Philip Dick - The Complete Stories of Philip K. Dick Vol. 4:

"No," Ian said. It was a relief, actually; Al had the far more difficult part.

Outside the perimeter of Jalopy Jungle No. 3 the papoola moved, crisscrossing the sidewalk in its gliding, quiet pursuit of a sales prospect. It was only ten in the morning and no one worth collaring had come along, as yet. Today the lot had set down in the hilly section of Oakland, California, among the winding tree-lined streets of the better residential section. Across from the lot, Ian could see the Joe Louis, a peculiarly-shaped but striking apartment building of a thousand units, mostly occupied by well-to-do Negroes. The building, in the morning sun, looked especially neat and cared for. A guard, with badge and gun, patrolled the entrance, stopping anyone who did not live there from entering.

"Slezak has to okay the program," Al reminded him. "Maybe Nicole won't want to hear the 'Chaconne'; she's got very specialized tastes and they're changing all the time."

In his mind Ian saw Nicole, propped up in her enormous bed, in her pink, frilly robe, her breakfast on a tray beside her as she scanned the program schedules presented to her for her approval. Already she's heard about us, he thought. She knows of our existence. In that case, we really do exist. Like a child that has to have its mother watching what it does; we're brought into being, validated consensually, by Nicole's gaze.

And when she takes her eye off us, he thought, then what? What happens to us afterward? Do we disintegrate, sink back into oblivion?

Back, he thought, into random, unformed atoms. Where we came from… the world of nonbeing. The world we've been in all our lives, up until now.

"And," Al said, "she may ask us for an encore. She may even request a particular favorite. I've researched it, and it seems she sometimes asks to hear Schumann's 'The Happy Farmer.' Got that in mind? We'd better work up 'The Happy Farmer,' just in case." He blew a few toots on his jug, thoughtfully.

"I can't do it," Ian said abruptly. "I can't go on. It means too much to me. Something will go wrong; we won't please her and they'll boot us out. And we'll never be able to forget it."

"Look," Al began. "We have the papoola. And that gives us -" He broke off. A tall, stoop-shouldered elderly man in an expensive natural-fiber blue pin-stripe suit was coming up the sidewalk. "My God, it's Luke himself," Al said. He looked frightened. "I've only seen him twice before in my life. Something must be wrong."

"Better reel in the papoola," Ian said. The papoola had begun to move toward Loony Luke.

With a bewildered expression on his face Al said, "I can't." He fiddled desperately with the controls at his waist. "It won't respond."

The papoola reached Luke, and Luke bent down, picked it up and continued on toward the lot, the papoola under his arm.

"He's taken precedence over me," Al said. He looked at his brother numbly.

The door of the little structure opened and Loony Luke entered. "We received a report that you've been using this on your own time, for purposes of your own," he said to Al, his voice low and gravelly. "You were told not to do that; the papoolas belong to the lots, not to the operators."

Al said, "Aw, come on, Luke."

"You ought to be fired," Luke said, "but you're a good salesman so I'll keep you on. Meanwhile, you'll have to make your quota without help." Tightening his grip on the papoola, he started back out. "My time is valuable; I have to go." He saw Al's jug. "That's not a musical instrument; it's a thing to put whiskey in."

Al said, "Listen, Luke, this is publicity. Performing for Nicole means that the network of jalopy jungles will gain prestige; got it?"

"I don't want prestige," Luke said, pausing at the door. "There's no catering to Nicole Thibodeaux by me; let her run her society the way she wants and I'll run the jungles the way I want. She leaves me alone and I leave her alone and that's fine with me. Don't mess it up. Tell Slezak you can't appear and forget about it; no grown man in his right senses would be hooting into an empty bottle anyhow."

"That's where you're wrong," Al said. "Art can be found in the most mundane daily walks of life, like in these jugs for instance."

Luke, picking his teeth with a silver toothpick, said, "Now you don't have a papoola to soften the First Family up for you. Better think about that… do you really expect to make it without the papoola?"

After a pause Al said to Ian, "He's right. The papoola did it for us. But – hell, let's go on anyhow."

"You've got guts," Luke said. "But no sense. Still, I have to admire you. I can see why you've been a top notch salesman for the organization; you don't give up. Take the papoola the night you perform at the White House and then return it to me the next morning." He tossed the round, bug-like creature to Al; grabbing it, Al hugged it against his chest like a big pillow. "Maybe it would be good publicity for the jungles," Luke said. "But I know this. Nicole doesn't like us. Too many people have slipped out of her hands by means of us; we're a leak in mama's structure and mama knows it." He grinned, showing gold teeth.

Al said, "Thanks, Luke."

"But I'll operate the papoola," Luke said. "By remote. I'm a little more skilled than you; after all, I built them."

"Sure," Al said. "I'll have my hands full playing anyhow."

"Yes," Luke said, "you'll need both hands for that bottle."

Something in Luke's tone made Ian Duncan uneasy. What's he up to? he wondered. But in any case he and his brother had no choice; they had to have the papoola working for them. And no doubt Luke could do a good job of operating it; he had already proved his superiority over Al, just now, and as Luke said, Al would be busy blowing away on his jug. But still -

"Loony Luke," Ian said, "have you ever met Nicole?" It was a sudden thought on his part, an unexpected intuition.

"Sure," Luke said steadily. "Years ago. I had some hand puppets; my Dad and I traveled around putting on puppet shows. We finally played the White House."

"What happened there?" Ian asked.

Luke, after a pause, said, "She didn't care for us. Said something about our puppets being indecent."

And you hate her, Ian realized. You never forgave her. "Were they?" he asked Luke.

"No," Luke answered. "True, one act was a strip show; we had follies girl puppets. But nobody ever objected before. My Dad took it hard but it didn't bother me." His face was impassive.

Al said, "Was Nicole the First Lady that far back?"

"Oh yes," Luke said. "She's been in office for seventy-three years; didn't you know that?"

"It isn't possible," both Al and Ian said, almost together.

"Sure it is," Luke said. "She's a really old woman, now. A grandmother. But she still looks good, I guess. You'll know when you see her."

Stunned, Ian said, "On TV -"

"Oh yeah," Luke agreed. "On TV she looks around twenty. But look in the history books yourself; figure it out. The facts are all there."

The facts, Ian realized, mean nothing when you can see with your own eyes that she's as young-looking as ever. And we see that every day.

Luke, you're lying, he thought. We know it; we all know it. My brother saw her; Al would have said, if she was really like that. You hate her; that's your motive. Shaken, he turned his back to Luke, not wanting to have anything to do with the man, now. Seventy-three years in office – that would make Nicole almost ninety, now. He shuddered at the idea; he blocked it out of his thoughts. Or at least he tried to.

"Good luck, boys," Luke said, chewing on his toothpick.

In his sleep Ian Duncan had a terrible dream. A hideous old woman with greenish, wrinkled claws scrabbled at him, whining for him to do something – he did not know what it was because her voice, her words, blurred into indistinction, swallowed by her broken-toothed mouth, lost in the twisting thread of saliva which found its way to her chin. He struggled to free himself…