Geoff Ryman - Pol Pot's Beautiful Daughter

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Pol Pot's Beautiful Daughter is an exemplary story that sweeps up an entirely novel lane to transverse and exceed the boundaries of archetypal ghost stories. Sith is moneyed and supremely fine looking but the haunting of her Cambodian past refuses to let her be, tormenting her until she takes note of their unbidden laments. Geoff Ryman writes in charmed fashion to plant a new and almost welcome face to poltergeist. -Eugen Bacon, Fictionwise Recommender
***
In Cambodia people are used to ghosts. Ghosts buy newspapers. They own property.
A few years ago, spirits owned a house in Phnom Penh, at the Tra Bek end of Monivong Boulevard. Khmer Rouge had murdered the whole family and there was no one left alive to inherit it. People cycled past the building, leaving it boarded up. Sounds of weeping came from inside.
Then a professional inheritor arrived from America. She'd done her research and could claim to be the last surviving relative of no fewer than three families. She immediately sold the house to a Chinese businessman, who turned the ground floor into a photocopying shop.
The copiers began to print pictures of the original owners.
At first, single black and white photos turned up in the copied dossiers of aid workers or government officials. The father of the murdered family had been a lawyer. He stared fiercely out of the photos as if demanding something. In other photocopies, his beautiful daughters forlornly hugged each other. The background was hazy like fog.
One night the owner heard a noise and trundled downstairs to find all five photocopiers printing one picture after another of faces: young college men, old women, parents with a string of babies, or government soldiers in uniform. He pushed the big green off-buttons. Nothing happened.
He pulled out all the plugs, but the machines kept grinding out face after face. Women in beehive hairdos or clever children with glasses looked wistfully out of the photocopies. They seemed to be dreaming of home in the 1960s, when Phnom Penh was the most beautiful city in Southeast Asia.
News spread. People began to visit the shop to identify lost relatives. Women would cry, "That's my mother! I didn't have a photograph!" They would weep and press the flimsy A4 sheets to their breasts. The paper went limp from tears and humidity as if it too were crying.
Soon, a throng began to gather outside the shop every morning to view the latest batch of faces. In desperation, the owner announced that each morning's harvest would be delivered direct to The Truth, a magazine of remembrance.
Then one morning he tried to open the house-door to the shop and found it blocked. He went 'round to the front of the building and rolled open the metal shutters.
The shop was packed from floor to ceiling with photocopies. The ground floor had no windows-the room had been filled from the inside. The owner pulled out a sheet of paper and saw himself on the ground, his head beaten in by a hoe. The same image was on every single page.
He buried the photocopiers and sold the house at once. The new owner liked its haunted reputation; it kept people away. The FOR SALE sign was left hanging from the second floor.
In a sense, the house had been bought by another ghost.
This is a completely untrue story about someone who must exist.

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Here on the riverfront, everyone was equal. The teenage boys lounged on the wall; poor mothers herded children; the foreigners walked briskly, trying to look as if they didn't carry moneybelts. Three fat teenage girls nearly swerved into a cripple in a pedal chair and collapsed against each other with raucous laughter.

Sith did not know what to do. She could not move. Despair humbled her, made her hang her head.

I've lost him.

The sunlight seemed to settle next to her, washing up from its reflection on the wake of some passing boat.

No you haven't.

The river water smelled of kindly concern. The sounds of traffic throbbed with forbearance.

Not yet.

There is no forgiveness in Cambodia. But there are continual miracles of compassion and acceptance.

Sith appreciated for just a moment the miracles. The motoboy buying her soup. She decided to trust herself to the miracles.

Sith talked to the sunlight without making a sound. Grandfather Vireakboth. Thank you. You have told me all I need to know.

Sith stood up and from nowhere, the motoboy was there. He drove her to the Hello Phone shop.

Dara would not look at her. He bustled back and forth behind the counter, though there was nothing for him to do. Sith talked to him like a customer. “I want to buy a mobile phone,” she said, but he would not answer. “There is someone I need to talk to."

Another customer came in. She was a beautiful daughter too, and he served her, making a great show of being polite. He complimented her on her appearance. “Really, you look cool.” The girl looked pleased. Dara's eyes darted in Sith's direction.

Sith waited in the chair. This was home for her now. Dara ignored her. She picked up her phone and dialed his number. He put it to his ear and said, “Go home."

"You are my home,” she said.

His thumb jabbed the C button.

She waited. Shadows lengthened.

"We're closing,” he said, standing by the door without looking at her.

Shamefaced, Sith ducked away from him, through the door.

Outside Soriya, the motoboy played dice with his fellows. He stood up. “They say I am very lucky to have Pol Pot's daughter as a client."

