Thomas Cook - Taken

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Taken: краткое содержание, описание и аннотация

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This novelisation of the Hit American Sci-fi show will be avaiable at the same time as the UK broadcast.
Due to be broadcast on BBC late January this 20 TV mini-series got rave reveiws and great ratings when broadcast on the Sci-fi channel in November in America.Created by Dreamworks (Steven Speilbergs company) the show centers around three American families who experiece an encounter with Aliens which in turn effects their lifes and friends around them over the next three decades.Well acted, great story lines and a spectacular special effects the TV show is bound to great viewing figures and the novelisaton captures all those elements.

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Lisa could feel the desperate concentration of Allie’s mind. “Very hard,” she repeated softly. “She is doing something very hard.”

Charlie brought his face close to hers. “What are you seeing, Lisa?”

She seemed not to hear him. “Come on,” she whispered urgently, and with a strange note of encouragement, as if offering the full measure of her own will to the fierce needs of her daughter. “Come on, come on.”

“Jesus,” Wakeman said as he looked out the small window of the shed.

Charlie rushed to the window and stared out.

The soldiers who’d been guarding the shed were now frozen in awe, as the craft, glowing brightly, began to lift out of the scarred earthen pit that held it, inching backward and upward… rising!

“There are men in there,” Wakeman said.

The craft continued to rise into the enveloping darkness, rising and rising until it reached high above the farmhouse and the awestruck men who surrounded it. Then it paused, as if to enjoy the view from the high aerie of its power, and leveled off, all its lights whirling rapidly, a vast engine brought back to full throttle, a wounded craft miraculously restored.

“Allie,” Lisa whispered.

The craft continued to hover silently. Then a beam of light, brighter than any emitted before it, fierce and blinding, shot down to the farmhouse with laser-sharp perfection, carrying a crystalline beauty to the earth, sweeping around the farmhouse and tugging it upward from its ancient foundation.

Lisa moaned, as if the weight of the farmhouse were on her shoulders. But Charlie knew that Lisa’s burden was only a reflection, light and unsubstantial, compared to the vast weight Allie bore upward, huge and crushing, as Atlas bore the world.

He stepped outside the shed, his eyes fixed on the unreal and impossible vision beyond it, a farmhouse tearing away from its foundations, rising slowly upward as if drawn into the sky by huge, but invisible cables.

“They’re taking it,” Wakeman breathed.

And instantly they did, the farmhouse now encased in a shimmering wrap of light that suddenly coalesced into a single, fiery ball and vanished into the upper sky, away and away, fleeing the earth as if it were a dark stranger of terrible intent.

Lisa moaned again, then collapsed in utter exhaustion.

Charlie hurried over to her and drew her into his arms.

“It’s all right,” Lisa said. “It’s all right.”

She struggled to her feet, and with Charlie’s help, gazed out at the dark field, a few figures now standing, dazed, beneath the very place from which the craft had disappeared: Mary, surrounded by soldiers, all of them thunderstruck and staring about, as if looking for what was missing.

Chapter Two

Mary sat inside General Beers’ trailer, holding a blanket snugly around her shoulders. Outside, the entire base was being dismantled. She knew what that meant. Soon there would be no sign that anything had happened here. It would all be explained as a “toxic spill” or some other such idiotic explanation the public would no doubt accept.

“Want to tell me what this is?” Beers asked, pointing to the alien artifact.

She nodded. “It’s theirs,” she said.

“No kidding,” the general said facetiously. “What else do you know about it?”

Mary shook her head.

“You won’t tell me?”

Mary stared at him silently.

Beers nodded crisply then turned to the MP beside him. “Get me Wakeman,” he said.

Wakeman came into the room a few minutes later, an MP on either side.

“Mary, you all right?” he asked. “What happened? What did you see?”

Beers interrupted him. “What can you tell me about this, Doctor?” he demanded.

Wakeman looked at the scrolling artifact. He smiled.

“Nice,” he said, as if he were viewing nothing more than a curious piece of jewelry. “Very nice.”

“What is it?” the general asked.

“It gathers information,” Wakeman answered. “A recording device of some kind. A brain.”

“You and Ms. Crawford withheld valuable evidence,” Beers said. “In my opinion, your actions are directly responsible for the failure of this mission.”

Wakeman shrugged. “Nice to have someone to blame when things go wrong, isn’t it, General?”

Beers glared at him. “Maybe the ride back to Ash will give you a little time to consider the consequences of being uncooperative.”

He motioned Mary to her feet. “Take them to the truck.”

The soldiers stepped forward and led Mary and Wakeman out of the building. In the distance she saw two people, a man and a woman, standing beside a Humvee. Allie’s parents, she recognized, no doubt distraught that their precious little girl had been taken. They had made an enormous effort to save their daughter, traveled hundreds of miles and risked their lives. It was a strangely human thing to do, she thought, throw everything else to the wind, risk it all for… just a child. She couldn’t help wondering if her father would have done the same for her.

“Get in the back of the truck,” an MP commanded.

Wakeman offered a hand, but Mary didn’t take it.

Without help, she climbed into the truck, Wakeman just behind her.

From her place in the back of the truck, Mary watched as General Beers approached Allie’s parents. Briefly, they spoke, then the general escorted Allie’s mother into the back of the Humvee and climbed in after her, leaving the father to ride with Pierce, the Humvee’s driver.

The Humvee pulled away, and the truck drew in behind it.

Mary turned toward the soldiers as the truck pulled away. They were silent, as if frozen in dread, and in their dread, the sheer lingering horror that was etched in their faces, she felt something begin to focus in her, a strange revelation.

“Mary?” Wakeman asked, nudging his shoulder against hers. “Can you tell me about it?”

Mary shook her head. “I don’t want to talk about it.”

“I’m sorry they found the artifact.”

“It’s not important anymore,” Mary said.

“How can you say that,” Wakeman asked.

The truck entered a green meadow where a few cows grazed quietly.

“You saw the artifact,” Wakeman continued. “It was working overtime. Something is still going to happen.”

Mary seemed hardly to hear him. “Yes,” she whispered to herself, remembering the way Allie had screened a pasture, and behind it, let time pass and people get away. For a moment, she had stopped the world, stopped time, stopped everything by the simple expedient of throwing up a screen.

One of the soldiers shivered.

Mary’s eyes swept over to him. She noted his name,

Walker. “You went in, didn’t you?” she asked him. “You went into the craft.”

Walker nodded.

Mary leaned forward slightly. “What did you see?”

Walker looked at her like a small child forced to reveal something shameful. “Bugs,” he said, his lips trembling. “Cockroaches. They were all over me.”

Mary looked at him pointedly. “Have you always been afraid of bugs?” she asked.

Walker nodded hesitantly. “Since I was a kid.”

Mary felt it almost physically, an idea so solid, it seemed to add weight to her mind. The bugs were as unreal as the cow she’d seen in Seattle. It was all a… screen. “Stop the truck,” she said, rising to her feet. “Stop the truck, I want to talk to General Beers.”

The driver immediately honked the horn and flashed his lights to get the attention of the general’s Humvee ahead. Then he stopped, the Humvee just behind them now coming to a halt behind him.

“General Beers,” Mary said as the general leaped from a Humvee behind them and strode over to the truck.

“Where the hell are the mother and father?” Beers demanded.

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