Джеймс Кэмерон - Аватар. Сценарий фильма (eng)

With its own life, their hair floats together, intertwining with gentle undulations. Josh rocks with the power of the direct contact between his nervous system and hers. It is how the Na'vi make love (or a part of it), and it is the ultimate intimacy.

He falls into the infinite pool of her. They sink down on the bed of moss, and ripples of light spread out under them.

DAWN BREAKS in the sacred glade. Shafts of orange morning light, like a Maxfied Parrish painting. Josh and Zuleika asleep in each others arms.

And a roar of engines which wakens them. They move back into concealment as the splintering, crackling sound of the forest being crushed under enormous treads gets louder. In hiding, they watch as the blade of a gigantic bulldozer becomes a dark wall behind the sheltering ring of willows. The willows begin to fall before the blade, to be ground under the treads. The bulldozer pushes inexorably into the glade, splintering the trees, plowing the earth before it.

Josh and Zuleika reel back, stunned by the destruction they are witnessing. Josh runs out into the path of the bulldozer, waving his arms. The bulldozer is unmanned... driven by remote control from back at the base. A metal juggernaut version of the avatars.

BACK AT HELL'S GATE, in the control room of the tractors, the operator sees a Na'vi in front of his machine. He asks for direction from his supervisor. Selfridge, who is directing the clearing operation, is walking by the guy's workstation at that moment. He tells him to push on. The native will move. They have to learn to get out of the way. Some things are just inevitable.

Josh gives up trying to stop the unmanned tractor. It grinds past the tiny figures of Zuleika and Josh, obliterating the sacred site, leaving only mud and wood splinters in the morning sunlight. Zuleika's eyes stream tears, watching the willows die.

HUMAN JOSH AND GRACE are on the video-link to Parrish. They are furious that the clearcutting has destroyed another sacred site of the Na'vi, just when they were making real progress with them. Parrish is obviously disturbed by this, torn by his conscience, but he offers some pathetic blandishments, and hangs up. Grace swears. Goddamn weasel. Totally on the take. He is Selfridge's lapdog.

Giese calls then to tell them that they are being recalled. A ship will be sent to pick them up. It's over. Selfridge is giving up on the avatar program. The construction is too important to the economic survival of the whole colony. Blah. Blah.

Josh says he's not coming in. They need to stay and help the Na'vi, somehow. Get them to move... or at least understand what is happening. They won't understand. Josh snaps off the transmitter and goes right to the link chair. Grace says they should go in. Talk to Selfridge. Try to get him to see reason. Josh ignores her and pulls the helmet down.

IN THE VILLAGE, Zuleika has been waiting for Josh to wake up. He rises, and in his eyes she sees that something terrible is happening, and his pain.

He goes to Mo'at and Mato'a, to try to explain to them that the aliens mean harm to the forest. He says he was sent here to get their trust, but that the humans don't care about them. It is a lie. They don't see. They will never see. The Tsumongwi must move far away.

Tsu Te charges forward, screaming at Josh. He is crazed by the loss of the glade, the horror of what is being done by Josh's people. He says the aliens are insane people, that they are a poison. And Josh is one of them, even though he wears the disguise of a Na'vi body. Crying and screaming at him, he yells at Josh to go.

Josh refuses. He says he loves Zuleika, and he is going to stay somehow.

Grace grabs his arm. She hisses in his ear that he is crazy. How can he stay? They're pulling the plug back at base. He's just making things worse.

Josh shrugs her off. Says he's staying. Tsu Te challenges him to a fight. Mato'a yells for the weapons to be brought, and Mo'at is silent. Her disappointment and anger obvious.

The Na'vi never kill each other, but they will fight, and the fights can be brutal. The weapons are long staves, thick and solid, made from some very dense wood.

Josh and Tsu Te square off.

Tsu Te leaps at him with a sharp cry and Josh parries with his staff. The staves clack off each other as the two combatants leap and duck. Tsu Te sweeps Josh off his feet with a roundhouse hit to the ankles, but Josh rolls out and catches Tsu Te in the belly with the blunt end of the stick.

AT SITE 26, a Scorpion gunship lands and four troopers in full armor jump out, led by Corporal Lyle Wainfleet.

TSU TE wades in with a series of short, sharp blows. Josh swings with equal fury. They are both fighting from the heart.

INSIDE THE SHACK at Site 26 the door bangs open and the troopers clomp inside. They cross to the link chairs and Lyle jerks the helmet off Grace's head.

In the village, standing next to N'deh, Grace/Avatar's eyes roll back and she keels over. N'deh barely catches her before she hits the ground.

Josh, in the heat of battle doesn't see it. He stands, panting, facing Tsu Te. Tsu Te leaps forward and-- Josh's eyes go blank. They roll back and K-RACK!! Tsu Te puts one alongside his head. Josh sprawls, completely inert. Tsu Te approaches, staring at the still figure. Zuleika rushes in, shoving him back, screaming at him. She goes to Josh and cradles his head. Tsu Te is afraid now that he might have killed Josh. His rage is gone, replaced by remorse. He drops his stick and runs into the forest. Zuleika strokes Josh's head.

HUMAN JOSH come out of the link in a rage. Coming from the fight, he is amped to the max. This added to the outrage of the troopers interrupting a link in progress (which is potentially lethal to the avatar if it is in the middle of something dangerous).

He lunges at Lyle, forgetting he has no legs in this world. He falls onto the floor. Lyle laughs and kicks him in the stomach.

LYLE: Aren't you gonna bite my throat out?

Lyle kicks him again. The troopers grab Josh and he struggles. They twist his arms behind him and cuff him, roughly throw him in his chair and slap a mask over his face. They drag Josh and Grace out to the Scorpion.

AT HELL'S GATE the two wayward controllers confront Selfridge and Quaritch. Giese can't help them. They've stepped over the line.

Josh yells that we are going to destroy these people before we even understand them. Selfridge accuses Josh of "going native". Says he has forgotten who he works for. Why he is here. Josh says he never knew why he was here until now. Selfridge doesn't get what that might mean.

Grace says the irony is that the greatest treasure on this planet is not the precious minerals to be ripped out of the earth. Not the Big Rock Candy Mountain. It's the bio-diversity in the forest. There are things in that forest of value they cannot imagine. But they will bulldoze it before they know.

There are mysteries here... like how the Na'vi communicate over long distances. Like why their language if the same all over the planet. How is that possible? Like how the cold and flu viruses were wiped out.

Selfridge is not impressed. Sure they've made a lot of money off the Pandoran counter-viruses. What's that got to do with clearing a construction site in one spot on a virgin planet? They have to get a foothold here. It's vital. And he's not about to let a few bleeding hearts and a bunch of primitive mud-men stand in his way. It's a big planet. The Na'vi can move.

Giese tries to explain that what happens to one Na'vi clan is somehow know soon by all of them, and if they destroy this opportunity for cultural contact, they may destroy it for all time, planet-wide.

Selfridge says he'll take that chance. He wants Josh and Grace suspended, without pay, and returned to Earth on Prometheus, which leaves in a few days as soon as it is done fueling. And the other controllers are to cease all contact between their avatars and the aboriginal population.