Philip Dick - The Transmigration of Timothy Archer

"I have Harvey with me," I said.

My little brother glanced up.

To him I said, "Kirsten died."

"Oh." He nodded, and, after a moment, returned to his balsawood Spad. It's like Wozzeck, I thought. Exactly like the end of Wozzeck. There I go: Berkeley intellectual, viewing everything in terms of culture, of opera, of novel, oratorio and poem. Not to mention play.

"Du! Define Mutter ist tot!"

And Marien's child says:

"Hope hope! Hopp, hopp! Hopp, hopp!"

It will break you, I thought, if you keep this up. The little boy assembling a model airplane and not understanding: double horror, and both happening to me now.

"I'll come over there," I said to Tim. "As soon as I can find someone to take care of Harvey."

"You could bring him," Tim said.

"No." Reflexively, I shook my head.

I got a neighbor to take Harvey for the rest of the day, and, shortly, I was on my way to San Francisco, driving over the Bay Bridge in my Honda.

And still the words of Berg's opera percolated obsessively through my mind.

"The huntsman's life is gay and free,

Shooting is free for all!

There would I huntsman be,

There would I be. "

I mean, I said to myself, George Buchner's words; he wrote the damn thing.

As I drove, I cried; tears ran down my face; I turned on the car radio and pressed button after button, station after station. On a rock station I picked up an old Santana track; I turned up the volume and, as the music rebounded throughout my little car, I screamed. And I heard:

"You! Your mother is dead!"

I narrowly missed rear-ending a huge American car; I had to swerve into the lane to my right. Slow down, I said to myself. Fuck this, I thought; two deaths are enough. You want to make it three? Then just keep driving the way you're driving: three plus the people in the other car. And then I remembered Bill. Dingaling Bill Lundborg, off in an asylum somewhere. Had Tim called him? I should tell him, I said to myself.

You poor miserable fucked-up son of a bitch, I said to myself, remembering Bill and his gentle, pudgy face. That air of sweetness, like new clover, about him, him and his dumb pants and dumb look, like a cow, a contented cow. The Post Office is in for another round of their windows smashed, I realized; he will walk down there and start hitting the great plate glass windows with his fists until blood runs down his arms. And then they'll lock him up again in one place or another; it doesn't matter which because he doesn't know the difference.

How could she do it to him? I asked myself. What malice. What abysmal cruelty, toward us all. She really hated us. This is our punishment. I'll always think I'm responsible; Tim will always think he's responsible; Bill likewise. And of course none of us is, and yet in a sense all of us are, but anyhow it is beside the point, after the fact, null and moot and void, totally void, as in "the infinite void," the sublime non-Being of God.

There is a line somewhere in Wozzeck that translates out to, roughly, "The world is awful." Yes, I said to myself as I shot across the Bay Bridge not giving a fuck how fast I drove, that sums it up. That is high art: "The world is awful." That says it all. This is what we pay composers and painters and the great writers to do: tell us this; from figuring this out, they earn a living. What masterful, incisive insight. What penetrating intelligence. A rat in a drain ditch could tell you the same thing, were it able to talk. If rats could talk, I'd do anything they said. Black girl I knew. Not rats with her; it's rats for me-for her, she said, it was spiders; viz: "If spiders could talk." That time she got the runs while we were up in Tilden Park and we had to drive her home. Neurotic lady. Married to a white guy ... what was his name? Only in Berkeley.

Viz, a short form of Visigoths, the noble Goths. Visitation, as in, Visitation from the dead, from the next world. That old lady bears some real responsibility for this; if any one single person done did it she done did it. But that's killing the Spartan runners; now they have me doing it myself, after all the warnings. WARNING: THIS LADY IS NUTS. Get out of my way. May you all be fucked forever, all of you in your washed big cars.

I thought: "Destructive War, thy limits know; here, tyrant Death, thy terrors end. To tyrants only I'm a foe, to virtue and her friends, a friend." And then it says it again: "Here, tyrant Death." It's a great title; it's not a parody. That's what did it, Tim using my title and, of course- in his usual chickenshit fashion-not bothering or remembering to tell her. In fact, telling her that he thought of it. He probably thinks so. Every valuable idea in the history of the world was thought into being by Timothy Archer. He invented the heliocentric solar system model. We'd still have the geocentric one if it hadn't been for him. Where does Bishop Archer end and God begin? Good point. Ask him; he'll tell you, quoting from books.

No single thing abides; and all things are fucked up, I thought. That's how it should have been worded. I'll suggest that to Tim for Kirsten's gravestone. Teaching school in Norway, the Swedish cretin. A million nasty things I said to her, in the guise of play. Her brain recorded them and played them back to her, late at night when she couldn't sleep, while Tim snoozed on; she couldn't sleep and took more and more downers, those barbiturates that killed her; we knew they would: the only issue was whether it would be an accident or a purposeful overdose, assuming there is a difference.

My instructions required me to meet with Tim at the Tenderloin apartment before going on with him, then, to Grace Cathedral. I had expected to find him red-eyed and distraught. However, to my surprise, Tim looked stronger, more powerfully put-together, even in a literal sense larger, than I had ever seen him before.

He said, as he put his arms around me and hugged me, "I have a terrible fight on my hands. From here on in."

"You mean the scandal?" I said. "It'll be in the papers and on the news, I guess."

"I destroyed part of her suicide note. The police are reading what's left. They've been here. Probably they'll be coming back. I do have influence but I can't keep the news quiet. All I can hope for is to keep it retained as speculation."

"What did the note say?"

"The part I destroyed? I don't remember. It's gone. It had to do with us, her feelings about me. I had no choice."

"Guess so," I said.

"As to it being suicide, there is no doubt. And the motive is, of course, her fear that she had cancer again. And they're aware that she was a barbiturate addict."

"Would you describe her that way?" I said. "An addict?"

"Certainly. That's not disputed."

"How long have you known?"

"Since I met her. Since I first saw her taking them. You knew."

"Yes," I said. "I knew."

"Sit down and have some coffee," Tim said. He left the living room for the kitchen; automatically, I seated myself on the familiar couch, wondering if any cigarettes could be found anywhere in the apartment.

"What do you take in your coffee?" Tim stood at the kitchen doorway.

"I forget," I said. "It doesn't matter."

"Would you rather have a drink?"

"No." I shook my head.

"Do you realize," Tim said, "that this proves Rachel Garret right."

"I know," I said.

"Jeff wanted to warn her. Warn Kirsten."

"So it would seem."

"And I'm going to die next."

I glanced up.

"That's what Jeff said," Tim said.

"Guess so," I said.

"It will be a terrible fight but I will win. I am not going to follow them, follow Jeff and Kirsten." His tone rang with harshness, with indignation. "This is what Christ came to the world to save man from, this sort of determinism, this rule. The future can be changed."