Кен Лю - The Anderson Project

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The Anderson Project: краткое содержание, описание и аннотация

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The second in a series of story groupings based upon a pre-existing work of art, in this case a Richard Anderson painting. The first such group, The Palencar Project, was published by Tor.com in 2012.
Judith Moffett is a poet, biographer, and SF writer who somehow manages to blend all these passions in a story about a new art form involving the science of dreaming, and interpreting dreams, and art. Give a poet a painting to write a story about and you get “Space Ballet”, in which students at the Center for Dream Research struggle to interpret a cryptic precognitive dream, a group effort that may avert a disaster.
Kathleen Ann Goonan’s stories and novels often evoke a deep desire for some form of utopian future, both better and somehow wilder that the present. This is a story about an animal rights activist and a genius parrot, inter-species communication, and the dream of space, a great leap forward in several ways.
Ken Liu is among the most prominent new award-winning SF writers of the last decade, and this vision of a really uncanny alien invasion set in Boston, MA, is a stunner, with echoing reverberations, of love, identity, resistance and revolution.
At the publisher’s request, this title is being sold without Digital Rights Management software (DRM) applied.

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“I’m sorry,” I say. “There’s a lot on my mind, unpleasant thoughts. I don’t want to burden you.”

Kai nods, a human gesture that seems incongruous. I appreciate the effort thie is making to make me feel better. Thie has always been very understanding.

Thie backs off, leaving me naked in the middle of the room.

* * *

The landlady proclaims complete ignorance of the life of Walker Lincoln. Rent (which in this part of Charlestown is dirt cheap) is direct deposited on the first of every month, and she hasn’t set eyes on him since he moved in four months ago. I wave my badge, and she hands me the key to his apartment and watches wordlessly as I climb the stairs.

I open the door and turn on the light; I’m greeted with a sight out of a furniture store display: white couch, leather loveseat, glass coffee table with a few magazines in a neat stack, abstract paintings on walls. There’s no clutter, nothing out of its assigned place. I take a deep breath. No smell of cooking, detergent, the mix of aromas that accompany places lived in by real people.

The place seems familiar and strange at the same time, like walking through déjà vu.

I walk through the apartment, opening doors. The closets and bedroom are as artfully arranged as the living room. Perfectly ordinary, perfectly unreal.

Sunlight coming in from the windows along the western wall makes clean parallelograms against the gray carpet. The golden light is Kai’s favorite shade.

There is, however, a thin layer of dust over everything. Maybe a month or two’s worth.

Walker Lincoln is a ghost.

Finally, I turn around and see something hanging on the back of the front door, a mask.

I pick it up, put it on, and step into the bathroom.

I’m quite familiar with this type of mask. Made of soft, pliant, programmable fibers, it’s based on Tawnin technology, the same material that makes up the strands that release the Reborn back into the world. Activated with body heat, it molds itself into a pre-programmed shape. No matter the contours of the face beneath it, it rearranges itself into the appearance of a face it has memorized. Approved only for law enforcement, we sometimes use such masks to infiltrate Xenophobic cells.

In the mirror, the cool fibers of the mask gradually come alive like Kai’s body when I touch thim, pushing and pulling against the skin and muscles of my face. For a moment my face is a shapeless lump, like a monster’s out of some nightmare.

And then the roiling motions stop, and I’m looking into the face of Walker Lincoln.

* * *

Kai’s was the first face I saw the last time I was Reborn.

It was a face with dark fish-like eyes and skin that pulsated as though tiny maggots were wriggling just under the surface. I cringed and tried to move away but there was nowhere to go. My back was against a steel wall.

The skin around thir eyes contracted and expanded again, an alien expression I did not understand. Thie backed up, giving me some space.

Slowly, I sat up and looked around. I was on a narrow steel slab attached to the wall of a tiny cell. The lights were too bright. I felt nauseated. I closed my eyes.

And a tsunami of images came to me that I could not process. Faces, voices, events in fast motion. I opened my mouth to scream.

And Kai was upon me in a second. Thie wrapped thir primary arms around my head, forcing me to stay still. A mixture of floral and spicy scents enveloped me, and the memory of it suddenly emerged from the chaos in my mind. The smell of home. I clung to it like a floating plank in a roiling sea.

Thie wrapped thir secondary arms around me, patting my back, seeking an opening. I felt them push through a hole over my spine, a wound that I did not know was there, and I wanted to cry out in pain—

—and the chaos in my mind subsided. I was looking at the world through thir eyes and mind: my own naked body, trembling.

Let me help you.

I struggled for a bit, but thie was too strong, and I gave in.

What happened?

You’re aboard the Judgment Ship. The old Josh Rennon did something very bad and had to be punished.

I tried to remember what it was that I had done, but could recall nothing.

He is gone. We had to cut him out of this body to rescue you.

Another memory floated to the surface of my mind, gently guided by the currents of Kai’s thoughts.

I am sitting in a classroom, the front row. Sunlight coming in from the windows along the western wall makes clean parallelograms on the ground. Kai paces slowly back and forth in front of us.

“Each of us is composed of many groupings of memories, many personalities, many coherent patterns of thoughts.” The voice comes from a black box Kai wears around thir neck. It’s slightly mechanical, but melodious and clear.

“Do you not alter your behavior, your expressions, even your speech when you’re with your childhood friends from your hometown compared to when you’re with your new friends from the big city? Do you not laugh differently, cry differently, even become angry differently when you’re with your family than when you’re with me?

The students around me laugh a little at this, as do I. As Kai reaches the other side of the classroom, thie turns around and our eyes meet. The skin around thir eyes pulls back, making them seem even bigger, and my face grows warm.

“The unified individual is a fallacy of traditional human philosophy. It is, in fact, the foundation of many unenlightened, old customs. A criminal, for example, is but one person inhabiting a shared body with many others. A man who murders may still be a good father, husband, brother, son, and he is a different man when he plots death than when he bathes his daughter, kisses his wife, comforts his sister, and cares for his mother. Yet the old human criminal justice system would punish all of these men together indiscriminately, would judge them together, imprison them together, even kill them together. Collective punishment. How barbaric! How cruel!”

I imagine my mind the way Kai describes it: partitioned into pieces, an individual divided. There may be no human institution that the Tawnin despise more than our justice system. Their contempt makes perfect sense when considered in the context of their mind-to-mind communication. The Tawnin have no secrets from each other and share an intimacy we can only dream of. The idea of a justice system so limited by the opacity of the individual that it must resort to ritualized adversarial combat rather than direct access to the truth of the mind must seem to them a barbarity.

Kai glances at me, as though thie could hear my thoughts, though I know that is not possible without my being ported. But the thought brings pleasure to me. I am Kai’s favorite student.

I placed my arms around Kai.

My teacher, my lover, my spouse. I was once adrift, and now I have come home. I am beginning to remember.

I felt the scar on the back of thir head. Thie trembled.

What happened here?

I don’t remember. Don’t worry about it.

I carefully caressed thim, avoiding the scar.

The Rebirth is a painful process. Your biology did not evolve as ours, and the parts of your mind are harder to tease apart, to separate out the different persons. It will take some time for the memories to settle. You have to re-remember, relearn the pathways needed to make sense of them again, to reconstruct yourself again. But you’re now a better person, free from the diseased parts we had to cut out.

I hung onto Kai, and we picked up the pieces of myself together.

* * *

I show Claire the mask, and the too-perfect electronic profile. “To get access to this kind of equipment and to create an alias with an electronic trail this convincing requires someone with a lot of power and access. Maybe even someone inside the Bureau, since we need to scrub electronic databases to cleanse the records of the Reborn.”

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