Frank Schatzing - The Swarm

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The Swarm: краткое содержание, описание и аннотация

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For more than two years, one book has taken over Germany’s hardcover and paperback bestseller lists, reaching number one in Der Spiegel and setting off a frenzy in bookstores: The Swarm.
Whales begin sinking ships. Toxic, eyeless crabs poison Long Island's water supply. The North Sea shelf collapses, killing thousands in Europe. Around the world, countries are beginning to feel the effects of the ocean's revenge as the seas and their inhabitants begin a violent revolution against mankind. In this riveting novel, full of twists, turns, and cliffhangers, a team of scientists discovers a strange, intelligent life force called the Yrr that takes form in marine animals, using them to wreak havoc on humanity for our ecological abuses. Soon a struggle between good and evil is in full swing, with both human and sub-oceanic forces battling for control of the waters. At stake is the survival of the Earth's fragile ecology-and ultimately, the survival of the human race itself.
The apocalyptic catastrophes of The Day After Tomorrow meet the watery menace of The Abyss in this gripping, scientifically realistic, and utterly imaginative thriller. With 1.5 million copies sold in Germany-where it has been on the bestseller list without fail since its debut-and the author's skillfully executed blend of compelling story, vivid characters, and eerie locales, Frank Schatzing's The Swarm will keep you in tense anticipation until the last suspenseful page is turned.

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'We've established that we can keep them in a vegetative state,' Oliviera corrected him. 'We don't yet know if they're really alive.'

'The jelly inside them is,' Rubin said thoughtfully, 'but the rest of the crab is no more animate than a car.'

'I agree,' said Oliviera. 'But what's the deal with the jelly? Why isn't it doing anything?'

'What were you expecting it to do?'

'Run around.' Oliviera shrugged. 'Shake its pincers at us. I don't know. Leave the shell, maybe. Those creatures are programmed to march ashore, wreak havoc and die, so this situation puts them in an awkward position. No one's here to give them new orders. They're basically on stand-by.'

'Exactly,' said Johanson, impatiently. 'They're just like battery-operated toys. I agree with Mick. The crab bodies are equipped with just enough nervous tissue to make a dashboard for their drivers. I want to tempt them out of their shells. I want to know what happens if you force them out of their armour in a deep-sea environment.'

'OK.' Oliviera nodded. 'Let's stir things up a bit.'

They left the walkway, clambered down the ladders and walked over to the control desk. The computer enabled them to operate various robots inside the tank. Johanson selected a small, two-piece ROV-unit named Spherobot. A bank of high-resolution screens sprang to life above a console with two joysticks. One showed the inside of the tank. Everything looked elongated and hazy. Spherobot's wide-angle lens was able to survey the whole interior of the tank, but as a result the camera provided a fisheye view.

'How many shall we open?' asked Oliviera.

Johanson's hands flitted over the keyboard, and the angle of the camera shifted upwards by a degree. 'Well, in a good plateful of scampi there's usually at least a dozen.'

ONE OF THE WALLS inside the tank resembled a two-storey garage in which all kinds of deep-sea equipment was stored. Underwater robots of different types and sizes were there, ready to be operated from the control desk. There was no other way to intervene in the artificial world of the chamber.

Johanson activated the controls, and powerful lights flared up on the underside of a robot. Two rotors turned. A box-shaped sled the size of a shopping-trolley floated slowly out of the garage. The top half was packed with machinery, and the rest was made up of an empty basket with fine wire-netting sides. It glided towards the artificial seabed and stopped in front of a small group of motionless crabs. Curved eyeless shells and powerful pincers came into view.

'I'm going to switch to the camera on the globe now,' said Johanson.

The hazy image was replaced by a high-resolution close-up.

Floating above the crabs, the sled released a shiny red ball, no bigger than a football. It was easy to see how the Spherobot had acquired its name. The ball floated into the water, a single cable linking it to the sled, the shiny eye of its camera pointing straight ahead. It brought to mind the flying robot in Star Wars that sparred with Luke Skywalker as he learned to use his light saber. In fact, the Spherobot, with its six miniature thruster pods, was a detailed re-creation of its cinematic predecessor. It travelled a short distance through the water, then sank slowly until it was hovering just above the crabs. They paid no attention to the strange red ball, even when its underside slid open and two slim articulated arms unfolded from inside.

