J.G. Ballard - The Crystal World

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The Crystal World: краткое содержание, описание и аннотация

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The opening sequence of J.G. Ballard's The Crystal World, in which Dr. Edward Sanders begins his journey through Cameroon to visit his friends, Max and Elizabeth Clair, is reminiscent of Graham Greene's Journey Without Maps or the film "The African Queen." Ballard does a wonderful job of portraying a Cameroon which is still inhabited by a relatively large number of European colonizers, although his characters have a tendency to be more altruistic. Sanders runs a leper colony while the Clairs have set up a clinic in the interior of Cameroon.
The characters who aren't altruistic are somewhat shady. Sanders gets involved with the gun-toting Ventress while still on the first leg of his journey and later meets the mine-owner, Thorensen. Although Sanders talks with each man individually, neither really reveal anything of this history, although it becomes clear that their destinies are tied to each other. Similarly, Father Balthus, a priest who is questioning his beliefs, is seen more as a shadowy figure than as an individual. Part of this shadiness is Sanders apparent inability to firmly connect with any of the characters he comes into contact with, including Louise Peret, the American journalist with whom he has an affair, and the Clairs, who are such good friends he will brave the rigors of travel to see them.
As the first leg of his journey ends, Sanders begins to suspect that all is not right at Mont Royal, where the Clairs have their clinic. During his brief stay in Port Matarre, Sanders sees some exquisite crystal work which seems to have come from the interior, near Mont Royal. The appearance in the harbor of a man whose body has been crystalized confirms that something strange is going on and Sanders, along with Louise, begin their journey to Mont Royal, he to see his friends, she to find out what happened to her colleagues.
The second part of the novel takes place once Sanders has arrived in Mont Royal. By now he knows the secret, that the jungle is turning everything in it to crystal. This change effects organic and inorganic objects equally, and a thin crystaline shell covers the river. Neither Sanders nor Ballard seem to be particularly interested in what is causing the crystalization, although Ballard does create an esoteric explanation which does not seem particularly likely.
Although Sanders is the thread that ties everyone's stories together in Mont Royal, he actually seems to have little sustained interaction with any of the other characters. Instead, he spends enough time with each of them to heighten the air of mystery about them without shedding any light on their histories, motives or the strange occurences in the jungle. It is of note that the most interesting character Sanders deals with, who gives him the most information, is one of the most minor characters in the novel, Kwanga.
While Ballard manages to evoke the setting of colonial Africa, his story and the characters are not particularly compelling. The Crystal World is definitely a novel written in the 1960s, and although the drug culture is not explicit in the novel, the book does have an hallucinatory quality which evokes the use of drugs. If the reader is looking for plot or character, The Crystal World falls short. If the goal is to find evocative prose and a strong sense of locale, then The Crystal World is a novel to look for.
Steven H Silver

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" Anderson had a tip that there was some kind of trouble near the mines-he wouldn't tell me what, it was really his story, you see-but we knew the army had sent in reserves. Tell me, Doctor, are you still going to Mont Royal? To your friends?"

"If I can. There must be some way. After all, it's only fifty miles, at a pinch one could walk it."

Louise laughed. "Not me." Just then a black-garbed figure strode past the window, heading off toward the market. "Father Balthus," Louise said. "His mission is near Mont Royal -I checked up on him too. There's a traveling companion for you."

"I doubt it." Dr. Sanders watched the priest walk briskly away from them, his thin face lifted as he crossed the road. His head and shoulders were held stiffly, but behind him his hands moved and twisted with a life of their own. "Father Balthus is not one to make a penitential progress-I think he has other problems on his mind." Dr. Sanders stood up, finishing his brandy. "However, it's a point. I think I'll have a word with the good Father. I'll see you back at the hotel-perhaps we can have dinner together?"

"Of course." She waved to him as he went out and then sat back against the window, her face motionless and without expression.

A hundred yards away, Dr. Sanders caught sight of the priest. Balthus had reached the outskirts of the native market and was moving among the first of the stalls, turning from left to right as if looking for someone. Dr. Sanders followed at a distance. The market was almost empty and he decided to keep the priest under observation for a few minutes before approaching him. Now and then, when Father Balthus glanced about, Sanders saw his lean face, the thin nose raised critically as he peered above the heads of the native women.

Dr. Sanders glanced down at the stalls, pausing to examine the carved statuettes and curios. The small local industry had made full use of the waste products of the mines at Mont Royal, and many of the teak and ivory carvings were decorated with fragments of calcite and fluorspar picked from the refuse heaps, ingeniously worked into the statuettes to form miniature crowns and necklaces. Many of the carvings were made from lumps of impure jade and amber, and the sculptors had abandoned all pretense to Christian imagery and produced squatting idols with pendulous abdomens and grimacing faces.

