Clifford Simak - All Flesh Is Grass and Other Stories

Rand nodded. "How did you know?"

"Well, eating like this. Cheaper than a restaurant. And you got a sleeping bag. You sleep in the car?"

"That is right," said Rand. "It's not as bad for me as it is for some of the others. I have no family."

"I have a family," said Sterling. "Wife, three kids. We talked it over, the wife and me. She didn't want me to leave, but it made sense I should. Money all gone, unemployment run out. Long as I was around, it was hard to get relief. But if I deserted her, she could get relief. That way there's food for the wife and kids, a roof over their heads. Hardest thing I ever did. Hard for all of us. Someday I'll go back. When times get better, I'll go back. The family will be waiting."

Out on the highway the cars went whisking past. A squirrel came down out of a tree, advanced cautiously toward the table, suddenly turned and fled for his very life, swarming up a nearby trunk.

"I don't know," said Sterling. "It might be too big for us, this society of ours. It may be out of hand. I read a lot. Always liked to read. And I think about what I read. It seems to me maybe we've outrun our brains. The brains we have maybe were OK back in prehistoric days. We did all right with the brains we had until we built too big and complex. Maybe we built beyond our brains. Maybe our brains no longer are good enough to handle what we have. We have set loose economic forces we don't understand and political forces that we do not understand, and if we can't understand them, we can't control them. Maybe that is why you and I are out of jobs."

"I wouldn't know," said Rand. "I never thought about it."

"A man thinks a lot," said Sterling. "He dreams a lot walking down the road. Nothing else to do. He dreams some silly things: Things that are silly on the face of them, but are hard to say can't be really true. Did this ever happen to you?"

"Sometimes," said Rand.

"One thing I thought about a lot. A terribly silly thought. Maybe thinking it because I do so much walking. Sometimes people pick me up, but mostly I walk. And I got to wondering if a man should walk far enough could he leave it all behind? The farther a man might walk, the farther he would be from everything."

"Where you heading?" Rand asked.

"Nowhere in particular. Just keep on moving, that is all. Month or so I'll start heading south. Get a good head start on winter. These northern states are no place to be when winter comes,"

"There are two eggs left," said Rand. "How about it?"

"Hell, man, I can't. I already…

"Three eggs aren't a lot. I can get some more."

"Well, if you're sure that you don't mind. Tell you what — let's split them, one for you, one for me."

The giddy old lady had finished cutting her bouquet and had gone into the house. From up the street came the tapping of a cane — Rand's other ancient neighbor, out for his evening walk. The sinking sun poured a blessing on the land. The leaves were gold and red, brown and yellow — they had been that way since the day that Rand had come. The grass had a tawny look about it — not dead, just dressed up for dying.

The old man came trudging carefully down the walk, his cane alert against a stumble, helping himself with it without really needing any help. He was slow, was all. He halted by the walk that ran up to the porch. "Good afternoon," he said. "Good afternoon." said Rand. "You have a nice day for your walk." The old man acknowledged the observation graciously and with a touch of modesty, as if he, himself, might somehow be responsible for the goodness of the day. "It looks," he said, "as if we might have another fine day tomorrow." And having said that, he continued down the street.

It was ritual. The same words were said each day. The situation, like the village and the weather, never varied. He could sit here on this porch a thousand years, Rand told himself, and the old man would continue going past and each time the selfsame words would be mouthed — a set piece, a strip of film run over and over again. Something here had happened to time. The year had stuck on autumn.

Rand did not understand it. He did not try to understand it. There was no way for him to try. Sterling had said that man's cleverness might have outstripped his feeble, prehistoric mind — or, perhaps, his brutal and prehistoric mind. And here there was less chance of understanding than there had been back in that other world.

He found himself thinking of that other world in the same myth-haunted way as he thought of this one. The one now seemed as unreal as the other. Would he ever, Rand wondered, find reality again? Did he want to find it?

There was a way to find reality, he knew. Go into the house and take out the photos in the drawer of his bedside table and have a look at them. Refresh his memory, stare reality in the face again. For those photos, grim as they might be, were a harder reality than this world in which he sat or the world that he had known. For they were nothing seen by the human eye, interpreted by the human brain.

They were, somehow, fact. The camera saw what it saw and could not lie about it; it did not fantasize, it did not rationalize, and it had no faulty memory, which was more than could be said of the human mind.

He had gone back to the camera shop where he had left the film and the clerk had picked out the envelope from the box behind the counter.

"That will be three ninety-five." he said.

Rand took a five-dollar bill out of his wallet and laid it on the counter.

"If you don't mind my asking," said the clerk, "where did you get these pictures?"

"It is trick photography," said Rand.

The clerk shook his head. "If that is what they are, they're the best I've ever seen."

The clerk rang up the sale and, leaving the register open, stepped back and picked up the envelope.

"What do you want?" asked Rand.

The man shook the prints out of the envelope, shuffled through them.

"This one," he said.

Rand stared at him levelly. "What about it?" he asked.

"The people. I know some of them. The one in front. That is Bob Gentry. He is my best friend."

"You must be mistaken," Rand said coldly.

He took the prints from the clerk's fingers, put them back in the envelope.

The clerk made the change. He still was shaking his head, confused, perhaps a little frightened, when Rand left the shop.

He drove carefully, but with no loss of time, through the city and across the bridge. When he hit open country beyond the river, he built up his speed, keeping an eye on the rear-vision mirror. The clerk had been upset, perhaps enough to phone the police. Others would have seen the pictures and been upset as well. Although, he told himself, it was silly to think of the police. In taking the photos, he had broken no regulations, violated no laws. He had had a perfect right to take them.

Across the river and twenty miles down the highway, he turned off into a small, dusty country road and followed it until he found a place to pull off, where the road widened at the approach to a bridge that crossed a small stream. There was evidence that the pull-off was much used, fishermen more than likely parking their cars there while they tried their luck. But now the place was empty.

He was disturbed to find that his hands were shaking when he pulled the envelope from his pocket and shook out the prints.

And there it was — as he no longer could remember it.

He was surprised that he had taken as many pictures as he had. He could not remember having taken half that many. But they were there, and as he looked at them, his memory, reinforced, came back again, although the photos were much sharper than his memory. The world, he recalled, had seemed to be hazed and indistinct so far as his eyes had been concerned; in the photos it lay cruel and merciless and clear. The blackened stumps stood up, stark and desolate, and there could be no doubt that the imprint that lay upon the photos was the actuality of a bombed-out city. The photos of the bluff showed the barren rock no longer masked by trees, with only here and there the skeletons of trees that by some accidental miracle had not been utterly reduced by the storm of fire. There was only one photo of the band of people who had come charging down the hill toward him; and that was understandable, for once having seen them, he had been in a hurry to get back to the car. Studying the photo, he saw they were much closer than he'd thought. Apparently they had been there all the time, just a little way off, and he had not noticed them in his astonishment at what had happened to the city. If they had been quieter about it, they could have been on top of him and overwhelmed him before he discovered them. He looked closely at the picture and saw that they had been close enough that some of the faces were fairly well defined. He wondered which one of them was the man the clerk back at the camera shop had recognized.