There was no discretion in Cambodia, either. Everyone will know now, Sith realized.

At home, the piles of printed paper still waited for her. Sith ate the old, cold food. It tasted flat, all its savor sucked away. The phones began to ring. She fell asleep with the receiver propped against her ear.

The next day, Sith went back to Soriya with a box of the printed papers.

She dropped the box onto the blue plastic counter of Hello Phones.

"Because I am Pol Pot's daughter,” she told Dara, holding out a sheaf of pictures toward him. “All the unmourned victims of my father are printing their pictures on my printer. Here. Look. These are the pictures of people who lost so many loved ones there is no one to remember them."

She found her cheeks were shaking and that she could not hold the sheaf of paper. It tumbled from her hands, but she stood back, arms folded.

Dara, quiet and solemn, knelt and picked up the papers. He looked at some of the faces. Sith pushed a softly crumpled green card at him. Her family ID card.

He read it. Carefully, with the greatest respect, he put the photographs on the countertop along with the ID card.

"Go home, Sith,” he said, but not unkindly.

"I said,” she had begun to speak with vehemence but could not continue. “I told you. My home is where you are."

"I believe you,” he said, looking at his feet.

"Then…” Sith had no words.

"It can never be, Sith,” he said. He gathered up the sheaf of photocopying paper. “What will you do with these?"

Something made her say, “What will you do with them?"

His face was crossed with puzzlement.

"It's your country too. What will you do with them? Oh, I know, you're such a poor boy from a poor family, who could expect anything from you? Well, you have your whole family and many people have no one. And you can buy new shirts and some people only have one."

Dara held out both hands and laughed. “Sith?” You, Sith are accusing me of being selfish ?

"You own them too.” Sith pointed to the papers, to the faces. “You think the dead don't try to talk to you, too?"

Their eyes latched. She told him what he could do. “I think you should make an exhibition. I think Hello Phones should sponsor it. You tell them that. You tell them Pol Pot's daughter wishes to make amends and has chosen them. Tell them the dead speak to me on their mobile phones."

She spun on her heel and walked out. She left the photographs with him.

That night she and the motoboy had another feast and burned the last of the unmourned names. There were many thousands.

The next day she went back to Hello Phones.

"I lied about something else,” she told Dara. She took out all the reports from the fortunetellers. She told him what Hun Sen's fortuneteller had told her. “The marriage is particularly well favored."

"Is that true?” He looked wistful.

"You should not believe anything I say. Not until I have earned your trust. Go consult the fortunetellers for yourself. This time you pay."

His face went still and his eyes focused somewhere far beneath the floor. Then he looked up, directly into her eyes. “I will do that."

For the first time in her life Sith wanted to laugh for something other than fear. She wanted to laugh for joy.

"Can we go to lunch at Lucky7?” she asked.

"Sure,” he said.

All the telephones in the shop, all of them, hundreds all at once began to sing.

A waterfall of trills and warbles and buzzes, snatches of old songs or latest chart hits. Dara stood dumbfounded. Finally he picked one up and held it to his ear.

"It's for you,” he said and held out the phone for her.

There was no name or number on the screen.

Congratulations, dear daughter , said a warm kind voice.

"Who is this?” Sith asked. The options were severely limited.

Your new father, said Kol Vireakboth. The sound of wind. I adopt you.

A thousand thousand voices said at once, We adopt you.

* * * *

In Cambodia, you share your house with ghosts in the way you share it with dust. You hear the dead shuffling alongside your own footsteps. You can sweep, but the sound does not go away.

On the Tra Bek end of Monivong there is a house whose owner has given it over to ghosts. You can try to close the front door. But the next day you will find it hanging open. Indeed you can try, as the neighbors did, to nail the door shut. It opens again.

By day, there is always a queue of five or six people wanting to go in, or hanging back, out of fear. Outside are offerings of lotus or coconuts with embedded josh sticks.

The walls and floors and ceilings are covered with photographs. The salon, the kitchen, the stairs, the office, the empty bedrooms, are covered with photographs of Chinese-Khmers at weddings, Khmer civil servants on picnics, Chams outside their mosques, Vietnamese holding up prize catches of fish; little boys going to school in shorts; cyclopousse drivers in front of their odd, old-fashioned pedaled vehicles; wives in stalls stirring soup. All of them are happy and joyful, and the background is Phnom Penh when it was the most beautiful city in Southeast Asia.

All the photographs have names written on them in old-fashioned handwriting.

On the table is a printout of thousands of names on slips of paper. Next to the table are matches and basins of ash and water. The implication is plain. Burn the names and transfer merit to the unmourned dead.

Next to that is a small printed sign that says in English HELLO.

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