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Harlan Ellison: Ellison Wonderland

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Harlan Ellison Ellison Wonderland

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Ellison Wonderland is a collection of short stories by author Harlan Ellison that was originally published in 1962. Gerry Gross bought the book from Ellison in 1961, providing him with the funds he needed to move to Los Angeles. Subsequent payments after the book was published supplied the author with enough money to survive until he was able to find a job writing for a television series. It was later reprinted in 1974 by New American Library with an introduction by Ellison. The stories are in the genre of speculative fiction, and concentrate on the themes of loneliness, the end of the world, and the flaws of humanity. Ellison wrote a short introduction to each story, a tradition that he would repeat in many of his later short story collections. Many of the stories in this collection, such as "All the Sounds of Fear", "The Very Last Day of a Good Woman" and "In Lonely Lands", would turn up in later anthologies of Ellison's short stories. en.wikipedia.org/wiki/Ellison_Wonderland

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It rained all that week, and by Sunday morning, when Hobert emerged from the brownstone face of his building, the ground around the one lone tree growing slantwise on the sloping sidewalk of W. 110th Street was mushy and runny. The gutters were swollen with flowing torrents. Hobert looked up at the darkened sky which was angry even at eleven in the morning, with no trace of sun.

In annoyance he ran through the “Rain, rain, go away,” nonsense and trudged up the hill to the corner of Broadway for breakfast.

In the little restaurant, his spread-bottom drooping over a stool too small for his pear shape, Hobert gave huge traditional leers to Florence, the redhead behind the counter, and ordered the usual: “Two up, ham steak, coffee, cream, Florence.”

As he ate his eggs, Hobert returned again to his wistful dreams of a few evenings previous.

“Florence,” he said, “you ever wish something spectacular would happen to you?” He pushed a mouthful of toast and ham around his tongue to get the sentence out.

Florence looked up from her duty; putting rock-hard butter squares on paper pads. “Yeah, I useta wish somethin’d happen ta me. “ She pushed a string of red hair back into place. “But it never did.” She shrugged. “Like what did you wish?” inquired Hobert.

“Oh, you know. Silly stuff, like whyn’t Mahlon Brando come in here an’ grab me an’ like that. Or whyn’t I win a millyun bucks in the Irish Sweepstakes and come back here some aftuhnoon wearin’ a mink stole and flip the end of it in that stinkin’ Erma Geller’s kisser. You know.” She went back to the butter.

Hobert knew. He had made equivalent wishes himself, with particulars slightly changed. It had been Gina Lollobrigida and a $250 silk shantung suit like Mr. Beigen owned, when he had daydreams.

He finished the eggs and ham, wiped up the last little drippings of egg yellow, bolted his coffee, and, wiping his mouth with his paper napkin, said, “Well, see you tomorrow, Florence.”

She accepted the exact change he left for the bill, noted the usual fifteen cents under the plate and said, “Ain’tcha comin’ in for dinner tanight?” Hobert assumed an air of bored detachment. “No, no, I think I shall go downtown and take in a show tonight. Or perhaps I shall dine at The Latin Quarter or Lindy’s. With pheasant under glass and caviar and some of that famous Lindy’s cheesecake. I shall decide when I get down there.” He began to walk out, joviality in his walk. “Oh, ya such a character,” laughed Florence, behind him.

But the rain continued, and Hobert only went a few streets down Broadway where the storm had driven everyone off the sidewalks, with the exception of those getting the Sunday editions. “Lousy day,” he muttered under his breath. Been like this all week, he observed to himself. That ought to teach that bigmouth Beigen that maybe I can predict as well as his high-priced boys upstairs. Maybe now he’ll listen to me!

Hobert could see Mr. Beigen coming over to his desk, stammering for a moment, then, putting his arm around Hobert’s shoulders—which Hobert carefully ignored—telling Hobert he was terribly sorry and he would never scream again, and would Hobert forgive him for his rudeness and here was a fifteen dollar raise and a job upstairs in the analysis department.