At the end of each arm, an arsenal of equipment began to rotate. Then a robotic grasper protruded from the left arm and a saw from the right. Johanson's hands held both joysticks and shifted carefully forwards, the arms of the robot following each move.

' Hasta la vista , baby,' said Oliviera.

The grasper reached down, grabbed a crab by the middle of its shell and lifted it in front of the camera lens. On the monitor, the creature took on monstrous proportions. Its jaws moved, and its legs kicked, but its pincers dangled limply. Johanson rotated the grasper in a full circle and carefully watched the reaction of the spinning crab.

'Normal motor activity,' he said. 'Its legs are moving fine;

'But it's not responding like a crab,' said Rubin.

'No, it hasn't splayed its pincers or made any obvious show of aggression. It's just a machine.' He moved the second joystick and pressed the button on the top. The circular saw started to rotate and the blade cut into the side of the shell. For an instant the crab's legs twitched wildly.

The shell broke apart.

A milky substance slid out and hovered, trembling, over the debris of the crab.

'Oh, my God,' said Oliviera.

It looked like nothing they'd ever come across. It bore no resemblance to a jellyfish or a squid, but seemed entirely without form. Waves passed through the fringes of the substance, and the creature billowed and flattened. Johanson thought he saw a flash of light shoot out from its centre, but in the harsh glare of the tank it might have been an optical illusion. He was still thinking about it when the creature regrouped into something snake-like and shot away.

Johanson swore, picked up the next crab and cut it open. This time everything happened even faster, and the jelly-like inhabitant of the carapace fled before they had a chance to see it.

'Wow!' Rubin was clearly excited. 'This is crazy! What the hell is this stuff?'

'Something slippery, 'Johanson said, through gritted teeth. 'How the hell are we supposed to stop it getting away?'

'What's the problem? It's got nowhere to go.'

'Well, you try searching the chamber for two shapeless, colourless objects no bigger than a tennis ball!'

'You could open the next one inside the sled basket,' said Oliviera.

'There's no netting at the front. It will get away.'

'No, it won't. The basket closes. You'll just have to be quick.'

Johanson grabbed another crab, spun the Spherobot by 180 degrees and guided it back towards the sled until it was close enough to extend its articulated arms inside the basket. Once they were in, he set the edge of the circular saw against the crab. The shell burst open.

Nothing happened.

'Was it empty?' asked Rubin.

They waited a few seconds, then Johanson guided the spherical robot slowly inside the basket.

'Shit!'

The jelly shot away from the crab, but chose the wrong direction. It hit the back of the basket with a thud. Contracting into a trembling ball, it flitted unsteadily back and forth beside the rear mesh. Its confusion, if that was what it was, lasted only a second.

'It's trying to escape!'

Johanson reversed the Spherobot away from the basket. It hit the side of the cage and then it was out. Its arm grabbed the flap and slammed it shut.

The thing flattened itself into a sheet and rushed towards the flap, recoiling within centimetres of hitting it, and changing shape once more. This time its edges extended on all sides until it was suspended in the water like a transparent bell, filling half of the basket. The creature morphed. For a few seconds it looked like a jellyfish, then rolled itself up. It was shaped like a ball again.

'Unbelievable,' whispered Rubin.

'Look at that,' exclaimed Oliviera. 'It's shrinking.'

The sphere was slowly decreasing in size and losing its transparency. The milky colour became more pronounced.

'Its tissue is contracting,' said Rubin. 'It can change its molecular density.'

'Does it remind you of something?'

'Early types of simple polyps.' Rubin thought. 'The Cambrian. A number of modern-day organisms have similar properties. Most squid contract their tissue, but they don't change shape. We need to catch a few more and see how they react.'

'Next time I won't be fast enough,' Johanson said. 'If I open the basket, this one will escape. They're too quick for me.'

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