M. Harrison - LIGHT

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LIGHT: краткое содержание, описание и аннотация

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Light
The Centauri Device
The heavy SF action begins in 2400. Space-going humanity is the latest of many civilizations to be baffled by the impenetrable Kefahuchi Tract; that vast stellar region where an unshielded singularity makes physics itself unreliable. Along its accessible fringe, the "Beach", solar systems are littered with crazy, abandoned devices used to probe the Tract since before life began on Earth. A whole dead-end culture is based on beachcombing this rubble of industrial archaeology...
25th-century characters include a woman who's sacrificed almost everything to merge with the AI "mathematics" of a crack military spacecraft; a former daredevil who once surfed black holes but has retreated into a virtual reality tank; the lady proprietor of the Circus of Pathet Lao, with an alien freakshow and a hidden agenda; and a variety of raunchy, smelly, gene-sculpted lowlife, some comic, some menacing. Many are not what they seem.
Meanwhile in 1999 London, physicists Kearney and Tate--remembered in 2400 as the fathers of interstellar flight--are getting nowhere. Kearney's personal problems occupy familiar Harrison territory: urban paranoia, a seedily unreliable guru, bad sex, guilty rituals to propitiate a metaphysical-seeming threat called the Shrander--a pursuing image out of nightmare. In the lab, both Kearney and Tate fear the increasing quantum strangeness of their results.
The cosmological wonders and hazards of the Beach form a backdrop to space pursuits and violent skirmishes whose duration is measured in nanoseconds, reported in tensely lyrical prose. Eventually everything comes together as it should--even that oppressive 1999 story strand--with revelations, transformation, transcendence, and ultimate hope. Harrison demands your full attention and rewards it richly. --

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'Evidence of myself,' she mused aloud.

'All around you,' whispered the shadow operators, giving her tragic glances from between their lacy fingers. 'And look!'

They had located a single survivor in a vacuum suit, a bulky white figure windmilling its arms, trying to walk on nothing, opening and closing on itself like some kind of undersea life as it doubled up in pain or perhaps only fear and disorientation and denial. I suppose, thought Seria Mau, listening to its transmissions, you would close your eyes and tell yourself, 'I can get out of this if I stay calm'; then open them and understand all over again where you were. That would be enough to make you scream like that.

She was wondering how to finish the survivor off when a fraction of a shadow passed across her. It was another vessel. It was huge. Alarms went off all over the K-ship. Shadow operators streamed about. The White Cat broke right and left, disappeared from local space in a froth of quantum events, non-commutative microgeometries and short-lived exotic vacuum states, then reappeared a kilometre away from her original position with all assets primed and ready. Disgusted, Seria Mau saw that she was still in the shadow of the intruder. It was so big it could only belong to her employers. She put a shot across its bows anyway. The Nastic commander edged his vessel irritably away from her. At the same time he sent a holographic fetch of himself to the White Cat. It squatted in front of the tank where Seria Mau lived, leaking realistically from the joints of its several yellowish legs, stridulating every so often for no reason she could see. Its bony-looking head had more palps, mosaic eyes and ropes of mucous than she preferred to look at. It wasn't something you could ignore.

'You know who we are,' it said.

'Do you think it's so clever to surprise a K-ship like that?' shouted Seria Mau.

The fetch clicked patiently.

'We were not trying to embarrass you,' it said. 'We approached in a perfectly open way. You have been ignoring our transmissions since you did… ' It paused as if searching for a word; then, clearly at a loss, concluded uneasily: 'This.'

'That was a moment ago.'

'That was five hours ago,' the fetch said. 'We have been trying to talk to you since then.'

Seria Mau was so shaken she broke contact and-as the fetch faded away into a kind of brown smoke, a transparency of itself-hid the White Cat in a cloud of asteroids some distance off, to give herself time to think. She felt ashamed of herself. Why had she acted like that? What could she have been thinking of to leave herself vulnerable like that, insensible out there for live hours? While she was trying to remember, the Nastic vessel's mathematics began stalking her again, making two or three billion guesses a nanosecond at her position. After a second or two she allowed it to find her. The fetch reformed immediately.

'What would you understand,' Seria Mau asked it, 'by the idea, "Evidence of myself"?'

'Not much,' the fetch said. 'Is that why you did this? To leave evidence of yourself? Over here, we wonder why you kill your own kind so ruthlessly.' Seria Mau had been asked this before.

'They're not my kind,' she said.

'They are human.'

She greeted this argument with the silence it deserved, then after a moment said:

'Where's the money?'

'Ah, the money. Where it always is.'

'I don't want local currency.'

