Philip Dick - Ubik

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Glen Runciter is dead. Or is everybody else? Someone died in an explosion orchestrated by Runciter’s business competitors. And, indeed, it’s the kingly Runciter whose funeral is scheduled in Des Moines. But in the meantime, his mourning employees are receiving bewildering — and sometimes scatological — messages from their boss. And the world around them is warping in ways that suggest that their own time is running out. Or already has.
Philip K. Dick’s searing metaphysical comedy of death and salvation (the latter available in a convenient aerosol spray) is tour de force of paranoiac menace and unfettered slapstick, in which the departed give business advice, shop for their next incarnation, and run the continual risk of dying yet again.

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“Mr. Runciter,” Joe Chip said, “I’d like you to meet Patricia Conley.”

The girl said, “How nice to be introduced to you at last, Mr. Runciter.” She laughed and her eyes flashed exultantly. Runciter did not know why.

Joe Chip realized, she’s been doing something. “Pat,” he said aloud, “I can’t put my finger on it but things are different.” He gazed wonderingly around the office; it appeared as it had always: too loud a carpet, too many unrelated art objects, on the walls original pictures of no artistic merit whatever. Glen Runciter had not changed; shaggy and gray, his face wrinkled broodingly, he returned Joe’s stare—he too seemed perplexed. Over by the window G. G. Ashwood, wearing his customary natty birch-bark pantaloons, hemp-rope belt, peekaboo see-through top and train-engineer’s tall hat, shrugged indifferently. He, obviously, saw nothing wrong.

“Nothing is different,” Pat said.

“Everything is different,” Joe said to her. “You must have gone back into time and put us on a different track; I can’t prove it and I can’t specify the nature of the changes—”

“No domestic quarreling on my time,” Runciter said frowningly.

Joe, taken aback, said, “ ‘Domestic quarreling’?” He saw, then, on Pat’s finger the ring: wrought-silver and jade; he remembered helping her pick it out. Two days, he thought, before we got married. That was over a year ago, despite how bad off I was financially. That, of course, is changed now; Pat, with her salary and her money-minding propensity, fixed that. For all time.

“Anyhow, to continue,” Runciter said. “We must each of us ask ourselves why Stanton Mick took his business to a prudence organization other than ours. Logically, we should have gotten the contract; we’re the finest in the business and we’re located in New York, where Mick generally prefers to deal. Do you have any theory, Mrs. Chip?” He looked hopefully in Pat’s direction.

Pat said, “Do you really want to know, Mr. Runciter?”

“Yes.” He nodded vigorously. “I’d very much like to know.”

“I did it,” Pat said.

“How?”

“With my talent.”

Runciter said, “What talent? You don’t have a talent; you’re Joe Chip’s wife.”

At the window G. G. Ashwood said, “You came in here to meet Joe and me for lunch.”

“She has a talent,” Joe said. He tried to remember, but already it had become foggy; the memory dimmed even as he tried to resurrect it. A different time track, he thought. The past. Other than that, he could not make it out; there the memory ended. My wife, he thought, is unique; she can do something no one else on Earth can do. In that case, why isn’t she working for Runciter Associates ? Something is wrong.

“Have you measured it?” Runciter asked him. “I mean, that’s your job. You sound as if you have; you sound sure of yourself.”

“I’m not sure of myself,” Joe said. But I am sure about my wife, he said to himself. “I’ll get my test gear,” he said. “And we’ll see what sort of a field she creates.”

“Oh, come on, Joe,” Runciter said angrily. “If your wife has a talent or an anti-talent you would have measured it at least a year ago; you wouldn’t be discovering it now.” He pressed a button on his desk intercom. “Personnel? Do we have a file on Mrs. Chip? Patricia Chip?”

After a pause the intercom said, “No file on Mrs. Chip. Under her maiden name, perhaps?”

“Conley,” Joe said. “Patricia Conley.”

Again a pause. “On a Miss Patricia Conley we have two items: an initial scout report by Mr. Ashwood, and then test findings by Mr. Chip.” From the slot of the intercom repros of the two documents slowly dribbled forth and dropped to the surface of the desk.

Examining Joe Chip’s findings, Runciter said, scowling, “Joe, you better look at this; come here.” He jabbed a finger at the page, and Joe, coming over beside him, saw the twin underlined crosses; he and Runciter glanced at each other, then at Pat.

“I know what it reads,” Pat said levelly. “ ‘Unbelievable power. Anti-PSI field unique in scope.’ ” She concentrated, trying visibly to remember the exact wording. “ ‘Can probably—’ ”

“We did get the Mick contract,” Runciter said to Joe Chip. “I had a group of eleven inertials in here and then I suggested to her—”

Joe said, “That she show the group what she could do. So she did. She did exactly that. And my evaluation was right.” With his fingertip he traced the symbols of danger at the bottom of the sheet. “My own wife,” he said.

“I’m not your wife,” Pat said. “I changed that, too. Do you want it back the way it was? With no changes, not even in details? That won’t show your inertials much. On the other hand, they’re unaware anyhow… unless some of them have retained a vestigial memory as Joe has. By now, though, it should have phased out.”

Runciter said bitingly, “I’d like the Mick contract back; that much, at least.”

“When I scout them,” G. G. Ashwood said, “I scout them.” He had become gray.

“Yes, you really bring in the talent,” Runciter said.

The intercom buzzed and the quaking, elderly voice of Mrs. Frick rasped, “A group of our inertials are waiting to see you, Mr. Runciter; they say you sent for them in connection with a new joint work project. Are you free to see them?”

“Send them in,” Runciter said.

Pat said, “I’ll keep this ring.” She displayed the silver and jade wedding ring which, in another time track, she and Joe had picked out; this much of the alternate world she had elected to retain. He wondered what—if any—legal basis she had kept in addition. None, he hoped; wisely, however, he said nothing. Better not even to ask.

The office door opened and, in pairs, the inertials entered; they stood uncertainly for a moment and then began seating themselves facing Runciter’s desk. Runciter eyed them, then pawed among the rat’s nest of documents on his desk; obviously, he was trying to determine whether Pat had changed in any way the composition of the group.

“Edie Dorn,” Runciter said. “Yes, you’re here.” He glanced at her, then at the man beside her. “Hammond. Okay, Hammond. Tippy Jackson.” He peered inquiringly.

“I made it as quick as I could,” Mrs. Jackson said. “You didn’t give me much time, Mr. Runciter.”

“Jon Ild,” Runciter said.

The adolescent boy with the tousled, woolly hair grunted in response. His arrogance, Joe noted, seemed to have receded; the boy now seemed introverted and even a little shaken. It would be interesting, Joe thought, to find out what he remembers—what all of them, individually and collectively, remember.

“Francesca Spanish,” Runciter said.

The luminous, gypsy-like dark woman, radiating a peculiar jangled tautness, spoke up. “During the last few minutes, Mr. Runciter, while we waited in your outer office, mysterious voices appeared to me and told me things.”

“You’re Francesca Spanish?” Runciter asked her, patiently; he looked more than usually tired.

“I am; I have always been; I will always be.” Miss Spanish’s voice rang with conviction. “May I tell you what the voices revealed to me?”

“Possibly later,” Runciter said, passing on to the next personnel document.

“It must be said,” Miss Spanish declared vibrantly.

“All right,” Runciter said. “We’ll take a break for a couple of minutes.” He opened a drawer of his desk, got out one of his amphetamine tablets, took it without water. “Let’s hear what the voices revealed to you, Miss Spanish.” He glanced toward Joe, shrugging.

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