Jack Vance - The Dying Earth

"But does he exist?"

"The ghost spoke fervently against him."

"Let us go then," said Shierl. "I am resigned."

Guyal said gravely, "We go in the mental frame of adventure, aggressiveness, zeal. Thus does fear vanish and the ghosts become creatures of mind-weft; thus does our elan burst the under-earth terror."

"We go."

They started down the stairs.

Back, forth, back, forth, down flights at varying angles, stages of varying heights, treads at varying widths, so that each step was a matter for concentration. Back, forth, down, down, down, and the black-barred shadows moved and jerked in bizarre modes on the walls.

The flight ended, they stood in a room similar to the entry above. Before them was another black portal, polished at one spot by use; on the walls to either side were inset brass plaques bearing messages in unfamiliar characters.

Guyal pushed the door open against a slight pressure of cold air, which, blowing through the aperture, made a slight rush, ceasing when Guyal opened the door farther.

"Listen."

It was a far sound, an intermittent clacking, and it held enough fell significance to raise the hairs at Guyal's neck. He felt Shierl's hand gripping his with clammy pressure.

Dimming the dagger's glow to a glimmer, Guyal passed through the door, with Shierl coming after. From afar came the evil sound, and by the echoes they knew they stood in a great hall.

Guyal directed the light to the floor: it was of a black resilient material. Next the wall: polished stone. He permitted the light to glow in the direction opposite to the sound, and a few paces distant they saw a bulky black case, studded with copper bosses, topped by a shallow glass tray in which could be seen an intricate concourse of metal devices.

With the purpose of the black cases not apparent, they followed the wall, and as they walked similar cases appeared, looming heavy and dull, at regular intervals. The clacking receded as they walked; then they came at a right angle, and turning the corner, they seemed to approach the sound. Black case after black case passed; slowly, tense as foxes, they walked, eyes groping for sight through the darkness.

The wall made another angle, and here there was a door.

Guyal hesitated. To follow the new direction of the wall would mean approaching the source of the sound. Would it be better to discover the worst quickly or to reconnoitre as they went?

He propounded the dilemma to Shierl, who shrugged, "It is all one; sooner or later the ghosts will flit down to pluck at us; then we are lost."

"Not while I possess light to stare them away to wisps and shreds," said Guyal. "Now I would find the Curator, and possibly he is to be found behind this door. We will so discover."

He laid his shoulder to the door; it eased ajar with a crack of golden light. Guyal peered through. He sighed, a muffled sound of wonder.

Now he opened the door further; Shierl clutched at his arm.

"This is the Museum," said Guyal in rapt tone. "Here there is no danger ... He who dwells in beauty of this sort may never be other than beneficient ..." He flung wide the door.

The light came from an unknown source, from the air itself, as if leaking from the discrete atoms; every breath was luminous, the room floated full of invigorating glow. A great rug pelted the floor, a monster tabard woven of gold, brown, bronze, two tones of green, fuscous red and smalt blue. Beautiful works of human fashioning ranked the walls. In glorious array hung panels of rich woods, carved, chased, enameled; scenes of olden times painted on woven fiber; formulas of color, designed to convey emotion rather than reality. To one side hung plats of wood laid on with slabs of soapstone, malachite and jade in rectangular patterns, richly varied and subtle, with miniature flecks of cinnabar, rhodocrosite and coral for warmth. Beside was a section given to disks of luminous green, flickering and flourescent with varying blue films and moving dots of scarlet and black. Here were representations of three hundred marvelous flowers, blooms of a forgotten age, no longer extant on waning Earth; there were as many star-burst patterns, rigidly conventionalized in form, but each of subtle distinction. All these and a multitude of other creations, selected from the best of human fervor.

The door thudded softly behind them; staring, every inch of skin a-tingle, the two from Earth's final time moved forward through the hall.

"Somewhere near must be the Curator," whispered Guyal. "There is a sense of careful tending and great effort here in the gallery."

"Look."

Opposite were two doors, laden with the sense of much use. Guyal strode quickly across the room but was unable to discern the means for opening the door, for it bore no latch, key, handle, knob or bar. He rapped with his knuckles and waited; no sound returned.

Shierl tugged at his arm. "These are private regions. It is best not to venture too rudely."

Guyal turned away and they continued down the gallery. Past the real expression of man's brightest dreamings they walked, until the concentration of so much fire and spirit and creativity put them into awe. "What great minds lie in the dust," said Guyal in a low voice "What gorgeous souls have vanished into the buried ages; what marvelous creatures are lost past the remotest memory ... Nevermore will there be the like; now, in the last fleeting moments, humanity festers rich as rotten fruit. Rather than master and overpower our world, our highest aim is to cheat it through sorcery."

Shierl said, "But you, Guyal—you are apart. You are not like this ..."

"I would know," declared Guyal with fierce emphasis. "In all my youth this ache has driven me, and I have journeyed from the old manse at Sfere to learn from the Curator ... I am dissatisfied with the mindless accomplishments of the magicians, who have all their lore by rote."

Shierl gazed at him with a marveling expression, and Guyal's soul throbbed with love. She felt him quiver and whispered recklessly, "Guyal of Sfere, I am yours, I melt for you..."

"When we win to peace," said Guyal, "then our world will be of gladness ..."

The room turned a corner, widened. And now the clacking sound they had noticed in the dark outer hall returned, louder, more suggestive of unpleasantness. It seemed to enter the gallery through an arched doorway opposite.

Guyal moved quietly to this door, with Shierl at his heels, and so they peered into the next chamber.

A great face looked from the wall, a face taller than Guyal, as tall as Guyal might reach with hands on high. The chin rested on the floor, the scalp slanted back into the panel.

Guyal stared, taken aback. In this pageant of beautiful objects the grotesque visage was the disparity and dissonance a lunatic might have created. Ugly and vile was the face, of a gut-wrenching silly obscenity. The skin shone a gun-metal sheen, the eyes gazed dully from slanting folds of greenish tissue. The nose was a small lump, the mouth a gross pulpy slash.

In sudden uncertainty Guyal turned to Shierl. "Does this not seem an odd work so to be honored here in the Museum of Man?"

Shierl was staring with eyes agonized and wide. Her mouth opened, quivered, wetness streaked her chin. With hands jerking, shaking, she grabbed his arm, staggered back into the gallery.

"Guyal," she cried, "Guyal, come away!" Her voice rose to a pitch. "Come away, come away!"

He faced her in surprise. "What are you saying?"

'That horrible thing in there—"

"It is but the diseased effort of an elder artist."

"It lives."

"How is this!"

"It lives!" she babbled. "It looked at me, then turned and looked at you. And it moved—and then I pulled you away..."

Guyal shrugged off her hand; in stark disbelief he faced through the doorway.