Robert Silverberg - Shadrach in the Furnace

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In the twenty-first century, a battered world is ruled by a crafty old tyrant, Genghis II Mao IV Khan. The Khan is ninety-three years old, his life systems sustained by the skill of Mordecai Shadrach, a brilliant young surgeon whose chief function is to replace the Khan’s worn-out organs. Within the vast tower-complex, the most advanced equipment is dedicated to three top-priority projects, each designed to keep the Khan immortal. Most sinister of these is Project Avatar, by which the Khan’s mind and persona are to be transferred to a younger body.
Nominated for Nebula Award for Best Novel in 1976.
Nominated for Hugo Award for Best Novel in 1977.

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“One doesn’t think clearly at a time like that.”

“One ought to, if one is in a position of high responsibility.”

“One’s judgment is not always perfect,” Horthy retorts. “Especially when one has nearly been killed oneself a few minutes before by a body plummeting from the sky. And when one realizes that the dead man is such an important figure in the government, in fact the viceroy. And when one suspects that his death may be murder, assassination, the beginning of revolution. And when—”

“All right,” Shadrach says. “All right. He managed to survive the unnecessary shock. But what you did was very risky, Horthy. Worse: it was dumb. Extremely dumb.” He frowns. “You think there’s some conspiracy, eh?”

“I have no idea. Clearly it’s a possibility.”

“So is suicide, though.”

Ionigylakis says, “You think so, Shadrach?”

“Avogadro certainly does.”

“But Avogadro’s men have arrested Buckmaster.”

“I’ve heard. The poor crazy devil. I pity him.”

Gonchigdorge is still jabbing buttons. The screens are full of weirdly distorted faces, as though the spy-eye lenses are getting much too close to their targets. Donna Labile, from the far side of the room, calls to Horthy, who gives Shadrach a frosty incomprehensible look and stalks away. Shadrach is altogether unable to make sense out of Horthy, but suddenly it does not matter. Nothing matters. This room is a madhouse, through which he wanders, bare-chested and feeling a bit of a chill, baffled by all the frantic activity around him. He feels too sane, too mundane, for this environment. The screens of Surveillance Vector One suddenly go blank, and then grow bright with wild jagged streaks of blue and green and red. General Gonchigdorge, in his heavy-handed pursuit of conspirators, has broken something.

“Fricifolia!” the general yells. “Get Frank Ficifolia up here! The machine has to be repaired!”

Ficifolia is already present, though. Cursing softly, he shoulders through the crowd toward the enthroned general. As he passes Shadrach he pauses to murmur, “Your friend Buckmaster’s in the quiz room right now. I suppose you won’t weep over that.”

“On the contrary. Buckmaster wasn’t in his right mind when he was hassling me last night. And now he’ll pay for it.”

“Avogadro himself is interrogating, I hear.”

“Avogadro thinks it was suicide.”

“So do I,” Ficifolia says, and keeps going.

Shadrach has had enough. He heads for the interface. As he reaches it, he looks back at the turmoil, the blaring jags of color on the screens, Gonchigdorge shouting like an angry child, Horthy and Labile deep in some mysterious intense discussion punctuated by fierce Italo-Magyar gesticulations, Ionigylakis looming above everyone and announcing his confusions in booming tones, Frank Ficifolia squatting by an open panel to insert a long slender wrench into a turbulent spaghetti of bubble-circuits. While somewhere in the depths of this huge building Avogadro, who does not believe a murder was committed, is nevertheless preparing to administer torture to Roger Buckmaster, suspected of having committed that murder, even though Buckmaster almost certainly could not have been capable of murdering anyone this morning. And in the great bedchamber of the Khan that old, old man, his near-fatal episode of shock all but over according to the tickety-tock pulsations and quivers running through Shadrach Mordecai’s body, lies in bed scheming with calm crazy dedication how best to make sacred the memory of the departed viceroy and how to destroy his supposed slayers. Enough, enough. More than enough: too much. Shadrach requests exit from the interface, which opens with blessed promptness and admits him to the holding chamber, and then, quickly, to his own apartment on the far side.

How peaceful it is here! Crowfoot is awake and out of the hammock; she has just taken a shower, and stands, bare, beautiful, in the middle of the room, drying herself, droplets of moisture still glittering on her smooth sleek skin, nipples puckered and taut in the coolness of the air. “I’m going to be awfully late getting to the lab today,” she says casually. “What’s been happening?”

“Everything. Mangu’s dead, the Khan nearly had apoplexy when he found out, they’ve arrested Buckmaster, a general purge of subversives has been ordered, Horthy is—”

“Wait,” she cries, blinking. “Dead? Mangu? How?”

“Fell out the window. Pushed or jumped.”

“Oh.” A little sucking intake of breath. “Oh, God. When was this?”

