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Philip Dick: The Complete Stories of Philip K. Dick Vol. 2

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Philip Dick The Complete Stories of Philip K. Dick Vol. 2

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"A fitting tribute to a great philosophical writer who found science fiction the ideal form tor the expression of his ideas." – The Independent Second Variety is the third in a massive five-volume collection of the complete shorter fiction of the 20th Century's greatest SF author – Philip K. Dick. It brings together 27 stories and includes such masterpieces as the title story, with its endless war being fought by ever more cunning and sophisticated robot weapons; "Impostor", in which a man is accused of being an alien spy and finds his whole identity called into question; and "Prominent Author", in which a fracture in space/time enables an ordinary future commuter to achieve unexpected literary fame. Again and again in these stories – written and published while America was in the grip of McCarthyism – Dick speaks up for ordinary people and against militarism, paranoia and xenophobia. But first and foremost these are marvellously varied and entertaining stories from a writer who overflowed with ideas. "One of the most original practitioners writing any kind of fiction." – Sunday Times "An elusive and incomparable artist." – Ursula LeGuin "The most consistantly brilliant SF writer in the world… author of more good short stories than I can count." – John Brunner

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"Are we there?" David said.

"Almost."

"Why have we stopped?"

"I don't want to take any chances." Hendricks advanced slowly. Now the ridge lay directly beside him, along his right. Overlooking him. His uneasy feeling increased. If an Ivan were up there he wouldn't have a chance. He waved his arm again. They should be expecting someone in the UN uniform, in response to the note capsule. Unless the whole thing was a trap.

"Keep up with me." He turned towards David. "Don't drop behind."

"With you?"

"Up beside me. We're close. We can't take any chances. Come on."

"I'll be all right." David remained behind him, in the rear, a few paces away, still clutching his teddy bear.

"Have it your way." Hendricks raised his glasses again, suddenly tense. For a moment – had something moved? He scanned the ridge carefully. Everything was silent. Dead. No life up there, only tree trunks and ash. Maybe a few rats. The big black rats that had survived the claws. Mutants built their own shelters out of saliva and ash. Some kind of plaster. Adaptation.

He started forward again. A tall figure came out on the ridge above him, cloak flapping. Gray-green. A Russian. Behind him a second soldier appeared, Russian. Both lifted their guns, aiming. Hendricks froze. He opened his mouth. The soldiers were kneeling, sighting down the side of the slope. A third figure had joined them on the ridge top, a smaller figure in gray-green. A woman. She stood behind the other two.

Hendricks found his voice. "Stop!" He waved at them frantically. "I'm -"

The two Russians fired. Behind Hendricks there was a faint pop . Waves of heat lapped against him, throwing him to the ground. Ash tore at his face, grinding into his eyes and nose. Choking, he pulled himself to his knees. It was all a trap. He was finished. He had come to be killed, like a steer. The soldiers and the woman were coming down the side of the ridge towards him, sliding down through the soft ash. Hendricks was numb. His head throbbed. Awkwardly, he got his rifle up and took aim. It weighed a thousand tons; he could hardly hold it. His nose and cheeks stung. The air was full of the blast smell, a bitter acrid stench.

"Don't fire," the first Russian said, in heavily accented English.

The three of them came up to him, surrounding him. "Put down your rifle, Yank," the other said.

Hendricks was dazed. Everything had happened so fast. He had been caught. And they had blasted the boy. He turned his head. David was gone. What remained of him was strewn across the ground.

The three Russians studied him curiously. Hendricks sat, wiping blood from his nose, picking out bits of ash. He shook his head, trying to clear it. "Why did you do it?" he murmured thickly. "The boy."

"Why?" One of the soldiers helped him roughly to his feet He turned Hendricks around. "Look."

Hendricks closed his eyes.

"Look." The two Russians pulled him forward. "See. Hurry up. There isn't much time to spare, Yank!"

Hendricks looked. And gasped.

"See now? Now do you understand?"

