Robert Silverberg: The World Inside

He takes the liftshaft randomly to 118, Prague, gets out, walks halfway around the building without entering any apartment or speaking to anyone he meets; gets into a different liftshaft; goes up to 173 in Pittsburgh; stands for a while in a corridor, listening to the pounding of the blood in the capillaries of his temples. Then he steps into a Somatic Fulfillment Hall. Even at this late hour there are people making use of its facilities: a dozen or so in the whirl-pool tumbler, five or six prancing on the treadmill, a few couples in the copulatorium. His Shanghai clothes earn him some curious stares but no one approaches him. Feeling desire return, Siegmund moves vaguely toward the copulatorium, but at its entrance he loses heart and turns aside. Shoulders slumping, he goes slowly out of the Somatic Fulfillment Hall. Now he takes to the stairs, plodding up the great coil that runs the whole thousand-floor height of Urban Monad 116. He looks up the mighty helix and sees the levels stretching toward infinity, with banks of lights glittering above him to denote each landing. Birmingham, San Francisco, Colombo, Madrid. He grasps the rail and looks down. Eyes spiraling along the descending path. Prague, Warsaw, Reykjavik. A dizzying vortex; a monstrous well through which the light of a million globes drifts from above like snowflakes. He clambers doggedly up the myriad steps. Hypnotized by his own mechanical movements. Before he realizes it, he has climbed forty floors. Sweat drenches him and the muscles of his calves are bunching and knotting. He yanks open the doorway and lurches out into the main corridor. This is the 213th floor. Birmingham. Two men with the smirking look of nightwalkers on their way home stop him and offer him some kind of groover, a small translucent capsule containing a dark, oily orange fluid. Siegmund accepts the capsule without a word and swallows it unquestioningly. They tap his biceps in a show of good fellowship and go on their way. Almost at once he feels nausea. Then blurred red and blue lights sway before his eyes. He wonders dimly what they have given him. He waits for the ecstasy. He waits. He waits.

The next thing he knows, the thin light of dawn is in his eyes and he is sitting in an unfamiliar room, sprawled out in a web of oscillating, twanging metal mesh. A tall young man with long golden hair stands over him, and Siegmund can hear his own voice saying, “Now I know why they go flippo. One day it just gets to be too much for you. The people right up against your skin. You can feel them. And -’

“Easy. Back it up a little. You’re overloading.”

“My head is about to explode.” Siegmund sees an attractive red-haired woman moving around in the far corner of the room.

He is having difficulty focusing his eyes. “I’m not sure I know where I am,” he says.

“370th. That’s San Francisco. You’re really sectioned off, aren’t you?”

“My head. As if it needs to be pumped out.”

“I’m Dillon Chrimes. My wife, Electra. She found you wandering in the halls.” His host’s friendly face smiling into his. Strange blue eyes, like plaques of polished stone. “About the building,” Chrimes says. “You know, one night not too long ago I took a multiplexer and I became the whole crotting building. And really flew on it. You know, seeing it as one big organism, a mosaic of thousands of minds. Beautiful. Until I started to come down, and on the downside it struck me as just an awful hideous beehive of a place. You lose your perspective when you mess your mind with chemicals. But then you regain it.”

“I can’t regain it.”

“What’s the good of hating the building? I mean, the urbmon’s a real solution to real problems, isn’t it?”

“I know.”

“And most of the time it works. So it’s a sterilizer to waste your time hating it.”

“I don’t hate it,” Siegmund says. “I’ve always admired the theory of verticality in urban thrust. My specialty is urbmon administration. Was. Is. But suddenly everything’s all wrong, and I don’t know where the wrongness is. In me or in the whole system? And maybe not so suddenly.”

“There’s no real alternative to the urbmon,” Dillon Chrimes says. “I mean, you can jump down the chute, I guess, or run off to the communes, but those aren’t sensible alternatives. So we stay here. And groove on the richness of it all. You must just have been working too hard. Look, you want something cold to drink?”

“Please. Yes,” Siegmund says.

The red-haired woman puts a flask in his hand. As she leans toward him, her breasts sway out, tolling like fleshy bells. She is quite beautiful. A tiny spurt of hormones within him. Reminding him of how this night had begun. Nightwalking in Warsaw. A girl. He has forgotten her name. His failure to top her.

Dillon Chrimes says, “The screen’s been broadcasting an alarm for Siegmund Kluver of Shanghai. Tracers out for him since 0400. Is that you?”

Siegmund nods.

“I know your wife. Mamelon, right?” Chrimes shoots a glance at his own wife. As if there is a jealousy problem here. In a lower tone he says to Siegmund, “Once when I was doing a performance in Shanghai I met her on a nightwalk. Lovely. That cool grace of hers. A statue full of passion. Probably very worried about you right now, Siegmund.”

“Performance?”

“I play the vibrastar in one of the cosmos groups.” Chrimes makes ecstatic keyboard gestures with his fingers. “You’ve probably seen me. How about letting me put through a call to your wife, all right?”

Siegmund says, “A purely personal thing. A sense of coming apart. Or breaking loose from my roots.”

“What?”

“A kind of rootlessness. As though not belonging in Shanghai, not belonging in Louisville, not belonging in Warsaw, not belonging anywhere. Just a cluster of ambitions and inhibitions, no real self. And I’m lost inside.”

“Inside what?”

“Inside myself. Inside the building. A sense of coming apart. Leaving pieces of me all over the place. Films of self peeling away, drifting off.” Siegmund realizes that Electra Chrimes is staring at him. Appalled. He struggles for self-control. Sees himself stripped down to the bone. Spinal column exposed, the comb of vertebrae, the oddly angular cranium. Siegmund. Siegmund. Dillon Chrimes’ earnest, troubled face. A handsome apartment. Polymirrors, psychedelic tapestries. These happy people. Fulfilled in their art. Plugged into the switchboard. “Lost,” Siegmund says.

“Transfer to San Francisco,” Chrimes suggests. “We don’t push hard here. We can make room. Maybe you’ll discover artistic talent. You could write programs for the screen shows, maybe. Or—”

Siegmund laughs harshly. His throat is fury. “I’ll write this show about the hungry rung- grabber who gets almost to the top and decides he doesn’t want it. I’ll — no, I won’t. I don’t mean any of this. It’s the groover talking out of my mouth. Those two slipped me a filther, that’s all. You’d better call Mamelon.” Getting to his feet. Trembling. A sensation of being at least ninety years old. He starts to fall. Chrimes and his wife catch him. His cheek against Electra’s swaying breasts. Siegmund manages a smile. “It’s the groover talking out of my mouth,” he says again.

“It’s a long dull story,” he tells Mamelon. “I got into a place where I didn’t want to be, and somehow I took a capsule without knowing what I was taking, and everything got confused after that. But I’m all right now. I’m all right.”

After a day’s medical absence he returns to his desk in Louisville Access Nexus. A pile of memoranda awaits him. Much need of his services by the great men of the administrative class. Nissim Shawke wants him to do a follow-up reply to the petitioners from Chicago, on that business of asking for freedom to determine the sex of one’s offspring. Kipling Freehouse requests an intuitive interpretation of certain figures in next quarter’s production-balance estimates. Monroe Stevis is after a double flow-chart showing attendance at sonic centers plotted against visits to blessmen arid consolers: a psychological profile of the populations of six cities. And so on. Picking his brains. How blessworthy to be useful. How wearying to be used.