Bruce Sterling - Islands in the Net

"Vienna's coming, too."

"Christ." Gresham thought about it. "A little Vienna, or a lot of Vienna?"

"They didn't say. I guess it depends on what Vienna wants. They gave me some song-and-dance about protests from the government of Niger."

"Well, Niger's no help, eighty-year-old Soviet tanks and an army that riots and burns down Niamey' every other year... . If there's a lot of Vienna, it could be trouble. But they wouldn't send a lot of Vienna to a refugee camp. If

Vienna were moving in force against Mali they'd just hit Bamako."

"They wouldn't ever do that. They're too afraid of the Bomb."

"I dunno. Spooks make lousy soldiers, but they took out

Grenada six months ago, and that was a tough nut to crack. "

"They did that? Invaded Grenada?"

"Wiped 'em out in their hacker ratholes.... Stupid tactics though, frontal assault, clumsy.... They lost over twelve hundred men." He raised his brows at her shock. "You've been to Grenada, Laura-I thought you knew. FACT should have told you-it was such a triumph for their goddamn policy. "

"They never told me. Anything."

"The cult of secrecy," he said. "They live by it." He paused, glancing toward the camp. "Oh, good. They've sent us but some of their tame Tamashek."

Gresham withdrew within the dome, motioning Laura with him. Half a dozen camp inmates arrived outside, trudging reluctantly.

They were old men. They wore T-shirts and paper baseball hats and Chinese rubber sandals and ragged polyester pants.

The Inadin Tuaregs greeted them with languid, ritual po- liteness. Gresham translated for her. Sir is well? Yes, very well, and yourself? Myself and mine are very well, thank you. And sir's people, they are also well? Yes, very well.

Thanks be to God, then. Yes, thanks be to God, sir.

One of the Inadin lifted the kettle high and began pouring tea with a long, ceremonial trickle. Everyone had tea. They then began boiling it again, pouring some coarse sugar over a kettle already half full of leaves. They spoke for some time about the tea, sitting politely, brushing without irritation at circling flies. The day's most virulent heat faded.

Gresham translated for her-strange bits of solemn plati- tude. They stayed in the back of the tent, out of the circle.

Time passed slowly, but she was happy enough to sit beside him, letting her mind go desert blank.

Then one of the Inadin produced a flute. A second found an intricate xylophone of wood and gourds, bound with leather.

He tapped it experimentally, tightening a cord, while a third reached inside his robe. He tugged a leather thong-at the end was a pocket synthesizer.

The man with the flute opened his veil; his black face was stained blue with sweat-soaked indigo dye. He blew a quick trill on the flute, and they were off.

The rhythm built up, high resonant notes from the buzzing xylophone, the off-scale dipping warble of the flute, the eerie, strangely primeval bass of the synthesizer.

The others punctuated the music with claps and sudden piercing shrieks from behind their veils. Suddenly one began to sing in Tamashek. "He sings about his synthesizer,"

Gresham murmured.

"What does he say?"

I humbly adore the acts of the Most High,

Who has given to the synthesizer what is better than a soul.

So that, when it plays, the men are silent,

And their hands cover their veils to hide their emotions.

The troubles of life were pushing me into the tomb,

But thanks to the synthesizer,

God has given me back my life.

The music stopped. The camp refugees clapped a little, then stopped, confused. Gresham glanced at his watch, then rose to his feet, lugging his camera. "That's just a taste of it," he told Laura. "They'll be back for more, later-and bring their families I hope...."

"Let's do the interview."

He hesitated. "You sure you're up for it?"

"Yeah."

She followed him to another tent. It was guarded by two of the Inadin Tuaregs and heaped with their baggage. There were carpets underfoot and a battery, a spare one from the buggies. Hooked to it, he had a keyboard and screen-a custom model with a console-of hand-carved redwood.

Gresham sat cross-legged before it. "I hate this goddamned machine," he announced, and ran his hand lingeringly over its sleek lines. He hooked his videocam to one of the con- sole's input ports.

"Gresham, where's your makeup case?"

He passed it to her. Laura opened the hand mirror. She was so gaunt and thin-a look like anorexia, rage turned help- lessly in on itself.

The hell. She jabbed her fingertips in powder, smeared her hollow cheeks. Somebody was going to pay.

She began rouging her lips. "Gresham, we have to figure how to hustle those Azanians. They're old-fashioned, funny about information. They wouldn't let me near their damned telex, and they'll want to clear everything with Pretoria."

"We don't need them," he said.

"We do if we want to reach the Net! And they'll want to see the tape first-they'll learn everything."

He shook his head. "Laura, look around you."

She put down the mirror and humored him. They were in a . dome. Fabric over metal ribs and chicken wire.

"You're sitting under a satellite dish," he told her.

She was stunned. "You access satellites?"

"How the hell else do you touch the Net from the middle of the Sahara? The coverage is spotty, but during the right tracking times you can make a pass."

"How can you do that? Where does the money come from?" An awful thought struck her. "Gresham, are you running a data haven?"

"No. I used to deal with them, though. All the time." He thought about it. "Maybe I should start my own haven now.

The competition's down, and I could use the bread."

"Don't do it. Don't even think it."

"You must know that biz pretty well. You could be my adviser." The joke fell completely flat. He looked at her, meditatively. "You'd come right after me, wouldn't you.

You and your little legions of straight-arrow corporate people."

She said nothing.

"Sorry," he said. "It hardly matters at the moment... .I wouldn't want to send this tape to a data haven anyway."

"What do you mean? Where would you send it?"

"To Vienna, of course. Let 'em see that I know-that I've got the goods on 'em. FACT has the Bomb, and they've blackmailed Vienna. So Vienna cut a deal with them-let 'em beat the crap out of the havens, while they covered up for nuclear terrorists. Vienna's failed, and I know they've failed.

To shut me up, they might try to hunt me down and kill me, but I've gotten pretty good at avoiding that. With any luck they'd buy me off instead. Then leave me alone-the way they've left Mali alone."

"That's not enough! Everyone must know. The whole world."

Gresham shook his head. "I think we could hustle Vienna, if we play it right. They don't mind buying people when they have to. They'll pay for our silence. More than you might think. "

She held the mirror-to her face. "I'm sorry, Gresham. I simply, truly don't care about Vienna or its money. That's not who I am. I care about the world I have to live in."

"I don't live in your world," he told her. "Too bad if that makes me sound crass. But I can tell you this much-if you want to go back, and be-who-you-are, and live your cozy life in that whole world of yours, you'd better not try to kick its jams out. Maybe I could survive a stunt like that, ducking and dodging out here in the desert, but I don't think you could.

The world doesn't give a shit how noble your motives are- it'll roll right over you.. That's how it works." He was lecturing her. "You can hustle-cut a corner here, a corner there-but you can't tackle the world...."

She examined her hair in the mirror. Wild prison hair.

She'd washed it in the Azanian camp and the dry heat had fluffed it out. It stood up all over her head, like an explosion.