Megan Lindholm - A Touch of Lavender

We grew up like mice nesting in a rotting sofa, my sister and I. Even when I was only nine and she was an infant, I thought of us that way. At night, when she'd be asleep in the curl of my belly and I'd be half-falling off the old sofa we used as a bed, I'd hear the mice nibbling and moving inside the upholstery beneath us, and sometimes the tiny squeakings of the new-born ones when the mother came to nurse them. I'd curl tighter around Lisa and pretend she was a little pink baby mouse instead of a little pink baby girl, and that I was the father mouse, curled around her to protect her. Sometimes it made the nights less chill.

I'd lived in the same basement apartment all my life. It was always chill, even in summer. It was an awful place, dank and ratty, but the upstairs apartments were worse, rank with urine and rot. The building was an old townhouse, long ago converted to four apartments upstairs and one in the basement. None of them were great, but ours was the cheapest, because we had the furnace and the water heater right next to us. When I was real small, three or so, a water main beside the building broke, and water came rising up in our apartment, maybe a foot deep. I woke up to my stuff floating beside me, and the old couch sucking up water like a sponge. I yelled for Mom. I heard the splash as she rolled out of bed in the only bedroom and then her cussing as she waded through the water to pick me up. Her current musician took the whole thing as a big joke, until he saw his sax case floating. Then he grabbed up his stuff and was out of there. I don't remember seeing him after that.

My mom and I spent that day sitting on the steps down to our apartment, waiting for the city maintenance crew to fix the pipe, waiting for the water to go down and then waiting for our landlord.

He finally came and looked the place over and nodded, and said, hell, it was probably for the best, he'd been meaning to put down new tile and spraysulate the walls anyway. "You go ahead and tear out the old stuff," he told my Mom. "Stack it behind the house, and I'll have it hauled away. Let me know when you're ready, and I'll send in a crew to fix the place up. Now about your rent…"

"I told you, I already mailed it," my Mom said coldly, looking past his ear, and the landlord sighed and drove off.

So my Mom and her friends peeled up the cracking linoleum and tore the sheetrock off the walls, leaving the bare concrete floor with stripes of mastic showing and the two-by-four wall studs standing bare against the grey block walls. That was as far as the re-modeling ever got. The landlord never hauled the stuff away, or sent in a crew. He never spraysulated the walls, either. Even in the summer the walls were cool and misty, and in winter it was like the inside of a refrigerator.

My Mom wasn't so regular about paying the rent that she could raise a fuss. Most of the folks in our building were like that: pay when you can, and don't stay home when you can't, so the landlord can't nag at you. The apartments were lousy, but complaining could get you kicked out. All the tenants knew that if the landlord had wanted to, he could have gotten a government grant to convert the place into Skoag units and really made a bundle. We were right on the edge of a Skoag sector and demand for Skoag units was increasing.

That was back when the Skoags were first arriving and there wasn't much housing for them. It all had to be agency approved, too, to prevent any "interplanetary incidents." Can't have aliens falling down the steps and breaking a flipper, even if they are pariah aliens. These outcasts were the only link we had to their planet and culture, and especially to their technology for space travel that the whole world was so anxious to have. No one knew where they came from or how they got to earth. They just started wading out of the seas one day, not all that different from a washed-up Cuban. Just more wet-back aliens, as the joke went. They were very open about being exiles with no means of returning home. They arrived gradually, in groups of three and four, but of the ships that brought them there was never any sign and the Skoags weren't saying anything. That didn't stop any of the big government people from hoping, though. Hoping that if we were real nice to them, they might drop a hint or two about interstellar drives or something. So the Skoags got the government-subsidized housing with showers that worked and heat lamps and carpeted floors and spraysulated walls. The Federal Budget Control bill said that funds could be reapportioned, but the budget could not be increased, so folks like my Mom and I took a giant step downwards in the housing arena. But as a little kid, all I understood was that our place was cold most of the time, and everyone in the neighborhood hated Skoags.

I don't think it really bothered Mom. She wasn't home that much anyway. She'd bitch about it sometimes when she brought a bunch of her friends home, to jam and smoke and eat. It was always the same scene, party time, she'd come in with a bunch of them, hyped on the music like she always was, stoned maybe, too. They'd be carrying instruments and six-packs of beer, sometimes a brown bag of cheap groceries, salami and cheese and crackers or yogurt and rice cakes and tofu. They'd set the groceries and beer out on the table and start doodling around with their instruments while my Mom would say stuff like, "Damn, look at this dump. That damn landlord, he still hasn't been around. Billy, didn't the landlord come by today? No? Shit, man, that jerk's been promising to fix this place for a year now. Damn."

Everyone would tell her not to sweat it, hell, their places were just as bad, all landlords were assholes anyway. Usually someone would get onto the Skoag thing, how it was a fine thing the government could take care of alien refugee trash but wouldn't give its own citizens a break on rent. If there'd been a lot of Skoags at the cafe that night, Mom and her friends would get into how Skoags thought they were such hot shit, synthesizing music from their greasy hides. I remember one kid who really got worked up, telling everyone that they'd come to earth to steal our music. According to him, the government knew it and didn't care. He said there was even a secret treaty that would give the Skoags free use of all copyrighted music in the U.S. if they would give us blueprints of their ships. No one paid much attention to him. Later that evening, when he was really stoned, he came and sat on the floor by my sofa and cried. He told me that he was a really great musician, except that he couldn't afford a good synthesizer to compose on, while those damn Skoags could just puff out their skins and make every sound anybody had ever heard. He leaned real close and told me that the real danger was that the Skoags would make up all the good music before he even got a chance to try. Which I knew was dumb. While Skoags can play anything they've ever heard, perfectly, no one had ever heard them play anything original. No one had ever heard them play Skoag music, only ours. I started to tell him that but he passed out on the floor by my sofa. Everyone ignored him. They were into the food and the beer and the music. All my Mom's parties were like that.

I'd usually curl up on one end of the sofa, face to the cushions, and try to sleep, sometimes with a couple necking at the other end of the sofa and two or three musicians in the kitchen, endlessly rehearsing the same few bars of a song I'd never heard before and would never hear again. That's what my Mom was really into, struggling musicians that were performing their own stuff in the little "play for tips" places. She'd latch onto some guy and keep him with her aid check. She'd watch over him like he was gold, go with him every day, sit by him on the sidewalk while he played if he were a street musician, or take a table near the band if he was working cafes and clubs. They'd come home late and sleep late, and then get up and go out again. Sometimes I'd come in from school and find them sitting at the kitchen table, talking. It's funny, the men always looked the same, eyes like starved dogs, and it seems like my Mom would always be saying the same thing. "Don't give up. You've got a real talent. Someday you'll make it, and you'll look back at them and laugh. You've really got it, Lennie (or Bobby or Pete or Lance). I know it. I can feel it, I can, hear it. You're gonna be big one day."