Daryl Gregory: Second Person, Present Tense

Dr. S says that most drugs aren’t about making you feel better, they’re about not feeling anything at all. They’re about numbness, escape. And Zen is a kind of arty, designer escape hatch. Zen disables the Page, locks him in his room, so that he can’t make his deliveries to the Queen. There’s no update to the neural map, and the Queen stops hearing what Parliament is up to. With no orders to bark, she goes silent. It’s that silence that people like Therese craved.

But the real attraction-again, for people like Therese-is the overdose. Swallow way too much Zen and the Page can’t get out for weeks. When he finally gets out, he can’t remember the way back to the Queen’s castle. The whole process of updating the self that’s been going on for years is suddenly derailed. The silent Queen can’t be found.

The Page, poor guy, does the only thing he can. He goes out and delivers the proclamations to the first girl he sees.

The Queen is dead. Long live the Queen.

“Hi, Terry. I’m Dr. Mehldau.” She’s a stubby woman with a pleasant round face, and short dark hair shot with gray. She offers me her hand. Her fingers are cool and thin.

“You called me Terry.”

“I was told that you prefer to go by that. Do you want me to call you something else?”

“No . . . I just expected you to make me say my name is ‘Therese’ over and over.”

She laughs and sits down in a red leather chair that looks soft but sturdy. “I don’t think that would be very helpful, do you? I can’t make you do anything you don’t want to do, Terry.”

“So I’m free to go.”

“Can’t stop you. But I do have to report back to your parents on how we’re doing.”

My parents.

She shrugs. “It’s my job. Why don’t you have a seat and we can talk about why you’re here.”

The chair opposite her is cloth, not leather, but it’s still nicer than anything in Dr. Subramaniam’s office. The entire office is nicer than Dr. S’s office. Daffodil walls in white trim, big windows glowing behind white cloth shades, tropically colored paintings.

I don’t sit down.

“Your job is to turn me into Mitch and Alice’s daughter. I’m not going to do that. So any time we spend talking is just bullshit.”

“Terry, no one can turn you into something you’re not.”

“Well then we’re done here.” I walk across the room-though “stroll” is what I’m shooting for-and pick up an African-looking wooden doll from the bookshelf. The shelves are decorated with enough books to look serious, but there are long open spaces for arty arrangements of candlesticks and Japanese fans and plaques that advertise awards and appreciations. Dr. S’s bookshelves are for holding books, and books stacked on books. Dr. Mehldau’s bookshelves are for selling the idea of Dr. Mehldau.

“So what are you, a psychiatrist or a psychologist or what?” I’ve met all kinds in the hospital. The psychiatrists are MDs like Dr. S and can give you drugs. I haven’t figured out what the psychologists are good for.

“Neither,” she says. “I’m a counselor.”

“So what’s the ‘doctor’ for?”

“Education.” Her voice didn’t change, but I get the impression that the question’s annoyed her. This makes me strangely happy.

“Okay, Dr. Counselor, what are you supposed to counsel me about? I’m not crazy. I know who Therese was, I know what she did, I know that she used to walk around in my body.” I put the doll back in its spot next to a glass cube that could be a paperweight. “But I’m not her. This is my body, and I’m not going to kill myself just so Alice and Mitch can have their baby girl back.”

“Terry, no one’s asking you to kill yourself. Nobody can even make you into who you were before.”

“Yeah? Then what are they paying you for, then?”

“Let me try to explain. Please, sit down. Please.”

I look around for a clock and finally spot one on a high shelf. I mentally set the timer to five minutes and sit opposite her, hands on my knees. “Shoot.”

“Your parents asked me to talk to you because I’ve helped other people in your situation, people who’ve overdosed on Z.”

“Help them what? Pretend to be something they’re not?”

“I help them take back what they are. Your experience of the world tells you that Therese was some other person. No one’s denying that. But you’re in a situation where biologically and legally, you’re Therese Klass. Do you have plans for dealing with that?”

As a matter of fact I do, and it involves getting the hell out as soon as possible. “I’ll deal with it,” I say.

“What about Alice and Mitch?”

I shrug. “What about them?”

“They’re still your parents, and you’re still their child. The overdose convinced you that you’re a new person, but that hasn’t changed who they are. They’re still responsible for you, and they still care for you.”

“Not much I can do about that.”

“You’re right. It’s a fact of your life. You have two people who love you, and you’re going to be with each other for the rest of your lives. You’re going to have to figure out how to relate to each other. Zen may have burned the bridge between you and your past life, but you can build that bridge again.”

“Doc, I don’t want to build that bridge. Look, Alice and Mitch seem like nice people, but if I was looking for parents, I’d pick someone else.”

Dr. Mehldau smiles. “None of us get to choose our parents, Terry.”

I’m not in the mood to laugh. I nod toward the clock. “This is a waste of time.”

She leans forward. I think she’s going to try to touch me, but she doesn’t. “Terry, you’re not going to disappear if we talk about what happened to you. You’ll still be here. The only difference is that you’ll reclaim those memories as your own. You can get your old life back and choose your new life.”

Sure, it’s that easy. I get to sell my soul and keep it too.

I can’t remember my first weeks in the hospital, though Dr. S says I was awake. At some point I realized that time was passing, or rather, that there was a me who was passing through time. I had lasagna for dinner yesterday, I am having meat loaf today. I am this girl in a bed. I think I realized this and forgot it several times before I could hold onto it.

Every day was mentally exhausting, because everything was so relentlessly new. I stared at the TV remote for a half hour, the name for it on the tip of my tongue, and it wasn’t until the nurse picked it up and turned on the TV for me that I thought: Remote. And then sometimes, this was followed by a raft of other ideas: TV. Channel. Gameshow.

People were worse. They called me by a strange name, and they expected things of me. But to me, every visitor, from the night shift nurse to the janitor to Alice and Mitch Klass, seemed equally important-which is to say, not important at all.

Except for Dr. S. He was there from the beginning, and so he was familiar before I met him. He belonged to me like my own body.

But everything else about the world-the names, the details, the facts-had to be hauled into the sunlight, one by one. My brain was like an attic, chock full of old and interesting things jumbled together in no order at all.

I only gradually understood that somebody must have owned this house before me. And then I realized the house was haunted.

After the Sunday service, I’m caught in a stream of people. They lean across the pews to hug Alice and Mitch, then me. They pat my back, squeeze my arms, kiss my cheeks. I know from brief dips into Therese’s memories that many of these people are as emotionally close as aunts or uncles. And any of them, if Therese were ever in trouble, would take her in, feed her, and give her a bed to sleep in.