“Half an hour ago, more or less.”

She crumples her towel into a ball, hurls it into a corner, and begins to pace the room, striding like a splendid perplexed tigress. Whirling on him, she demands, “Which window?”

“His own,” he tells her, mystified by the drift of her question.

“Fell from the top of the building? His body must have been smashed to a ruin.”

“I imagine so. But what—”

“Oh, Shadrach! My project!”

“What about it?”

“This sounds terribly inhuman, doesn’t it? But what will happen to my project now? Without Mangu—”

“Oh,” he says dully. “I hadn’t considered that.” “He was intended for—”

“Yes. Don’t say it.”

“It’s awful of me to have that reaction.”

“Was the entire project built about Mangu as the specific particular one — the recipient?”

“Not necessarily. But — oh, to hell with the project!” She crouches near the floor, folding her arms across her breasts. She is shivering. “I don’t understand. Who would kill Mangu, anyway? What’s going on? Is there going to be a revolution, Shadrach?”

“Mangu may have killed Mangu,” he tells her. “No one knows yet. Avogadro’s men didn’t detect any sign of forced entry to his apartment.”

“Yet they’ve arrested Buckmaster?”

“Because of the nonsense he was spouting last night in Karakorum, I suppose. But they haven’t arrested Horthy, who was being just as subversive. Horthy’s right next door in Surveillance Vector One, He was the one who brought the news about Mangu to Genghis Mao. Damn near killed him with the shock of it.”

Nikki, looking up somberly, says, “Perhaps that’s what he wanted to do.”

11

Things grow calmer. The messages from the interior of Genghis Mao indicate that the medical crisis is past. The Khan is healing, the morning’s upheavals will have no serious impact. Here at noon, Shadrach Mordecai at last dresses for the day, neutral gray doctor’s clothes. He feels rootless, disoriented: too much sleep, after all these months of insomnia, the nap in Nikki’s arms in Karakorum and then the long, emergency-interrupted spell in the hammock, and now his mind is foggy. But he’ll fake it through the day, somehow.

Heading for his office, he passes as usual through Surveillance Vector One, much quieter now than it was fifteen or twenty minutes before. The high panjandrums are gone, Gonchigdorge and Horthy and Labile and that crowd, and no one remains, except three underlings, a Citpol man and a couple of Avogadro’s lieutenants, who stare moodily at the jumpy mosaic flitting across the hundreds of screens. Their eyes are glazed. Informational overkill, it is. They see so much that they know not what they see.

Bypassing Committee Vector One — Shadrach has no yearning to intrude on the politicos this tense morning — he takes the long route to his office, via Genghis Mao’s own vacant office and the Khan’s majestic dining room. It is, as always, comforting to be among his familiar talismans, his books, his collection of medical instruments. He wanders from case to case, getting himself together. Picks up his devaricator, sinister splay-elbowed forceps used to pry open wounds. Thinks of Mangu, splattered against the terrazzo pavement; banishes the thought. Examines the hacksaw with which some eighteenth-century surgeon accomplished amputations. Thinks of Genghis Mao, livid, beady-eyed, ordering mass arrests. Off with their heads! That may be next; why not? Fondles a fifteenth-century anatomical doll from Bologna, elegant ivory homunculus, female — what is the feminine of homunculus, he wonders? Homuncula? Feminacula? — the belly and breasts of which lift away at the push of a fingertip, revealing heart, lungs, abdominal organs, even a fetus crouching in the uterus like a kangaroo in the pouch. And the books, oh, yes, the precious musty books, formerly _ owned by great doctors of Vienna, Montreal, Savannah, New Orleans. Valesco de Tarania’s Philonium Pharmaceutieum et Cheirurgicum, 1599! Martin Schurig’s Gynaecologia Historico Medica, 1730, rich with details of defloration, debauchery, penis captivus, and other wonders! Here is old Rudolf Virchow’s Die Cellularpathologie, 1852, proclaiming that every living organism is “a cell state in which every state is a citizen,” that a disease is “a conflict of citizens in this state, brought about by the action of external forces.” Aux armes, citoyens! What would Virchow have said of transplanted livers, borrowed lungs? He’d call them hired mercenaries, no doubt: the Hessians of medical metaphor. At least they fight fair in the cellular wars, no sneaky defenestrations, no snipers on the overpass. And this huge book: Grootdoorn, Iconographies Medicalis, luscious old engravings — see, here. Saints Cosmas and Damian in the sixteenth-century portrait, shown grafting the dead Moor’s leg to the cancer victim’s stump. Prophetic. Transplant surgery circa 500 A.D., performed posthumously, no less, by the saintly surgeons. If I ever find the original of that print, Shadrach thinks, I’ll give it to Warhaftig for Hanukkah.

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