at the clock. "Go see what's keeping him, Don. He'll be late for work."

"He was looking for the newspaper." One of the boys pushed back his chair and got up. "It missed the porch again and fell in the flowers." He turned towards the door, and Miller found himself confronting him face to face. Briefly, the observation flashed through his mind that the boy looked familiar. Damn familiar -- like somebody he knew, only younger. He tensed himself for the impact, as the boy abruptly halted.

"Gee," the boy said. "You scared me."

The woman glanced quickly up at Miller. "What are you doing out there, George?" she demanded. "Come on back in here and finish you coffee."

Miller came slowly into the kitchen. The woman was finishing her coffee; both boys were on their feet and beginning to press around him.

"Didn't you tell me I could go camping over the weekend up at Russian River with the group from school?" Don demanded. "You said I could borrow a sleeping bag from the gym because the one I had you gave to the Salvation Army because you were allergic to the kapok in it."

"Yeah," Miller muttered uncertainly. Don. That was the boy's name. And his brother, Ted. But how did he know that? At the table the woman had got up and was collecting the dirty dishes to carry over to the sink. "They said you already promised them," she said over her shoulder. The dishes clattered into the sink and she began sprinkling soap flakes over them. "But you remember that time they wanted to drive the car and the way they said it, you'd think they had got your okay. And they hadn't, of course."

Miller sank weakly down at the table. Aimlessly, he fooled with his pipe. He set it down in the copper ashtray and examined the cuff of his coat. What was happening? His head spun. He got up abruptly and hurried to the win­dow, over the sink.