'We almost never use local currencies,' the fetch said, 'although we sometimes deal in them.' Its larger joints appeared to vent some kind of gas. 'Are you ready to fight again? We have several missions available forty lights down the Beach. You would be up against military vessels. It's a real part of the war, not ambushing civilians like this.'

'Oh, your war,' she said dismissively. Fifty wars, big and small, were going on out here in plain sight of the Kefahuchi Tract; but there was only one fight, and it was the fight over the spoils. She had never even asked them who their enemy was. She didn't want to know. The Nastic were strange enough. Generally, it was impossible to understand the motives of aliens. 'Motives,' she thought, staring at the collection of legs and eyes in front of her, 'are a sensorium thing. They are an Umwelt thing. The cat has a hard job to imagine the motives of the housefly in its mouth.' She thought about this. 'The housefly has a harder job,' she decided.

'I have what I want now,' she told the fetch. 'I won't be fighting for you again.'

'We could offer more.'

'It wouldn't help.'

'We could make you do what we want.'

Seria Mau laughed.

'I'll be gone from here faster than your vessel can think. How will you find me then? This is a K-ship.'

The fetch left a calculated silence.

'We know where you are going,' it said.

This gave Seria Mau a cold feeling, but only for a fraction of a second. She had what she wanted from the Nastic. Let them try. She broke contact and opened the ship's mathematical space.

'Look at that!' the mathematics greeted her. 'We could go there. Orthere. Or look, there. We could go anywhere. Let's go somewhere!'

Things went exactly as she had predicted. Before the Nastic vessel could read, Seria Mau had engaged the mathematics; the mathematics had engaged whatever stood in for reality; and the White Cat had vanished from that sector of space, leaving only a deteriorating eddy of charged particles. 'You see?' said Seria Mau. After that it was the usual boring journey. The White Cat's massive array-aerials an astronomical unit long, fractally folded to dimension-and-a-half so they could be laminated into a twenty-metre patch on the hull-detected nothing but a whisper of photinos. A few shadow operators, tutting and fussing, collected by the portholes and stared out into the dynaflow as if they had lost something there. Perhaps they had. 'At the moment,' the mathematics announced, 'I'm solving Schrцdinger's equation for every point on a grid of ten spatial and four temporal dimensions. No one else can do that.'

THREE

New Venusport, 2400 AD

Tig Vesicle ran a tank farm on Pierpoint Street.

He was a typical New Man, tall, white-faced, with that characteristic shock of orange hair that makes them look constantly surprised by life. The tank farm was too far up Pierpoint to do much trade. It was in the high 700s, where the banking district gave out into garments, tailoring, cheap chopshop operations franchising out-of-date cultivars and sentient tattoos.

This meant Vesicle had to have other things going.

He collected rents for the Cray sisters. He acted as an occasional middleman in what were sometimes called 'off-world imports', goods and services interdicted by Earth Military Contracts. He moved a little speciality H, cut with adrenal products from the local wildlife. None of this took much of his time. He spent most of his day on the farm, masturbating every twenty minutes or so to the hologram porn shows; New Men were great masturbators. He kept an eye on his tanks. The rest of the time he slept.

Like most New Men, Tig Vesicle didn't sleep well. It was as if something was missing for him, something an Earth-type planet could never provide, which his body needed less while it was awake. (Even in the warmth and darkness of the warren, which he thought of as 'home', he twitched and mewled in his sleep, his long, emaciated legs kicking out. His wife was the same.) His dreams were bad. In the worst of them, he was trying to collect for the Cray sisters, but he had become confused by Pierpoint itself, which in the dream was a street aware of him, a street full of betrayal and malign intelligence.

It was mid morning, and already two fat cops were pulling a convulsed rickshaw girl from between the shafts of her vehicle. She was flailing about like a foundered horse, cyanosing round the lips as everything went away from her and got too small to see. Street Life was playing on her personal soundtrack, and cafй йlectrique had blown up another determined heart. Entering Pierpoint about halfway along its length, Vesicle found there were no numbers on the buildings, nothing he could recognise. Should he walk right to get to the high numbers, or left? He felt a fool. This feeling segued smoothly into panic, and he began changing direction repeatedly in the teeth of the traffic. In consequence he never moved more than a block or two from the side street by which he had entered. After a while he began to catch glimpses of the Cray sisters themselves, holding court outside a falafel parlour as they waited for their rents. He was certain they had seen him. He turned his face away. The job had to be finished by lunch, and he hadn't even started. Finally lie went into a restaurant and asked the first person he saw where he was, to discover that this wasn't Pierpoint at all. It was a completely different street. It would take hours to get where he was supposed to be. It was his own fault. He had started out too late in the day.

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