S. Stirling - Dies The Fire

"Lord Emiliano, good of you to join us," Arminger said. "I believe you're the last."

"Hey-you're that guy who was writing a book on the gangs, aren't you?"

"I was," Arminger said. "As you may have noticed, things have changed."

He gestured, and spoke in a carrying voice: "Please, everyone have a seat. The place cards are for your convenience."

Emiliano sat, with Dolores and his backup men. Arminger stayed standing, leaning one hip against the head table, his arms folded against the rippling mail that covered his chest.

"Gentlemen, ladies. By now, you will all have come to the conclusion that what Changed a little while ago is going to stay Changed. This has certain implications. Before we talk, I'd like to demonstrate one of them."

Four prisoners were prodded into the broad central floor of the hall; two middle-aged policemen in rumpled uniforms, and two guys in army gear-a big shaven-headed black and an ordinary-looking white. Arminger slid the helmet over his head; his face disappeared behind the protective mask. There were three strips of steel that came to a point just below his nose, and it gave him a bird-of-prey look; the grin beneath it did too, and the nodding plume of raven feathers. He took up the shield, sliding his arm through the loops, and drew the long double-edged sword. It glittered in the firelight as he twitched it back and forth easily, making the whisssht sound of cloven air.

Marquez, his numbers man, leaned aside and hissed in Emiliano's ear: "This hijo is crazy! Four on one?"

"Shut up," Emiliano murmured back. "We'll see how crazy right now."

Arminger smiled yet more broadly at the low murmur of understanding and rustle of interest that went along the tables.

"You men," he said loudly, addressing the prisoners. His sword pointed to a trash can. "There are weapons in there. Take them and try and kill me. If you win, you go free."

"You expect us to believe that?" the black soldier said.

Arminger's grin was sardonic. "I expect you to believe I'll have you doused in gasoline and set on fire if you don't fight," he said. "And you get a chance to kill me. Don't you want to?"

"Shit yes," the soldier replied; he walked over to the garbage container and pulled out a machete in each hand. The others armed themselves as well-an ax, a baseball bat, another machete. The watchers stirred and rustled as the armed prisoners circled to surround the figure in the rippling, glittering mail.

Then things moved very quickly. The black soldier started to attack, and Arminger met him halfway. There was a crack as one machete glanced off the shield, and a slithering clang as the other hit the sword and slid down it to be caught on the guard. And another crack, meatier and wetter-sounding, as Arminger smashed his metal-clad head into the black man's face.

The big soldier staggered backward, his nose red ruin. Arminger's sword looped down as he turned, taking the soldier behind a knee and drawing the edge in a slicing cut. The scream of pain matched Arminger's shout as he lunged, the point punching out in a stab that left three inches of steel showing out a policeman's lower back. In the same motion the shield punched, hitting the other cop on the jaw and shattering it.

That left the smaller soldier an opening. He jumped in and slashed, and the edge raked across Arminger's back from left shoulder to right hip.

Sparks flew; Emiliano thought he heard a couple of the steel rings break with musical popping sounds. And Arminger staggered, thrown forward by the blow.

That didn't stop him whirling, striking with the edge of the shield. It hit the soldier's wrist with a crackle of breaking bone, and the machete went flying with a clatter and clang on the hardwood floor. He shrieked in pain, clutching at his right forearm with his left hand, then screamed briefly again in fear as Arminger's sword came down in a blurring-bright arc.

That ended in a hard thump at the junction of shoulder and neck. The scream broke off as if a switch had been thrown; the sword blade sliced through the neck and into the breastbone, and the killer had to brace a foot on the body to wrench it free. Then he made sure of the others- the big soldier was trying to crawl away when the point went through his kidney-and scared-looking men and women came out with wheelbarrows to take the bodies, and mops and towels and squeegees to deal with the mess. Another of the pretty girls in lingerie sprayed an aerosol scent to cover the smells.

Every eye fixed on Arminger as he turned, shield and sword raised.

"Gentlemen, power no longer grows out of the muzzle of a gun. It grows from this.''''

He thrust his sword skyward. The blood on it glistened red-black in the light of the candles and lanterns. The armored men around the walls cheered, beating their weapons or their fists on their shields. Many of the guests joined in. Emiliano clapped himself.

Can't hurt, he thought. And this son of a whore is either completely crazy or a fucking genius.

When the noise subsided, Arminger went on: "Many of you know that I was a professor of history before I dabbled in urban anthropology. Some of you may know that I was once a member of the Society of Jesus. What you probably don't know is that I was also a member of a society that meets to celebrate the Middle Ages: by, among other things, practicing combat with the ancient weapons. I've persuaded quite a few members of that society to throw in with me; food is a wonderful incentive. And we're recruiting and training others, many others. Some of you have already contributed manpower. As you saw out there at the front gate, we're already the most effective armed force in this city. Certainly more effective than the overweight, over-aged, donut-eating legions of the former city government."

He laughed, and handed the shield and dripping sword to a servant. Quite a few of the guests joined in the laughter; this wasn't a crowd where the police had many friends.

"Making these weapons and armor requires considerable skill. Using them requires even more. But when you do have them and do know how to use them, you're like a tank to the unarmored and untrained. A hundred men so armed, acting as a disciplined unit, can rout thousands."

Emiliano nodded slowly, and saw others doing likewise. That made sense:

"Now, you'll also have noticed that traditional means of exchange-money-is worthless now. Right now, there's only one real form of wealth: food."

Yeah, and we spent a couple of days wasting our time robbing banks and hitting jewelry stores, Emiliano thought with bitter self-accusation.

He'd been living on canned stuff for days now.

"There's enough food in this city to feed the population for about two months, if nothing was wasted. One month, more realistically, if there was a rationing system; a great deal has already been lost and destroyed. Then everyone would die. There is, however, enough for a smaller but substantial number of people for a year or more. And remember, gentlemen, there is no government anymore. Not here in Portland, not in Oregon, not in the United States. Or the world, probably, come to that."

That got an excited buzz.

"Yo," one of the Crips leaders said. "We thinkin' move out to the country, get the eats. With no guns, the farmers not much trouble."

Arminger shook his head again. "Not yet. In the long run, yes. Everything that's been invented in the last eight hundred years is useless now. There's only two ways to live in a time like this-farming, and living off farmers. I don't feel like pushing a plow."

Emiliano nodded; and again, he wasn't the only one. His father had been born a peon on a little farm in Sonora, and he had no desire at all to be one himself. Living off farmers, though:

A haciendado, he thought, amused. He leaned forward eagerly, hardly noticing when the banquet was brought in. He was in a golden haze from more than the wines and brandies and fine liqueurs by the end of the night.