Philip Dick - The Complete Stories of Philip K. Dick Vol. 5 - The Eye of the Sibyl and Other Classic Stories

Victor did not tell her that he had arranged for the cat to catch the bird; he watched in silence as his mother tried and tried to pry Dorky out from her hiding place; Dorky was crunching up the bird; he could hear the sound of breaking bones, small bones. He felt a strange feeling, as if he should tell his mother what he had done, and yet if he told her she would punish him. I won't do that again, he said to himself. His face, he realized, had turned red. What if his mother figured it out? What if she had some secret way of knowing? Dorky couldn't tell her and the bird was dead. No one would ever know. He was safe.

But he felt bad. That night he could not eat his dinner. Both his parents noticed. They thought he was sick; they took his temperature. He said nothing about what he had done. His mother told his father about Dorky and they decided to get rid of Dorky. Seated at the table, listening, Victor began to cry.

"All right," his father said gently. "We won't get rid of her. It's natural for a cat to catch a bird."

The next day he sat playing in his sandbox. Some plants grew up through the sand. He broke them off. Later his mother told him that had been a wrong thing to do.

Alone in the backyard, in his sandbox, he sat with a pail of water, forming a small mound of wet sand. The sky, which had been blue and clear, became by degrees overcast. A shadow passed over him and he looked up. He sensed a presence around him, something vast that could think.

You are responsible for the death of the bird, the presence thought; he could understand its thoughts.

"I know," he said. He wished, then, that he could die. That he could replace the bird and die for it, leaving it as it had been, fluttering against the cobwebbed window of the garage.

The bird wanted to fly and eat and live, the presence thought.

"Yes," he said miserably.

"You must never do that again," the presence told him.

"I'm sorry," he said, and wept.

This is a very neurotic person, the ship realized. I am having an awful lot of trouble finding happy memories. There is too much fear in him and too much guilt. He has buried it all, and yet it is still there, worrying him like a dog worrying a rag. Where can I go in his memories to find him solace? I must come up with ten years of memories, or his mind will be lost.

Perhaps, the ship thought, the error that I am making is in the area of choice on my part; I should allow him to select his own memories. However, the ship realized, this will allow an element of fantasy to enter. And that is not usually good. Still -

I will try the segment dealing with his first marriage once again, the ship decided. He really loved Marline. Perhaps this time if I keep the intensity of the memories at a greater level the entropic factor can be abolished. What happened was a subtle vitiation of the remembered world, a decay of structure. I will try to compensate for that. So be it.

"Do you suppose Gilbert Shelton really signed this?" Martine said pensively; she stood before the poster, her arms folded; she rocked back and forth slightly, as if seeking a better perspective on the brightly colored drawing hanging on their living room wall. "I mean, it could have been forged. By a dealer somewhere along the line. During Shelton's lifetime or after."

"The letter of authentication," Victor Kemmings reminded her.

"Oh, that's right!" She smiled her warm smile. "Ray gave us the letter that goes with it. But suppose the letter is a forgery? What we need is another letter certifying that the first letter is authentic." Laughing, she walked away from the poster.

"Ultimately," Kemmings said, "we would have to have Gilbert Shelton here to personally testify that he signed it."

"Maybe he wouldn't know. There's that story about the man bringing the Picasso picture to Picasso and asking him if it was authentic, and Picasso immediately signed it and said, 'Now it's authentic.' " She put her arm around Kemmings and, standing on tiptoe, kissed him on the cheek. "It's genuine. Ray wouldn't have given us a forgery. He's the leading expert on counterculture art of the twentieth century. Do you know that he owns an actual lid of dope? It's preserved under -"

"Ray is dead," Victor said.

"What?" She gazed at him in astonishment. "Do you mean something happened to him since we last -"

"He's been dead two years," Kemmings said. "I was responsible. I was driving the buzzcar. I wasn't cited by the police, but it was my fault."

"Ray is living on Mars!" She stared at him.

"I know I was responsible. I never told you. I never told anyone. I'm sorry. I didn't mean to do it. I saw it flapping against the window, and Dorky was trying to reach it, and I lifted Dorky up, and I don't know why but Dorky grabbed it -"

"Sit down, Victor." Martine led him to the overstuffed chair and made him seat himself. "Something's wrong," she said.

"I know," he said. "Something terrible is wrong. I'm responsible for the taking of a life, a precious life that can never be replaced. I'm sorry. I wish I could make it okay, but I can't."

After a pause, Martine said, "Call Ray."

"The cat -" he said.

"What cat?"

"There." He pointed. "In the poster. On Fat Freddy's lap. That's Dorky. Dorky killed Ray."

Silence.

"The presence told me," Kemmings said. "It was God. I didn't realize it at the time, but God saw me commit the crime. The murder. And he will never forgive me."

His wife stared at him numbly.

"God sees everything you do," Kemmings said. "He sees even the falling sparrow. Only in this case it didn't fall; it was grabbed. Grabbed out of the air and torn down. God is tearing this house down which is my body, to pay me back for what I've done. We should have had a building contractor look this house over before we bought it. It's just falling goddam to pieces. In a year there won't be anything left of it. Don't you believe me?"

Marline faltered, "I -"

"Watch." Kemmings reached up his arms toward the ceiling; he stood; he reached; he could not touch the ceiling. He walked to the wall and then, after a pause, put his hand through the wall.

Marline screamed.

The ship aborted the memory retrieval instantly. But the harm had been done.

He has integrated his early fears and guilts into one interwoven grid, the ship said to itself. There is no way I can serve up a pleasant memory to him because he instantly contaminates it. However pleasant the original experience in itself was. This is a serious situation, the ship decided. The man is already showing signs of psychosis. And we are hardly into the trip; years lie ahead of him.

After allowing itself time to think the situation through, the ship decided to contact Victor Kemmings once more.

"Mr. Kemmings," the ship said.

"I'm sorry," Kemmings said. "I didn't mean to foul up those retrievals. You did a good job, but I -"

"Just a moment," the ship said. "I'm not equipped to do psychiatric reconstruction of you; I am a simple mechanism, that's all. What is it you want? Where do you want to be and what do you want to be doing?"

"I want to arrive at our destinalion," Kemmings said. "I want this trip to be over."

Ah, the ship thought. That is the solution.

One by one the cryonic systems shut down. One by one the people returned to life, among them Victor Kemmings. What amazed him was the lack of a sense of the passage of time. He had entered the chamber, lain down, had felt the membrane cover him and the temperature begin to drop -

And now he stood on the ship's external plaiform, the unloading plalform, gazing down at a verdant planetary landscape. This, he realized, is LR4-6, the colony world to which I have come in order to begin a new life.

"Looks good," a heavyset woman beside him said.

"Yes," he said, and felt the newness of the landscape rush up at him, its promise of a beginning. Something better than he had known the past two hundred years. I am a fresh person in a fresh world, he thought. And he fell glad.