J.G. Ballard - The Crystal World

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The Crystal World: краткое содержание, описание и аннотация

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The opening sequence of J.G. Ballard's The Crystal World, in which Dr. Edward Sanders begins his journey through Cameroon to visit his friends, Max and Elizabeth Clair, is reminiscent of Graham Greene's Journey Without Maps or the film "The African Queen." Ballard does a wonderful job of portraying a Cameroon which is still inhabited by a relatively large number of European colonizers, although his characters have a tendency to be more altruistic. Sanders runs a leper colony while the Clairs have set up a clinic in the interior of Cameroon.
The characters who aren't altruistic are somewhat shady. Sanders gets involved with the gun-toting Ventress while still on the first leg of his journey and later meets the mine-owner, Thorensen. Although Sanders talks with each man individually, neither really reveal anything of this history, although it becomes clear that their destinies are tied to each other. Similarly, Father Balthus, a priest who is questioning his beliefs, is seen more as a shadowy figure than as an individual. Part of this shadiness is Sanders apparent inability to firmly connect with any of the characters he comes into contact with, including Louise Peret, the American journalist with whom he has an affair, and the Clairs, who are such good friends he will brave the rigors of travel to see them.
As the first leg of his journey ends, Sanders begins to suspect that all is not right at Mont Royal, where the Clairs have their clinic. During his brief stay in Port Matarre, Sanders sees some exquisite crystal work which seems to have come from the interior, near Mont Royal. The appearance in the harbor of a man whose body has been crystalized confirms that something strange is going on and Sanders, along with Louise, begin their journey to Mont Royal, he to see his friends, she to find out what happened to her colleagues.
The second part of the novel takes place once Sanders has arrived in Mont Royal. By now he knows the secret, that the jungle is turning everything in it to crystal. This change effects organic and inorganic objects equally, and a thin crystaline shell covers the river. Neither Sanders nor Ballard seem to be particularly interested in what is causing the crystalization, although Ballard does create an esoteric explanation which does not seem particularly likely.
Although Sanders is the thread that ties everyone's stories together in Mont Royal, he actually seems to have little sustained interaction with any of the other characters. Instead, he spends enough time with each of them to heighten the air of mystery about them without shedding any light on their histories, motives or the strange occurences in the jungle. It is of note that the most interesting character Sanders deals with, who gives him the most information, is one of the most minor characters in the novel, Kwanga.
While Ballard manages to evoke the setting of colonial Africa, his story and the characters are not particularly compelling. The Crystal World is definitely a novel written in the 1960s, and although the drug culture is not explicit in the novel, the book does have an hallucinatory quality which evokes the use of drugs. If the reader is looking for plot or character, The Crystal World falls short. If the goal is to find evocative prose and a strong sense of locale, then The Crystal World is a novel to look for.
Steven H Silver

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The movement inside the gazebo had ended. Sanders stepped forward from his hiding place behind the window.

"The attack on you in Port Matarre-were those Thorensen's men?"

Ventress shrugged. "You might well be right, Doctor. Don't worry, I'll look after you."

"You'll have your work cut out-those thugs meant business. From what the army captain at the base told me the diamond companies don't intend to let anything get in their way."

Ventress shook his head, exasperated by Sanders's obtuseness. "Doctor! You persist in finding the most trivial reasons-obviously you have no idea of your real motives! For the last time, I am not interested in Thorensen's damned diamonds-and nor is Thorensen! The matter between us-" He broke off, staring vaguely through the window, his face for the first time showing any sign of fatigue. In a distracted voice, more to himself, he went on: "Believe me, I respect Thorensen- however crude, he understands that we have the same aim, it's a question of method-" Ventress swung on his heel. "We'd better leave now," he announced. "There's no point in staying. Where are you going?"

" Mont Royal, if that's possible."

"It won't be." Ventress pointed through the window. "The storm center is directly between here and the town. Your only hope is to reach the river and follow it back to the army base. Whom are you looking for?"

"A former colleague of mine and his wife. Do you know the Bourbon Hotel? It's some distance from the town. Their mission hospital is near the hotel."

"Bourbon?" Ventress screwed up his face. "Sounds like the wrong century-you're out of time again, Sanders." He made for the door. "It's an old ruin, God only knows where. You'll have to stay with me until we reach the edge of the forest, then work your way back to the army base."

Testing each step, they went down the crystallizing staircase. Halfway down, Ventress, who was in the lead, stopped and beckoned Sanders forward.

"My pistol." He patted his shoulder holster. "I'll follow you. See if you notice anything from the door."

As he retraced his steps. Sanders walked across the empty hail. He paused among the jeweled pillars, uneager, whatever Ventress's instructions, to expose himself in the wide doorway with its colonnaded portico. From the center of the hail the garden and trees beyond were silent, and he turned and waited among the pillars by the alcove on his left, dozens of reflections of himself glowing in the glass-sheathed walls and furniture.