Still keeping Father Balthus under scrutiny, Dr. Sanders examined a large statuette of a native deity in which two crystals of calcium fluoride formed the eyes, the mineral phosphorescing in the sunlight. Nodding to the stall holder, he complimented her on the piece. Making the most of her opportunity, she gave him a wide smile and then drew back a strip of faded calico that covered the rear of the stall.

"My, that is a beauty!" Dr. Sanders reached forward to take the ornament she had exposed, but the woman held back his hands. Glittering below her in the sunlight was what appeared to be an immense crystalline orchid carved from some quartzlike mineral. The entire structure of the flower had been reproduced and then embedded within the crystal base, almost as if a living specimen had been conjured into the center of a huge cut-glass pendant. The internal faces of the quartz had been cut with remarkable skill, so that a dozen images of the orchid were refracted, one upon the other, as if seen through a maze of prisms. As Dr. Sanders moved his head, a continuous font of light poured from the jewel.

Dr. Sanders reached into his pocket for his wallet, and the woman smiled again and drew the cover back to expose several more of the ornaments. Next to the orchid was a spray of leaves attached to a twig, carved from a translucent jadeike stone. Each of the leaves had been reproduced with exquisite craftsmanship, the veins forming a pale lattice beneath the crystal. The spray of seven leaves, faithfully rendered down to the axillary buds and the faint warping of the twig, seemed characteristic more of some medieval Japanese jeweler's art than of the crude massive sculpture of Africa.

Next to the spray was an even more bizarre piece, a carved tree fungus that resembled a huge jeweled sponge. Both this and the spray of leaves shone with a dozen images of themselves refracted through the faces of the surrounding mount. Bending forward, Dr. Sanders placed himself between the ornaments and the sun, but the light within them sparkled as if coming from some interior source.

Before he could open his wallet there was a shout in the distance. A disturbance had broken Out near one of the stalls. The stall holders ran about in all directions, and a woman's voice cried out. In the center of this scene stood Father Balthus, arms raised above his head as he held something in his hands, black robes lifted like the wings of a revenging bird.

"Wait for me!" Sanders called over his shoulder to the stall owner, but she had covered up her display, sliding the tray out of sight among the stacks of palm leaves and baskets of cocoa meal at the back of the stall.

Leaving her, Dr. Sanders ran through the crowd toward Father Balthus. The priest now stood alone, surrounded by a circle of onlookers, holding in his upraised hands a large native carving of a crucifix. Brandishing it like a sword over his head, he waved it from left to right as if semaphoring to some distant peak. Every few seconds he stopped and lowered the carving to inspect it, his thin face tense and perspiring.

The statuette, a cruder cousin of the jeweled orchid Dr. Sanders had seen, was carved from a pale-yellow gem-stone similar to chrysolite, the outstretched figure of the Christ embedded in a sheath of prismlike quartz. As the priest waved the statuette in the air, shaking it in a paroxysm of anger, the crystals seemed to deliquesce, the light pouring from them as from a burning taper.

"Balthus-!"

Dr. Sanders pushed through the crowd watching the priest. The faces were half averted, keeping an eye open for the police, as if the people were aware of their own complicity in whatever act of _lèse-majesté_ Father Balthus was now punishing. The priest ignored them and continued to shake the carving, then lowered it from the air and felt the crystalline surface.

"Balthus, what on earth-?" Sanders began, but the priest shouldered him aside. Whirling the crucifix like a propeller, he watched its light flashing away, intent only on exorcising whatever powers it held for him.

There was a shout from one of the stall holders, and Dr. Sanders saw a native police sergeant approaching cautiously in the distance. Immediately the crowd began to scatter. Panting from his efforts, Father Balthus let one end of the crucifix fall to the ground. Still holding it like a blunted sword, he looked down at its dull surface. The crystalline sheath had vanished into the air.

"Obscene, obscene-!" he muttered to Dr. Sanders, as the latter took his arm and propelled him through the stalls. Sanders paused to toss the carving onto the blue sheet covering the owner's stall. The shaft, fashioned from some kind of polished wood, felt like a stick of ice. He pulled a five-franc note from his wallet and stuffed it into the stall owner's hands, then pushed Father Balthus in front of him. The priest was staring up at the sky and at the distant forest beyond the market. Deep within the great boughs the leaves flickered with the same hard light that had flared from the cross.

"Balthus, can't you see-?" Sanders took the priest's hand in a firm grip when they reached the wharf. The pale hand was as cold as the crucifix. "It was meant as a compliment. There was nothing obscene there-you've seen a thousand jeweled crosses."

The priest at last seemed to recognize him. His narrow face stared sharply at the doctor. He pulled his hand away. "You obviously don't understand, Doctor! That cross was not _jeweled!_"

Dr. Sanders watched him stride off, head and shoulders held stiffly with a fierce self-sufficient pride, the slim hands behind his back twisting and fretting like nervous serpents.

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