Hobert could see it all. Then the wetness of his socks, clinging to his ankles, made the vision fade. Oh, rain, rain!

The movie was just opening, and though Hobert despised Barbara Stanwyck, he went in to kill the time. It was lonely for a pot-bellied man of forty-six in New York without any close friends and all the current books and magazines read.

Hobert tsk-tsked all the way through the picture, annoyed at the simpleton plot. He kept thinking to himself that if he had one wish he would wish she never made another picture.

When he emerged, three hours later, it was afternoon and the rain whipped into the alcove behind the ticket booth drenching him even before he could get onto the street. It was a cold rain, wetter than any Hobert could remember, and thick, with no space between drops, it seemed. As though God were tossing down all the rain in the heavens at once.

Hobert began walking, humming to himself the little rain, rain ditty. His mind began trying to remember how many times he had uttered that series of words. He failed, for it stretched back to his childhood. Every time he had seen a rainfall he had made the same appeal. And he was surprised to realize now that it had worked almost uncannily, many times.

He could recall one sunny day when he was twelve, that his family had set aside for a picnic. It had suddenly darkened and begun to come down scant minutes before they were to leave.

Hobert remembered having pressed himself up flat against the front room windows, one after another, wildly repeating the phrase over and over. The windows had been cold, and his nose had felt funny, all flattened up that way. But after a few minutes it had worked. The rain had stopped, the sky had miraculously cleared, and they went to Huntington Woods for the picnic. It hadn’t been a really good picnic, but that wasn’t important. What was important was that he had stopped the rain with his own voice.

For many years thereafter Hobert had believed that. And he had applied the rain, rain ditty as often as he could, which was quite often. Sometimes it never seemed to work, and others it did. But whenever he got around to saying it, the rain never lasted too long afterward.

Wishes, wishes, wishes, ruminated Hobert. If I had one wish, what would I wish? Would the wish really come true?

Or do you have to keep repeating your wish? Is that the secret? Is that why some people get what they want eventually, because they make the same wish, over and over, the same way till it comes true? Perhaps we all have the ability to make our wishes come true, but we must persist in them, for belief and the strength of your convictions is a powerful thing. If I had one wish, what would I wish? I’d wish that…

It was then, just as Hobert saw the Hudson River beginning to overflow onto Riverside Drive, rising up and up over the little park along the road, that he realized.

“Oh my goodness!” cried Hobert, starting up the hill as fast as he could.

“Rain, rain, go away, come again another day.”

Hobert said it, sprayed his throat, and made one more chalk mark on the big board full of marks. He said it again, and once more marked.

It was odd. All that rain had gone away, only to come another day. The unfortunate part was that it all came back the same day. Hobert was—literally speaking—up the creek. He had been saying it since he was a child, how many times he had no idea. The postponements had been piling up for almost forty-six years, which was quite a spell of postponements. The only way he could now stop the flood of rain was to keep saying it, and say it one more time than all the times he had said it during those forty-six years. And the next time all forty-six years plus the one before plus another. And so on. And so on.

The water was lapping up around the cornice of his building, and Hobert crouched farther into his rubber raft on its roof, pulling the big blackboard toward him, repeating the phrase, chalking, spraying occasionally. It wasn’t bad enough that he was forced to sit there repeating, repeating, repeating all day, just to stop the rain; there was another worry nagging Hobert’s mind.

Though it had stopped raining now, for a while, and though he was fairly safe on the roof of his building, Hobert was worried. For when the weather became damp, he invariably caught laryngitis.

In Lonely Lands

Friendship that most fleeting of human relationships, seems to me to be one of the most precious. The old saw about “he is a rich man who can truly say he has three true friends” may be saccharine, but it has its merits. The vagaries of the human spirit, particularly in times as debilitating and sorrowful as these, seem almost to stack the deck against lasting friendships. And I wonder how much more valuable and difficult they will be, in our particular future, when man has been consigned to numerous oases in the sea of stars. I think many will find their prejudices and fears being swept away in the face of their needs for companionship, particularly

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