Robert Silverberg - The World Inside

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Urban Monad 116: A lofty spire a thousand stories high, where over 880,000 souls live out their perfectly regulated lives in peace and plenty.
But inside their glorious world are a few who dare to doubt and dream:
Aurea Holston — a beautiful young bride who fears leaving the only world she’s ever known.
Dillon Chrimes — cosmos group pop star, who becomes one of the urbmon in an orgiastic, mind-shattering trip.
Jason Quevedo — historian, who gets his kicks from the perverse savagery of an earlier age.
Siegmund Kluver — virile young man-on-the-way-up, who sees the nightmare behind the urbmon’s shining facade.
And Michael Statler — who dares to escape...

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She blinks. Having trouble focusing her eyes. “Shanghai? But are you supposed to be here?”

“Who says I can’t?”

She ponders that. “Nobody says. But Shanghai never comes here. Really, Shanghai? You?”

“Do I have to show you my identiplate?” he asks harshly.

His educated inflections destroy her resistance. She begins to primp, arranging her hair, reaching for some kind of cosmetic spray for her face, while he drops his clothing. He mounts the platform. She draws her knees up almost to her breasts, presenting herself. Crudely, impatiently, he takes her. Michael, he thinks. Micaela. Michael. Micaela. Grunting, he floods her with his fluid.

In the morning, at his office, he begins his newest line of inquiry, summoning up data on the sexual mores of ancient times. As usual, he concentrates on the twentieth century, which he regards as the climax of the ancient era, and therefore most significant, revealing as it does the entire cluster of attitudes and responses that had accumulated in the pre-urbmon industrial era. The twenty-first century is less useful for his purposes, being, like all transitional periods, essentially chaotic and unschematic, and the twenty-second century brings him into modern times with the beginning of the urbmon age. So the twentieth is his favorite area of study. Seeds of the collapse, portents of doom running through it like bad-trip threads in a psychedelic tapestry.

Jason is careful not to fall victim to the historian’s fallacy of diminished perspective. Though the twentieth century, seen from this distance, seems to be a single seamless entity, he knows that this is an error of evaluation caused by overfacile abstracting; there may be certain apparent patterns that ride one unbroken curve across the ten decades, but he realizes that he must allow for certain qualitative changes in society that have created major historical discontinuities between decade and decade. The unleashing of atomic energy created one such discontinuity. The development of swift intercontinental transportation formed another. In the moral sphere, the availability of simple and reliable contraception caused a fundamental change in sexual attitudes, a revolution not to be ascribed to mere rebelliousness. The arrival of the psychedelic age, with its special problems and joys, marked one more great gulf, setting off part of the century from all that went before. So 1910 and 1930 and 1950 and 1970 and 1990 occupy individual summits in Jason’s jagged image of the century, and in any sampling of its mentality that he takes, he draws evidence from each of its discrete subepochs.

Plenty of evidence is available to him. Despite the dislocations caused by the collapse, an enormous weight of data on the eras of pre-urbmon time exists, stored in some subterranean vault, Jason knows not where. Certainly the central data bank (if there is indeed only one, and not a redundant series of them scattered through the world) is not anywhere in Urbmon 116, and he doubts that it is even in the Chipitts constellation. It does not matter. He can draw from that vast deposit any information that he requires, and it will come instantaneously. The trick lies in knowing what to ask for.

He is familiar enough with the sources to be able to make intelligent data requisitions. He thumbs the keys and the new cubes arrive. Novels. Films. Television programs. Leaflets. Handbills. He knows that for more than half the century popular attitudes toward sexual matters were recorded both in licit and illicit channels: the ordinary novels and motion pictures of the day, and an underground stream of clandestine, “forbidden” erotic works. Jason draws from both groups. He must weigh the distortions of the erotica against the distortions of the legitimate material: only out of this Newtonian interplay of forces can the objective truth be mined. Then, too, he surveys the legal codes, making the appropriate allowances for laws observed only in the breach. What is this in the laws of New York: “A person who willfully and lewdly exposes his person or the private parts thereof, in any public place, or in any place where others are present, or procures another to so expose himself shall be guilty of…”? In the state of Georgia, he reads, any sleeping car passenger who remains in a compartment other than the one to which he is assigned is guilty of a misdemeanor and is subject to a maximum fine of $1000 or twelve months’ imprisonment. The laws of the state of Michigan tell him: ” Any person who shall undertake to medically treat any female person, and while so treating her shall represent to such female that it is, or will be necessary, or beneficial to her health that she shall have sexual intercourse with a man, and any man, not being the husband of such female, who shall have sexual intercourse with her by reason of such representation, shall be guilty of a felony, and be punished by a maximum term of ten years.” Strange. Stranger still: “Every person who shall carnally know, or shall have sexual intercourse in any manner with any animal or bird, is guilty of sodomy . …” No wonder everything’s extinct! And this? “Whoever shall carnally know any male or female by the anus (rectum) or with the mouth or tongue, or who shall attempt intercourse with a dead body . . . $2000 and/or five years’ imprisonment . . . .” Most chilling of all: in Connecticut the use of contraceptive articles is forbidden, under penalty of a minimum fine of $50 or sixty days to one year in prison, and in Massachusetts “whoever sells, lends, gives, exhibits (or offers to) any instrument or drug, or medicine, or any article whatever for the prevention of conception, shall be subject to a maximum term of five years in prison or a maximum fine of $1000.” What? What? Send a man to prison for decades for cunnilingualizing his wife, and impose so trifling a sentence on the spreaders of contraception? Where was Connecticut, anyway? Where was Massachusetts? Historian that he is, he is not sure. God bless, he thinks, but the doom that came upon them was well merited. A bizarre folk to deal so lightly with those who would limit births!

He skims a few novels and dips into several films. Even though it is only the first day of his research, he perceives patterns, a fitful loosening of taboos throughout the century, accelerating greatly between 1920 and 1930 and again after 1960. Timid experiments in revealing the ankle lead, shortly, to bared breasts. The curious custom of prostitution erodes as liberties become more commonly obtained. The disappearance of taboos on the popular sexual vocabulary. He can barely believe some of what he learns. So compressed were their souls! So thwarted were their urges! And why? And why? Of course, they did grow looser. Yet terrible restraints prevail throughout that dark century, except toward the end, when the collapse was near and all limits burst. But even then there was something askew in their liberation. He sees a forced, self-conscious mode of amorality coming into being. The shy nudists. The guilt-wracked orgiasts. The apologetic adulterers. Strange, strange, strange. He is endlessly fascinated by the twentieth century’s sexual concepts. The wife as husband’s property. The premium on virginity: well, they seemed to get rid of that! Attempts by the state to dictate positions of sexual intercourse and to forbid certain supplementary acts. The restrictions even on words! A phrase leaps out of a supposedly serious twentieth-century work of social criticism: “Among the most significant developments of the decade was the attainment of the freedom, at last, for the responsible writer to use such words as fuck and cunt where necessary in his work.” Can that have been so? Such importance placed on mere words? Jason pronounces the odd monosyllables aloud in his research cubicle. “Fuck. Cunt. Fuck. Cunt. Fuck.” They sound merely antiquated. Harmless, certainly. He tries the modern equivalents. “Top. Slot. Top. Slot. Top.” No impact. How can words ever have held such inflammatory content that an apparently penetrating scholar would feel it worthwhile to celebrate their free public use? Jason is aware of his limitations as a historian when he runs into such things. He simply cannot comprehend the twentieth century’s obsession with words. To insist on giving God a capital letter, as though He might be displeased to be called a god! To suppress books for printing words like c-t and f-k and s-t!

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