Peter Watts - Behemoth

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Behemoth: краткое содержание, описание и аннотация

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Lenie Clarke-amphibious cyborg, Meltdown Madonna, agent of the Apocalypse-has grown sick to death of her own cowardice.
For five years (since the events recounted in Maelstrom0, she and her bionic brethren (modified to work in the rift valleys of the ocean floor) have hidden in the mountains of the deep Atlantic. The facility they commandeered was more than a secret station on the ocean floor. Atlantis was an exit strategy for the corporate elite, a place where the world's Movers and Shakers had hidden from the doomsday microbe ßehemoth-and from the hordes of the moved and the shaken left behind. For five years "rifters" and "corpses" have lived in a state of uneasy truce, united by fear of the outside world.
But now that world closes in. An unknown enemy hunts them through the crushing darkness of the Mid-Atlantic Ridge. ßehemoth- twisted, mutated, more virulent than ever-has found them already. The fragile armistice between the rifters and their one-time masters has exploded into all-out war, and not even the legendary Lenie Clarke can take back the body count.
Billions have died since she loosed ßehemoth upon the world. Billions more are bound to. The whole biosphere came apart at the seams while Lenie Clarke hid at the bottom of the sea and did nothing. But now there is no place left to hide. The consequences of past acts reach inexorably to the very floor of the world, and Lenie Clarke must return to confront the mess she made.
Redemption doesn't come easy with the blood of a world on your hands. But even after five years in pitch-black purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyone who gets in her way-and worse ones, perhaps, if she succeeds...

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Odd, though.

You'd have expected it to bring the self-loathing down a notch or two in the years that followed.

Bedside Manor

Gene Erickson and Julia Friedman live in a small single-deck hab about two hundred meters southeast of Atlantis. Julia has always done most of the housekeeping: Gene gets notoriously twitchy in enclosed spaces. For him, home is the open ridge: the hab is a necessary evil, for sex and feeding and those occasional times when the his own darkdreams prove insufficiently diverting. Even then, he treats it the way a pearl diver of two hundred years past would treat a diving bell: a place to gulp the occasional breath of air before returning to the deep.

Now, of course, it's more of an ICU.

Lenie Clarke emerges from the airlock and lays her fins on an incongruous welcome mat laid to one side. The main compartment is dim even to rifter eyes, a grey-on-grey wash of twilight punctuated by the bright chromatic readouts on the comm board. The air smells of mould and metal; more faintly, of vomit and disinfectant. Life-support systems gurgle underfoot. Open hatches gape like black mouths: storage; head; sleeping cubby. An electronic metronome beeps somewhere nearby. A heart monitor, counting down.

Julia Friedman steps into view.

"He's still—oh." She's taken off her diveskin in favor of a thermochrome turtleneck that mostly covers her scars. It's strange to see rifter eyes atop dryback clothing. "Hi, Lenie."

"Hi. How's he doing?"

"Okay." She turns in the hatchway, sags with her spine against the frame: half in darkness, half in twilight. She turns her face to the darkness, to the person within it. "Could be better, I guess. He's asleep. He's sleeping a lot."

"I'm surprised you could even keep him inside."

"Yeah. I think he'd rather be out there, even now, but…he's doing it for me, I think. Because I asked him." Friedman shakes her head. "It was too easy."

"What was?"

"Convincing him." She takes a breath. "You know how much he loves the outdoors."

"Are Jerry's antibiotics helping?"

"Maybe. I guess. It's hard to say, you know? She can always say he'd be worse without them, no matter how bad it gets."

"Is that what she's saying?"

"Oh, Gene hasn't talked to her since he came back. He doesn't trust them." She stares at the deck. "He blames her for this."

"For being sick?"

"He thinks they did something to him."

Clarke remembers. "What exactly does he—?"

"I don't know. Something." Friedman glances up: her armored eyes lock onto Clarke's for an instant, then slide off to the side. "It's taking a long time to clear up, you know? For a simple infection. Do you think?"

"I don't really know, Julia."

"Maybe ßehemoth's mixing things up somehow. Making things worse."

"I don't know if it works like that."

"Maybe I've got it too, by now." Friedman almost seems to be talking to herself. "I mean, I'm with him a lot…"

"We could check you out, if you wanted."

Friedman looks at her. "You were infected, weren't you? Before."

