Philip Dick - The Complete Stories of Philip K. Dick Vol. 4:

But he didn't believe it, either. Ackers would have to admit a mistake, a basic mistake, and if he had been wrong to pick up Lantano, he was ruined. And so, in a sense, was the whole system of delineation. It could be fooled; it had been fooled. Ackers was rigid, and he would go right on in a straight line: the hell with Lantano. The hell with abstract justice. Better to preserve cultural continuity and keep society running on an even keel.

"Tirol's equipment," Beam said. "Do you know where it is?"

She shrugged wildly. "What equipment?"

"This thing – " he jabbed at the M – "was made somewhere."

"Not here, Tirol didn't make it."

"All right," he said reasonably. They had perhaps six minutes more before the doctor and the emergency medical carrier arrived on rooftop. "Who did make it?"

"The alloy was developed on Bellatrix." She spoke jerkily, word by word. "The rind… forms a skin on the outside, a bubble that gets sucked in and out of a reservoir. That's its rind, the TV shape. It sucks it back and becomes the M; it's ready to act."

"What made it?" he repeated.

"A Bellatrix machine tool syndicate… a subsidiary of Tirol's organization. They're made to be watchdogs. The big plantations on outplanets use them; they patrol. They get poachers."

Beam said: "Then originally they're not set for one person."

"No."

"Then who set this for Heimie? Not a machine tool syndicate."

"That was done here."

He straightened up and lifted the portable TV unit. "Let's go. Take me there, where Tirol had it altered."

For a moment the woman did not respond. Grabbing her arm he hustled her to the door. She gasped and stared at him mutely.

"Come on," he said, pushing her out into the hall. The portable TV unit bumped against the door as he shut it; he held the unit tight and followed after Ellen Ackers.

The town was slatternly and run-down, a few retail stores, fuel station, bars and dance halls. It was two hours' flight from Greater New York and it was called Olum.

"Turn right," Ellen said listlessly. She gazed out at the neon signs and rested her arm on the window sill of the ship.

They flew above warehouses and deserted streets. Lights were few. At an intersection Ellen nodded and he set the ship down on a roof.

Below them was a sagging, fly-specked wooden frame store. A peeling sign was propped up in the window: FULTON BROTHERS locksmiths. With the sign were doorknobs, locks, keys, saws, and spring-wound alarm clocks. Somewhere in the interior of the store a yellow night light burned fitfully.

"This way," Ellen said. She stepped from the ship and made her way down a flight of rickety wooden stairs. Beam laid the portable TV unit on the floor of the ship, locked the doors, and then followed after the woman. Holding onto the railing, he descended to a back porch on which were trash cans and a pile of sodden newspapers tied with string. Ellen was unlocking a door and feeling her way inside.

First he found himself in a musty, cramped storeroom. Pipe and rolls of wire and sheets of metal were heaped everywhere; it was like a junkyard. Next came a narrow corridor and then he was standing in the entrance of a workshop. Ellen reached overhead and groped to find the hanging string of a light. The light clicked on. To the right was a long and littered workbench with a hand grinder at one end, a vise, a keyhole saw; two wooden stools were before the bench and half-assembled machinery was stacked on the floor in no apparent order. The workshop was chaotic, dusty, and archaic. On the wall was a threadbare blue coat hung from a nail: the workcoat of a machinist.

"Here," Ellen said, with bitterness. "This is where Paul had it brought. This outfit is owned by the Tirol organization; this whole slum is part of their holdings."

Beam walked to the bench. "To have altered it," he said, "Tirol must have had a plate of Heimie's neural pattern." He overturned a heap of glass jars; screws and washers poured onto the pitted surface of the bench.

"He got it from Heimie's door," Ellen said. "He had Heimie's lock analyzed and Heimie's pattern inferred from the setting of the tumblers."

"And he had the M opened?"

"There's an old mechanic," Ellen said. "A little dried-up old man; he runs this shop. Patrick Fulton. He installed the bias on the M."

"A bias," Beam said, nodding.

"A bias against killing people. Heimie was the exception, for everybody else it took its protective form. Out in the wilds they would have set it for something else, not a TV unit." She laughed, a sudden ripple close to hysteria. "Yes, that would have looked odd, it sitting out in a forest somewhere, a TV unit. They would have made it into a rock or a stick."

"A rock," Beam said. He could imagine it. The M waiting, covered with moss, waiting for months, years, and then weathered and corroded, finally picking up the presence of a human being. Then the M ceasing to be a rock, becoming, in a quick blur of motion, a box one foot wide and two feet long. An oversized cracker box that started forward -

But there was something missing. "The fakery," he said. "Emitting flakes of paint and hair and tobacco. How did that come in?"

In a brittle voice Ellen said: "The landowner murdered the poacher, and he was culpable in the eyes of the law. So the M left clues. Claw marks. Animal blood. Animal hair."

"God," he said, revolted. "Killed by an animal."

"A bear, a wildcat – whatever was indigenous, it varied. The predator of the region, a natural death." With her toe she touched a cardboard carton under the workbench. "It's in there, it used to be, anyhow. The neural plate, the transmitter, the discarded parts of the M, the schematics."

The carton had been a shipping container for power packs. Now the packs were gone, and in their place was a carefully-wrapped inner box, sealed against moisture and insect infestation. Beam tore away the metal foil and saw that he had found what he wanted. He gingerly carried the contents out and spread them on the workbench among the soldering irons and drills.

"It's all there," Ellen said, without emotion.

"Maybe," he said, "I can leave you out of this. I can take this and the TV unit to Ackers and try it without your testimony."

"Sure," she said wearily.

"What are you going to do?"

"Well," she said, "I can't go back to Paul, so I guess there's not much I can do."

"The blackmail bit was a mistake," he said.

Her eyes glowed. "Okay."

"If he releases Lantano," Beam said, "he'll be asked to resign. Then he'll probably give you your divorce, it won't be important to him one way or another."

"I -" she began. And then she stopped. Her face seemed to fade, as if the color and texture of her flesh was vanishing from within. She lifted one hand and half-turned, her mouth open and the sentence still unfinished.

Beam, reaching, slapped the overhead light out; the workroom winked into darkness. He had heard it too, had heard it at the same time as Ellen Ackers. The rickety outside porch had creaked and now the slow, ponderous motion was past the storeroom and into the hall.

A heavy man, he thought. A slow-moving man, sleepy, making his way step by step, his eyes almost shut, his great body sagging beneath his suit. Beneath, he thought, his expensive tweed suit. In the darkness the man's shape was looming; Beam could not see it but he could sense it there, filling up the doorway as it halted. Boards creaked under its weight. In a daze he wondered if Ackers already knew, if his order had already been rescinded. Or had the man got out on his own, worked through his own organization?

The man, starting forward again, spoke in a deep, husky voice. "Ugh," Lantano said. "Damn it."

Ellen began to shriek. Beam still did not realize what it was; he was still fumbling for the light and wondering stupidly why it did not come on. He had smashed the bulb, he realized. He lit a match; the match went out and he grabbed for Ellen Ackers' cigarette lighter. It was in her purse, and it took him an agonized second to get it out.