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Harlan Ellison: Ellison Wonderland

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Harlan Ellison Ellison Wonderland

Ellison Wonderland: краткое содержание, описание и аннотация

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Ellison Wonderland is a collection of short stories by author Harlan Ellison that was originally published in 1962. Gerry Gross bought the book from Ellison in 1961, providing him with the funds he needed to move to Los Angeles. Subsequent payments after the book was published supplied the author with enough money to survive until he was able to find a job writing for a television series. It was later reprinted in 1974 by New American Library with an introduction by Ellison. The stories are in the genre of speculative fiction, and concentrate on the themes of loneliness, the end of the world, and the flaws of humanity. Ellison wrote a short introduction to each story, a tradition that he would repeat in many of his later short story collections. Many of the stories in this collection, such as "All the Sounds of Fear", "The Very Last Day of a Good Woman" and "In Lonely Lands", would turn up in later anthologies of Ellison's short stories. en.wikipedia.org/wiki/Ellison_Wonderland

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She opened the pamphlet again. Her hands had become dry and almost cool again.

“The first method of murder we have prepared for you,” the pamphlet’s voice continued, undaunted, “is the rabid dog method. You will notice a coil of grey substance. This is your Animaux Tube. Warning is issued at this point that instructions throughout the use of this Kit must be specifically followed, or failure will result. There is no mechanical failure possible with this Kit, only human failure through inefficiency and disregard of stated operating procedures. Is this understood?”

“Yes, I suppose so,” Madge answered, surlily.

“With your Animaux Tube, attached by wire, is a vial of Essence, a specially-produced, copyrighted substance to be used only with the Animaux Tube. Again warning is issued to preclude any ill-use of materials included in your Kit. Unspecified use of the Essence included in your Kit will prove most unpleasant. In the human digestive tract it reacts violently, causing almost immediate convulsions and death. Care should be exercised to keep the vial away from children and pets.”

She lifted the coil of stuff and it was sticky. After spreading a sheet of newsfax on the rug, she allowed the grey tubing to unroll itself out onto the fax sheet. There was no sense ruining a good rug with any odd chemicals from this Kit. She had always been a methodically neat woman, and just because she was doing what she was doing, was no reason to become a crude slob-like Carl

The coil unrolled and it had queer blotches on it, almost like military camouflage canvas. What it was, she still could not ascertain.

“Take some article of clothing belonging to the intended victim,” the pamphlet voice continued, startling her, “and place a small piece of it firmly against the Animaux Tube, on the orange blotch near its front. Press it, and it will adhere. Then inflate the Tube by blowing gently and evenly into the nozzle. Only after the Animaux Tube has been inflated should the Essence then be added. Screw the vial of Essence onto the air valve and allow it to drain completely into the Animaux Tube. Make certain that every drop enters. You will then have your Animaux rabid dog. Set the dog loose when the intended victim is near and it will inflict a bite wound that cannot be cured by regular methods; a bite wound that will cause violent death within a matter of minutes.”

She used one of his socks, holding it as far away from her as possible. It was hideously pungent and ripe after only one wearing. The dog itself took shape quickly. The Tube seemed to retain the air blown into it; there was no blowback.

The surge of anticipation turned her hands clumsy when she hooked the Essence to the blown-up Tube and a few drops spilled onto the newsfax underneath it.

The thing moved softly. It looked for all the world like a medium-sized mongrel dog of no apparent lineage. It limped toward the door and stood there whining, its jaws slavering hideously. “Not for a few more minutes,” she told it soothingly, afraid of it herself, yet exhilarated by what she was doing, what was to be done soon enough. “He won’t be getting off the slipway for a few minutes.” She spent the time neatly hiding the rest of the Kit and the now-silent pamphlet in her clothes closet, at the bottom of a moth-proof garment safette. Then, when it was time, she let the dog out.

Carl came gruffily into the house, cursing foully, and her heart sank.

The hairy arms surrounded her like a scratching womb, and she stood passively hoping for a blast of lightning that would char him on the spot, and damn the rug damage! She could smell his teeth rotting in his bead. “Damn dog tried t’bite me when I got offa the expresswalk. Thing musta been sick.” He nodded proudly, “Kicked it an’ the sonofabitch died right there. Real soggy mess,” and he laughed imbecilically. “Never even touched me.”

The next morning, as soon as he had slipped to work, as soon as she had watched the slipway carry him out of sight over the horizon to the Bactericidal Dome, she went to get the Do-It-Yourself Murder Kit. She took the Kit from its hiding place at the bottom of the moth-proof garment safette, and carried it into the dining nook. She was really annoyed; this Kit had not cost a pittance, and she wanted value for her money.

She punched herself a second cup of coffee—black with Saccha—and opened the pamphlet again.

“If you failed,” the booklet began, as though anticipating her anger, “it was, as I warned you, through human error, and not on the part of this Kit. Was your murder a success?”

“No!” she answered, in a consummate pique.

The pamphlet was silent for an instant, as though refraining from taking offense. Then it began: “If you have not succeeded, attribute your failure to one of the following:

“One. You snagged your Animaux Tube and it was not fully inflated, or later lost air.

“Two. You did not allow the Essence to fill the Tube completely. Perhaps you spilled a portion. “Three. You prepared your rabid dog for the scent improperly.

“Four. You did not attach your Essence vial properly, causing irreparable damage from leakage. “Well, does one of these fit your case?”

The pamphlet waited, and she remembered the few drops of substance that had trickled free in her eagerness to set the dog loose on Carl. She mumbled something.

“What?” asked the pamphlet.

“I said: I spilled some!” she confessed loudly, shamefacedly, toying with the sip-tip of her coffee bulb. “Ah so,” the pamphlet agreed. “Undoubtedly, certain vital organs were not properly formed and stabilized, thus causing a malfunction of the pseudo-beast.”

Recollections formed of the evening before, and she saw the rabid animal again, froth dripping from its viciously-spiked jaws…limping and whining. So that was it. Well, it wouldn’t happen again. She would follow the instructions more carefully in the future.

Madge Rubichek was a methodical woman.

“What do I do now?” she asked.

The pamphlet seemed to make a snickering sound, as if it were acknowledging her loss of annoyance at it, and her own recognized sense of failure, her inferiority. It might be said the pamphlet was its own brand of snob. Then its snideness disappeared, and the booklet advised, “Remove the Deadly Nightshade from your Kit. Be careful not to spread it out. Repeat, do not unfold it!”

She knew at once what was meant. The black sheet with the horrible feeling of dead flesh. She hesitated to touch it, so repulsive was the tactile impression it offered; nonetheless, she reached into the Kit and brought out the layer of softly-folded, unbelievably black, ghastly-feeling material. She dropped it at her feet. “Are you ready?” asked the pamphlet.

She started violently. It was uncanny the way that thing knew what and when and how and oh well…it was supposed to, wasn’t it? But so creepy

“Yes, thank you.”

“Excellent. Now this second method allows less room for Human error. However, it is more dangerous, and more complex. Your three methods of murder are offered in order of increasing effort and danger. Sequentially, they are held so the simplest can be allowed to work first, thus denying the element of failure and discovery as much as possible.

“Your Deadly Nightshade is nearly flawless. If you follow my instructions to the exact letter precisely— and I cannot stress this enough—you will have accomplished your desire by morning.

“Your Deadly Nightshade is a copyrighted, patented—” and it reeled off, in a bored voice, a string of Guatemalan Patent Authority designates, “—exclusive with the Do-It-Yourself Murder Kit.” She realized at once that the voice was huckstering out of necessity, that it found such commercialism odious, vulgar and tedious.

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