Edward Hoch - Isaac Asimov's Worlds of Fantasy. Book 6 - Mythical Beasties

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She shook her head. "Behold, two nights ago I was sitting in the-" She paused, took a deep breath, and began all over again. "Behold, two nights ago 1 lay me to steep, and when Amen-Ra climbed upon his throne the morning after, here I lay in this strange place in this strange land. I do not know what to do."

She looked as though she were going to cry. Hall would have felt sorry for her if the memory of her arrogance hadn't still been fresh in his mind. He didn't think much of people who went around calling other people slaves. Another reason he didn't feel sorry for her was that he couldn't bring himself to believe that she was on the level. How could she possibly be Cheops' daughter?

All right, who could she be then? A Uvelian Mata Hari?

Nonsense! A Uvelian Mata Hari might try to pass herself off as a lot of things, but unless she was hopelessly out of her mind, she would never try to pass herself off as an Egyptian princess who had been dead for more than five millennia.

Besides, what would a Uvelian spy be doing on a planet which, other than on an abstract level, neither the Terran nor the Uvelian empires had ever heard about until a few days ago and which they wouldn't have heard about even then if it hadn't been for the fact that NRGC 984-D was going to be occupying almost the same point in space that the major Uvelian and Terran forces, which were ineluctabty drawing closer and closer together, would be occupying when they met in the cruciai battle of the hundred-year galactic war-in the ultimate Armageddon that would decide whether me Uvelian demosocialistic ideology or the Terran sociocratic ideology was to endure?

"Tell me." Hall said presently, "is there really a monster the size of a young mountain hanging around these parts, or did I just imagine there was?"

He expected the question to disconcert her. It didn't in the least. "Oh yes," she said, as calmly as though a sphinx were no more awe-inspiring than a common alley cat, "She-whobuilds-sepulchers is still with me. I feared at first that she. too, had deserted me, but she had not. But as she will not communicate with me, I have been unable to leam wherefore she interrupted her labors in my father's behalf to build these sepulchers in this strange land, or for whom she built them."

A pyramid-building sphinx was all Hall needed. Lord knew, the girl's story had been incredible enough before, but now it was fantastic. Sliding down from the platform-bed to the floor and noting to his satisfaction that his laser pistol was still in its holster at his hip, he said, "I can see that if I'm going to find out anything around here, I'm going to have to find it out for myself. So if you'll climb down off that high horse of yours long enough to tell me how to get out of this rock pile. Miss Whoever-you-are, I won't bother you any more!"

The girl gasped. She stamped her right foot. She stamped her left. She clenched her hands. "Hast thou the effrontery to imply that the noble daughter of His Majesty King Khufu the blessed is guilty of a falsehood, slave?"

Hall put his hands on his hips. "A falsehood! Why, you've been lying your head off."

He would have said more if tears hadn't come into her golden brown eyes. Turning, she pointed toward the doorway. "Beyond that portal thou wilt find another, slave," she said, "and beyond the second portal, yet another. Then thou wilt find thyself in the passage that leads to the portico. Go!"

Hall went.

The Pyramid Project

As he left the room, it occurred to him that he had forgotten to ask her how he happened to be inside the pyramid in the first place. It was just as well. She would only have told him another fib.

How did he happen to be inside it then?

Probably, after his sphinx hallucination, he had crawled the rest of the distance to his objective and me girl had found him and taken him in tow. For all he knew, she could very well have saved his life. He wished now that he hadn't been quite so rude to her. As nearly as he could ascertain, the room that adjoined the one he had just left was a living room. It contained elaborately upholstered settees and chairs, and there were cushions scattered over the thickly carpeted floor. The next room was unquestionably a cooking room. Floor-to-ceiling shelves were lined with earthenware pots, and there was a brick oven large enough to roast an elephant in. in addition to the oven, there was a brazierlike affair on which less pachydermatous dishes could be prepared.

Passing through the third doorway, he found himself, not in the passage which the girl had mentioned, but in a spacious court. Stone columns gave the illusion of supporting the ceiling, and at the lop of each, just beneath the capital, was the bas-relief of a cowlike face. Elaborate horns rising from the stone foreheads blended with the capitals and supplied their motifs. It finally dawned on Hall who this cowlike being was. It was Hathor, the Egyptian goddess of love.

He crossed the court without further delay and stepped through a wide doorway into a long corridor. At the end of the corridor, a dark, star-spangled rectangle showed. He made track for it, rejoicing in the cool night air that presently reached his nostrils. Obviously he had been unconscious longer than he had thought.

He could hardly wait to see the stars. He knew perfectly well that he couldn't possibly be in ancient Egypt, that there was another, far more practical, explanation for the presence of the Sphinx and the pyramids and the olive-skinned girl. but just the same it would be good to know for sure. The stars would tell him. Stars did not lie.

Stepping out of the passage, he looked up at them. The structure behind him and the roof of the portico had half of the heavens, but the half that was visible contained not a single familiar constellation. He gave a sigh of relief. A moment later, he wondered why. Wouldn't he be better off if he were in ancient Egypt? There, at least, he would have a chance to live out the rest of his natural life. Here, he would be dead before morning.

The portico was wide and lofty. Four columns, larger but similar in all other respects to the columns he had seen in the court, stood in a row along the marble apron, supporting the roof. Between the two center ones a short flight of wide marble steps descended to the ground. He crossed the apron and went down them.

All was silence. Above his head, a constellation suggestive of a huge crocodile sprawled across the heavens. The white sands of the tableland caught the starlight and shattered it into infinitesimal particles, and the particles glistened softly for miles around, seeming to emit a radiance of their own.

Behind him, the Great Pyramid-he still thought of it as the "Great Pyramid" even though he knew that it wasn't-rose geometrically up into an apex that was nearly 500 feet above me ground. To his left, the lesser pyramids stood, and to his right crouched the Sphinx.

Despite himself, he was struck by her beauty-awed, almost. She had a silvery cast in the starlight. Her flanks rose up like smooth escarpments to the magnificent ridge of her back. Her noble head hid half a hundred stars. The cliff of her classic profile was a splendid silhouette against the sky.

Hall walked toward her in the starlight. He had been impressed by the Great Sphinx of the Gizeh Necropolis. Even in its state of disrepair there was a mysterious quality about it that he had found appealing, a massive grace that had intrigued him. But compared to his sphinx the one of the Gizeh Necropolis was nothing more than a crudely sculptured rocky promontory reinforced with masonry. Stone was all it had ever been and stone was all it could ever be. This sphinx was art apotheosized. No wonder in his dazed and weakened state of a few hours ago he had invested her with life. Even now, thinking clearly again, he felt that at any moment she would rise and walk beneath the stars.

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