Involuntarily Sanders raised his hands to catch the rainbows of light that ran around the edges of his suit and face. A legion of El Dorados, all bearing his own features, receded in the mirrors, more images of himself as the man of light than he could have hoped for. He studied a reflection of himself in profile, noticing how the bands of color softened the drawn lines of his mouth and eyes, blurring the residue of time there that had hardened the tissues like the scales of leprosy itself. For a moment he seemed twenty years younger, the ruddy overlay of colors on his cheeks more skilful than the palette of any Rubens or Titian.

Turning his attention to the reflection facing his own, Sanders noticed with surprise that among these prismatic images of himself refracted from the sun he had found one darker twin. The profile and features were obscured, but the skin was almost ebony in color, reflecting the mottled blues and violets of the opposite end of the spectrum. Somehow menacing in this company of light, the somber figure stood motionlessly with its head turned away from him, as if aware of its negative aspect. In its lowered hand a lance of silver light flared like a star in a chalice.

Abruptly Sanders leapt behind the pillar on his left, as the Negro hiding in the alcove lunged forward across him. The knife flashed in the air past Sanders's face, its white light diving among the reflections that swerved like drunken suns around the two men, the colors bleeding off their arms and legs. Sanders kicked at the Negro's hand, half-recognizing one of the thugs he had seen on the catwalk at Port Matarre. Crouching down, his bony pointed face almost between his knees, the Negro feinted with the knife. Sanders moved back toward the staircase, and then saw the giant mulatto in the bush-shirt watching from behind a bookcase in the drawing room, a Colt automatic in his scarred hand. The frost outside had given his dark face a luminous sheen.

Before Sanders could shout up to Ventress, a shot roared out through the air over his head. Ducking down, he saw the Negro with the knife knocked to the floor, his heels kicking in pain. The punctured lattice on the wall behind him slid and shattered across a divan, and the Negro picked himself up and raced like a wounded animal through the entrance. A second shot followed him from the staircase, and Ventress moved down from his vantage point behind the banister. His tight face hidden behind the stock of the shotgun, he beckoned Sanders away from the entrance to the drawing room. The mulatto hiding by the bookcase ran across the room, firing once as he stopped below the chandelier, the impact of the explosion showering the light from the cutglass pendants like rain over his cropped head. He shouted at a tall white-skinned man in a leather jerkin who stood by the far wall, with his back to the staircase opening a safe over the ornamental fireplace.

Covering him, the mulatto fired through the door. The man by the safe dragged a small strongbox from the upper shelf as Ventress upended the mahogany hall stand across the archway. The strongbox fell to the floor, and dozens of rubies and sapphires scattered between the tall man's feet. Ignoring Ventress, who was trying to get in a shot at the mulatto, he bent down and scooped some of the stones into his big hands. Then he and the mulatto turned and ran for the French windows, crushing aside the light frames with their shoulders.

Leaping over his barricade, Ventress entered the drawing room, darting in and out of the overstuffed settees and armchairs. As his quarry disappeared through the trees Ventress reached the windows, then reloaded his gun with the shells in his pocket and fired a parting shot over the lawn.

He moved the barrel in Sanders's direction as the latter stepped over the hall stand into the room.

"Right, Doctor, all clear?" Ventress was breathing rapidly, his small shoulders moving about in an excess of nervous energy. "What's the matter? He didn't touch you, did he?"

Sanders went over to him. He pushed aside the gunbarrel, which Ventress still held toward him. He stared down at the bearded man's bony face and over-excited eyes.

"Ventress! You knew they were here all along-you were bloody well using me as a decoy!"

He broke off. Ventress was paying no attention to him, and was peering left and right through the French windows. Sanders turned away, a sense of limp calm coming over his fatigue. He noticed the jewels sparkling on the floor. "I thought you said Thorensen wasn't interested in gem-stones."

Ventress turned to look at Sanders, and then down at the floor below the safe. Half-dropping his shotgun, he bent over and began to touch the stones where they lay, as if puzzled to find them there. He absently pocketed a few of them, then gathered the rest together and stuffed them into his trousers.

He went back to the windows. "You're right, Sanders, of course," he said in a flat voice. "But I was thinking of your safety, believe me." Then he snapped: "Let's get out of here."

As they made their way across the lawn, Ventress lagged behind a second time. Sanders stopped, looking back at the house which loomed behind them among the trees like a giant wedding cake. Ventress was staring at the handful of gem-stones in his hand. The bright sapphires slipped between his fingers and lay on the sequined grass behind him, illuminating his footprints as he entered the dark vaults of the forest.

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