Clifford Simak - All Flesh Is Grass and Other Stories

Maybe, I told myself, I should have stayed. If for no other reason than to help Joe keep Higgy from making some fool move.

But there had, it seemed to me, been no point in staying. Even if I had something to offer (which I didn't), it would have been suspect. For by now, apparently, I was fairly well discredited. More than likely Hiram and Tom Preston had been busy all afternoon lining people up in the Hate Bradshaw Carter movement.

I turned off Main Street and headed back toward home. All along the Street lay a sense of peacefulness. Shadows flickered on the lawns quartering the intersections as a light summer breeze set the street lamps, hung on their arms, to swaying. Windows were open against the heat and to catch the breeze and soft lights shone within the houses, while from the open windows came snatches of muttering from the TV or radio. Peaceful, and yet I knew that beneath that quiet exterior lay the fear and hate and terror that could turn the village into a howling bedlam at a single word or an unexpected action.

There was resentment here, a smouldering resentment that one little group of people should be penned like cattle while all the others in the world were free. And a feeling of rebellion against the cosmic unfairness that we, of all the people in the world, should have been picked for penning. Perhaps, as well, a strange unquiet at being stared at by the world and talked of by the world, as if we were something monstrous and unkempt.

And perhaps the shameful fear that the world might think we had brought all this on ourselves through some moral or mental relapse.

Thrown into this sort of situation, it was only natural that the people of the village should be avid to grasp at any sort of interpretation that might clear their names and set them right, not only with themselves, but with the aliens and the world; that they should be willing to believe anything at all (the worst or best), to embrace all rumours, to wallow in outlandish speculation, to attempt to paint the entire picture in contrasting black and white (even when they knew that all of it was grey), because in this direction of blackness and of whiteness lay the desired simplicity that served an easier understanding and a comfortable acceptance.

They could not be blamed, I told myself. They were not equipped to take a thing like this in stride. For years they had lived unspectacularly in a tiny backwash off the mainstream of the world. The small events of village life were their great events, the landmarks of their living that time the crazy Johnson kid had rammed his beat-up jalopy into the tree on Elm Street, the day the fire department had been called to rescue Grandma Jones" cat, marooned on the roof of the Presbyterian parsonage (and to this day no one could figure out how the cat had got there), the afternoon Pappy Andrews had fallen asleep while fishing on the river bank, and had tumbled down into the stream, to be hauled out, now thoroughly awakened, but with water in his lungs, spewing and gasping, by Len Streeter (and the speculation as to why Len Streeter should have been walking along the river bank). Of such things had their lives been made, the thin grist of excitement.

But now they faced a bigger thing, something they could not comprehend, a happening and a situation that was, for the moment, too big for the world to comprehend. And because they could not reduce this situation to the simple formula of aimless wonder that could be accorded a cat that had somehow attained the parsonage roof, they were uneasy and upset and their tempers were on edge, ready to flare into an antagonistic attitude, and very probably into violence — if they could find something or someone against which such a violence could be aimed. And now I knew that Tom Preston and Hiram Martin had provided them with a target for their violence — if and when the violence came.

I saw now that I was almost home. I was in front of the house of Daniel Willoughby, a big brick house, upstanding and foursquare, the kind of house you'd know, without even thinking of it, that a man like Daniel Willoughby would own. Across the street, on the corner, was the old Perkins house.

New people had moved into the place a week or so ago. It was one of the few houses in the village that was put up for rent, and people moved in and out of it every year or so. No one ever went out of their way to get acquainted with these renters; it wasn't worth one's while. And just down the street was Doc Fabian's place.

A few minutes more, I thought, and I would be home, back in the house with the hole punched in the roof, back with the echoing emptiness and the lonely question, with the hatred and suspicion of the town performing sentry-go just outside the gate.

Across the street a screen door slammed and feet tramped across the porch boards.

A voice yelled: "Wally, they're going to bomb us! It was on television!" A shadow hunched up out of the darkness of the earth — a man who had been lying on the grass or sitting in a low-slung lawn chair, invisible until the cry had jerked hint upright.

He gurgled as he tried to form some word, but it came out wrong.

"There was a bulletin!" the other one shouted from the porch. "Just now. On television." The man out in the yard was up and running, heading for the house.

And I was running, too. Heading for home, as fast as I could go, my legs moving of their own accord, unprompted by the brain.

I'd expected I'd have a little time, but there'd been no time. The rumour had broken sooner than I had anticipated.

For the bulletin, of course, had been no more than rumour, I was sure of that — that a bombing might take place; that, as a last resort, a bomb might be dropped on Millville. But I also knew that so far as this village was concerned, it would make no difference. The people in the village would not differentiate between fact and rumour.

This was the trigger that would turn this village into a hate-filled madhouse. I might be involved and so might Gerald Sherwood — and Stiffy, too, if he were here.

I ran off the street and plunged down the slope back of the Fabian house, heading for the little swale where the money crop was growing. It was not until I was halfway down the slope that I thought of Hiram. Earlier in the day he had been guarding the money bushes and he might still be there. I skidded to a halt and crouched against the ground. Quickly I surveyed the area below me, then went slowly over it, looking for any hunch of darkness, any movement that might betray a watcher.

From far away I heard a shout and on the street above someone ran, feet pounding on the pavement. A door banged and somewhere, several blocks away, a car was started and the driver gunned the engine. The excited voice of a news commentator floated thinly through an open window, but I could not make out the words.

There was no sign of Hiram.

I rose from my crouch and went slowly down the slope. I reached the garden and made my way across it. Ahead of me loomed the shattered greenhouse, and growing at its corner the seedling elm tree.

I came up to the greenhouse and stood beside it for a moment, taking one last look for Hiram, to make sure he wasn't sneaking up on me. Then I started to move on, but a voice spoke to me and the sound of the voice froze me.

Although, even as I stood frozen, I realized there'd been no sound.

Bradshaw Carter, said the voice once again, speaking with no sound.

And there was a smell of purpleness — perhaps not a smell, exactly, but a sense of purpleness. It lay heavy in the air and it took me back in sharp and crystal memory to Tupper Tyler's camp where the Presence had waited on the hillside to walk me back to Earth.

"Yes," I said. "Where are you?" The seedling elm at the corner of the greenhouse seemed to sway, although there was not breeze enough to sway it.