Tad Williams - Sea of Silver Light

"Chizz." She stretched out beside Orlando's body and closed her eyes, one hand touching the low stone wall. It gave Renie a superstitious shiver to see it.

I can't even remember, she thought, what it felt like when life was normal.

Both !Xabbu and Sam were still sleeping soundly after something like an hour had passed, as deeply as her brother Stephen had used to sleep after a long day of childish hyperactivity. Sam was snoring quietly, and Renie was reluctant to wake her up. She felt a brief desire for a cigarette, and realized with surprise that it had been a long time since she had thought about smoking.

Just too damned busy trying not to get killed, she decided. Effective, but there must be easier ways to quit.

Jongleur had his back against a rock some ten meters away and appeared to be sleeping himself, or at least his head was sunk on his chest and his eyes were closed. Renie could not help thinking he looked like a vulture waiting with the patience of millions of years of blind evolution for something to die. The fifth member of the involuntary fellowship, Ricardo Klement, had not reappeared, and even though it disturbed Renie to think about him trudging around the mountaintop, God only knew what kind of thoughts flickering through his damaged brain, it was better than having to look at him.

It was the mountaintop itself that now caught Renie's attention. For all that had happened here, for all that she and !Xabbu had worried about its ongoing dissolution, she had not really looked it over very carefully. Sleepless in the eternal, directionless light, she let her gaze wander across the spiky terrain.

The mountain was not only losing detail, it was losing color as well—or, since it had originally been all the same shiny black material, it might have been more precise to say it was gaining colors. The scumble of dark, unreflective soil beneath her had not changed too much, but the uneven peaks and pillars of stone were less solidly black, as though someone had thrown water on an ink drawing before it was entirely dry. Some of the spikes of rock had merely lightened to dark gray, but others now showed threads of other hues, purples and nightsky blues, and even the suggestion here and there of a dark brown like dried blood.

But that doesn't really make any sense, Renie told herself. That's not how virtual landscapes decay. If they don't just go nonfunctional, then some of the components might work longer than others and you get an odd effect like a schematic or a wire-frame after all the other detail is gone, but you don't just have color wash out. Things don't go blurry. It's crazy.

But here they were, and what hadn't been crazy since they'd first crossed with the old hacker Singh into this virtual madhouse of a universe? Nothing here behaved as normal code should behave.

Renie squinted. The mountaintop seemed quite real—in some ways more so than when they had first come—but there was no question that the place was losing coherence. Some of the jutting spikes were little more than blobs now, and in other places the canyons that cut into the rim of the valley had begun to sag along the edges like pudding.

It's not a real landscape—in fact, it never was. The more she looked at its sparse verticality and blurry gray sky, dead as a bad piece of theater scenery, the more it seemed like something purely of the imagination. An Expressionist painting, perhaps. A cartoon. A dream.

Yes, that's what it truly looks like, she thought. And that's what the other unfinished place looked like too. Not like real places, but like one of those landscapes that the brain throws out as a backdrop for a dream.

A thought suddenly came to her, something as strange and prickly as static electricity, and she found herself sitting up straight. After a few minutes, with other ideas grabbing onto the first as though magnetized, she badly wanted to share. She gave !Xabbu a gentle shake. He came awake immediately.

"Renie? Is it my turn? Is everything. . . ?"

"I'm fine, I just . . . I had an idea. Because of what you always say. A dream is dreaming us, you know?"

"What do you mean?" He drew himself up until he could look closely at her face.

"You always say that a dream is dreaming us, right? And I always thought of that as being, I don't know, philosophical."

"He laughed quietly. "Is that a bad word, Renie?"

"Don't make fun of me, please. I'm admitting my own faults. I'm an engineer, for God's sake—or at least that's my training. I tend to think of things like philosophy as being what you do after the real work is finished."

The look he gave her was amused, crinkling around the eyes. "And so?"

"I was just thinking about this place and how much like a dream it is. How nothing is quite normal, but in a dream that doesn't matter because you're waiting for something important to happen. And then I suddenly just thought, what if this place is a dream?"

!Xabbu cocked his head. "What do you mean?"

"Not a dream, really, but strange and unreal for the same reason that a dream is. Why is it that things happen all funny in dreams, things look funny? That nothing is ever quite . . . complete? Because your subconscious isn't actually very good at recreating the stuff the conscious mind usually sees, or else it just doesn't care."

Sam stirred in her sleep, disturbed by the urgency in Renie's tone, so she dropped her voice to a whisper. "I think the Other built this place. I think it meant us to come here, and it built this place out of its own mind, like a dream. What did Jonas call it? A metaphor." Spoken aloud, it did not seem as obviously true. It was hard to conceive of their own existence having any importance to that vast, suffering figure.

"Made this from its mind? But if this Other runs the system, then it has access to anything—all of those worlds, each one perfect." !Xabbu frowned, thinking. "It seems strange it should build anything so unreal."

"But that's just it," Renie said excitedly. "It didn't build those other worlds. Those were made by people—programmers, engineers, real people who know what a real world is supposed to look like, and how to make even an imaginary world look real. But what does the Other know? It's just an artificial intelligence of some kind, right? It sees patterns, but it's not a human. It doesn't know what would seem real to us and what wouldn't, just the general shape of things. It would be like giving a book to a very intelligent child who can't read, then telling him, "Now you make one of these books for yourself." The kid might have all the right letters to use from the one you gave him, but he couldn't make them into a story. So it would be a weird thing that just looked like a book. Get it?"

!Xabbu thought about it for a long moment. "But why? Why would the Other create a new world?"

"I don't know. Maybe just for us. Martine said she'd met it before, remember? That she'd been part of an experiment with it when she was a girl? Suppose the thing recognized her. Or maybe for some reason it just wanted to see what we were. This is an alien intelligence we're talking about, so who knows? It might be artificial, but it seems to be a lot more complex than any ordinary neural net."

Renie sensed something at her shoulder and turned. Felix Jongleur stood over them, his face hardened in a frown. "We have waited long enough. It's time to begin our descent. Wake the girl."

"We were just. . . ."

"Wake her. We are leaving now."

Ordinarily, faced with a naked middle-aged man, Renie would have been only too happy to keep her eyes on his face, but it was surprisingly difficult to meet Jongleur's cold gaze. Now that the first heat of her rage at the man had begun to dissipate she was discovering an uncomfortable fact: he frightened her badly. He had a deep, hard strength, the kind of unbending core that served nothing but its own will. His dark eyes showed not an iota of human concern, but there was nothing animalistic in them—rather, he seemed a creature that had moved past simple humanity. She had heard politicians and financial titans described as implacable, as forces of nature, and she had always seen it as just a flattering metaphor. Now, faced with the master of the Grail in person, she was beginning to understand that a black charisma like his owed nothing to artistic descriptions.