From the remains of David a metal wheel rolled. Relays, glinting metal. Parts, wiring. One of the Russians kicked at the heap of remains. Parts popped out, rolling away, wheels and springs and rods. A plastic section fell in, half charred. Hendricks bent shakily down. The front of the head had come off. He could make out the intricate brain, wires and relays, tiny tubes and switches, thousands of minute studs -

"A robot," the soldier holding his arm said. "We watched it tagging you."

"Tagging me?"

"That's their way. They tag along with you. Into the bunker. That's how they get in."

Hendricks blinked, dazed. "But -"

"Come on." They led him towards the ridge, sliding and slipping on the ash. The woman reached the top and stood waiting for them.

"The forward command," Hendricks muttered. "I came to negotiate with the Soviet -"

"There is no more forward command. They got in. We'll explain." They reached the top of the ridge. "We're all that's left. The three of us. The rest were down in the bunker."

"This way. Down this way." The woman unscrewed a lid, a gray manhole cover set in the ground. "Get in."

Hendricks lowered himself. The two soldiers and the woman came behind him, following him down the ladder. The woman closed the lid after them, bolting it tightly into place.

"Good thing we saw you," one of the two soldiers grunted.

"It had tagged you about as far as it was going to."

"Give me one of your cigarettes," the woman said. "I haven't had an American cigarette for weeks."

Hendricks pushed the pack to her. She took a cigarette and passed the pack to the two soldiers. In the corner of the small room the lamp gleamed fitfully. The room was low-ceilinged, cramped. The four of them sat around a small wood table. A few dirty dishes were stacked to one side. Behind a ragged curtain a second room was partly visible. Hendricks saw the corner of a cot, some blankets, clothes hung on a hook.

"We were here," the soldier beside him said. He took off his helmet, pushing his blond hair back. "I'm Corporal Rudi Maxer. Polish. Impressed in the Soviet Army two years ago." He held out his hand.

Hendricks hesitated and then shook. "Major Joseph Hendricks."

"Klaus Epstein." The other soldier shook with him, a small dark man with thinning hair. Epstein plucked nervously at his ear. "Austrian. Impressed God knows when. I don't remember. The three of us were here, Rudi and I, with Tasso." He indicated the woman. "That's how we escaped. All the rest were down in the bunker."

"And – and they got in?"

Epstein lit a cigarette. "First just one of them. The kind that tagged you. Then it let others in."

Hendricks became alert. "The kind ? Are there more than one kind?"

"The little boy. David. David holding his teddy bear. That's Variety Three . The most effective."

"What are the other types?"

Epstein reached into his coat. "Here." He tossed a packet of photographs on to the table, tied with a string. "Look for yourself."

Hendricks untied the string.

"You see," Rudi Maxer said, "that was why we wanted to talk terms. The Russians I mean. We found out about a week ago. Found out that your claws were beginning to make up new designs on their own. New types of their own. Better types. Down in your underground factories behind our lines. You let them stamp themselves, repair themselves. Made them more and more intricate. It's your fault this happened."

Hendricks examined the photos. They had been snapped hurriedly; they were blurred and indistinct. The first few showed David. David walking along a road, by himself. David and another David. Three Davids. All exactly alike. Each with a ragged teddy bear.

All pathetic.

"Look at the others," Tasso said.

The next picture, taken at a great distance, showed a towering wounded soldier sitting by the side of a path, his arm in a sling, the stump of one leg extended, a crude crutch on his lap. Then two wounded soldiers, both the same, standing side by side.

"That's Variety One . The Wounded Soldier." Klaus reached out and took the pictures. "You see, the claws were designed to get to human beings. To find them. Each kind was better than the last. They got farther, closer, past most of our defenses, into our lines. But as long as they were merely machines, metal spheres with claws and horns, feelers, they could be picked off like any other object. They could be detected as lethal robots as soon as they were seen. Once we caught sight of them -"

Variety One subverted our whole north wing," Rudi said. "It was a long time before anyone caught on. Then it was too late. They came in, wounded soldiers, knocking and begging to be let in. So we let them in. And as soon as they were in they took over. We were watching out for machines…"

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