"Only with ßehemoth," Clarke says, careful to draw the distinction. "It didn't kill me. Didn't even make me sick."

"It would have, though. Eventually. Right?"

"If I hadn't got my retrofits. But I did. We all did." She tries a smile. "We're rifters, Julia. We're tough little motherfuckers. He'll pull through. I know it."

It's not much, Clarke knows. Reassuring deception is all she can offer Julia Friedman at the moment. She knows better than to touch; Freedman's not keen on physical contact. She'd endure a comforting hand on the shoulder, perhaps—even take it in the spirit in which it was intended—but Grace Friedman is very selective with her personal space. It's one of the few ways in which Clarke feels a kinship with the woman. Each can see the other flinch, even when neither does.

Friedman looks back into the darkness. "Grace says you helped get him out of there."

Clarke shrugs, a bit surprised that Nolan would give her the credit.

"I would've been there too, you know. Only…" Friedman's voice trails off. The hab's ventilators sigh into the silence.

"Only you think maybe he'd have been better off where he was," Clarke suggests.

"Oh, no. Well, maybe partly. I don't know if Dr. Seger's as bad as they think, anyway."

"They?"

"Gene and—Grace."

Ah .

"It's just, I didn't know…I didn't know if he'd even want me there." Friedman flashes a rueful smile. "I'm not much of a fighter, Lenie. Not like you, not like—I just kind of roll with the punches."

"He could have been with Grace all along if he'd wanted to, Julia. He's with you."

Friedman laughs, a bit too quickly. "Oh, no. That's not what I meant." But Clarke's words seem to have perked her up a bit.

"Anyway," Clarke says, "I guess I'll leave you guys alone. I just wanted to stop by, see how he was doing."

"I'll tell him," Friedman says. "He'll appreciate it."

"Sure. No problem." She bends to retrieve her fins.

"And you should come by again, when he's awake. He'd like that." She hesitates, looking away; chestnut curls obscure her face. "Not many people come by, you know. Except Grace. Saliko was by a while back."

Clarke shrugs. "Rifters aren't big on social skills." And you really ought to know that by now , she doesn't add. Julia Friedman just doesn't get it, sometimes. It's as though, scars and history notwithstanding, she's a rifter in name only, an honorary member allowed past the gate on her husband's credentials.

Which begs the question of what I'm doing here , she realizes.

"I think they take him too seriously sometimes," Friedman says.

"Seriously?" Clarke glances at the airlock. The hab seems suddenly, subtly smaller.

"About, you know. The corpses. I hear Saliko's feeling a little odd now, but you know Saliko."

He thinks they did something to him.. .

"I wouldn’t worry about it," Clarke says. "Really." She smiles, sighing inwardly at her own diplomacy.

Comforting lies get far too easy with practice.

It's been a while since she's let Kevin take her. He's never been all that good at it, sadly. He has a harder time keeping it up than most kids his age, which actually isn't all that uncommon among the local bottom-feeders. And the fact that he's chosen a frigid bitch like Lenie Clarke to practice his moves on hasn't helped the dynamic any. A man afraid to touch: a woman averse to contact. If these two have anything in common, it's patience.

She figures she owes him. Besides, she wants to ask him some questions.

But today he's a granite cock with a brain stem attached. fuck the foreplay: he pushes into her right off the top, not even a token tongue-lashing to make up for the lack of tropical irrigation. The friction pulls painfully at her labia; she reaches down discretely with one hand and spreads them. Walsh pumps on top of her, breath hissing through teeth clenched in a hard animal grin, his capped eyes hard and unreadable. They always keep their eyes masked during sex—Clarke's tastes prevail, as usual— although Walsh usually wears too much heart on his face to hide with a couple of membranous eggshells. Not this time. There's something behind his overlays that Clarke can't quite make out, something focused on the space where she is but not on her . He pushes her up the pallet in rough thrusting increments; her head bumps painfully against the naked metal plating of the deck. They fuck without words amidst stale air and grafted machinery.

She doesn't know what's come over him. It's a nice change, though, the closest thing to an honest-to-God rape she's had in years. She closes her eyes and summons up images of Karl Acton.

Afterwards, though, the bruise she notices is on his arm: a corona of torn capillaries around a tiny puncture in the flesh of his inner elbow.

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