Jim Butcher: Side Jobs

Clicks. Pops. Once, a hackle-raising snarl. The whishing sound of an urchin flying through the air, and the sharp pong of its hitting a metal exterior wall.

“The guards,” Georgia said. “Sonar.”

I stared at her for a second, and then clued in to what she was talking about. The clicks and pops had sounded familiar because I had heard them before, or something very close to them—from dolphins, at the Shedd Aquarium. Dolphins sent out sharp pulses of sound and used them to navigate, and to find prey in the dark.

I dropped the flare on the ground well away from Georgia and began unscrewing the suppressor on the P-90. “Will! Marcy!” I shouted, unable to keep the snarl out of my voice. “They’re about to go blind!”

Then I pointed the weapon up and off at an angle that I thought would send the rounds into the nearby lake, flicked the selector to single fire, and began methodically triggering rounds. The second clip had been loaded with standard, rather than subsonic, ammo, and without the suppressor to dampen the explosion of the propellant, the supersonic rounds roared out, painfully loud. The flash at the muzzle lit the entire warehouse in strobes of white light. I didn’t fire them in rhythm or any particular pattern. I had no idea how actual sonar worked in biological organisms, but I’d taken several nephews as a pack to see the Daredevil movie, and rhythmic sounds seemed to create a more ordered picture than random bursts of noise.

As I worked my way through the fifty-round magazine, I could all but hear Dresden’s mockery, his voice edged with adrenaline, the words coming through a manic grin, as I’d heard several times before. Murph, when you’re reaching out to movie concepts that involved millions of dollars in special effects for your tactical battle plan, I think you can pretty safely take that as an indicator that you are badly out of your depth .

But as the last round left the gun, I heard one of the turtlenecks screaming in pain—a horrible cry that ended abruptly. And then the warehouse fell silent again—only to be invaded by another steady series of rhythmic clicks.

And this time they were definitely getting closer.

I unclipped the P-90 and set it aside. I had only the two clips for the weapon. But my Sig came into my hand with the smooth familiarity of long practice, and I moved, away from Georgia and the other prisoners, around behind the empty cages that had been meant for Will and Marcy. I nearly screamed when I kicked a dead body and found the other turtleneck lying in a pool of viscous blood—apparently the other bad guy Will and Marcy had seen to.

Some instinct warned me I was in danger, and I dropped flat. Another sea urchin projectile streaked over me; a second struck a bar in the empty cage and slammed into its floor, acid chewing at the steel. Then there was a third whispering projectile that rushed away from me.

A wolf began to scream in agony—horrible, horrible high-pitched screams.

Nothing had just pulled the same trick I had—shooting at me and enticing one of his other enemies into the open as he did, then spinning to fire at an unexpected moment. Will or Marcy had just paid a horrible price for their aggression.

I came to my knees with a cry of fury and flung my flare. It went high into the air, spinning, spreading red light wide and thin around the inside of the warehouse. I saw a massive black form ahead of me, turning, the tube of his projectile weapon swinging back toward me.

The Sig was faster.

I had already slid into a Weaver stance, and I slammed out a trio of shots, swift, steady, and practiced, all aimed at the upper torso, to avoid any chance of hitting one of the wolves. I know at least one of the shots scored a hit on Nothing. The flare landed, still blazing. I saw the black outline of his silhouette twist in agony, then heard a quavering grunt escape him. He moved away from the flare and out of my vision. An instant later, I saw a wolf leap across the scarlet pool of light, and I started squeezing out more rounds from the Sig. I staggered them just as I had the shots from the P-90, hoping to blind Nothing as the wolf attacked.

The magazine emptied in a few seconds, though I hadn’t meant to fire that many shots. The excitement of the fight was making it hard to stay level. I ejected the empty mag, slapped in a fresh one, and pulled a second flare from my tac vest, bringing it to hissing life as I started forward, my gun extended.

I could hear Nothing fighting with a wolf. His voice emanated from his huge chest, a basso growl of rage every bit as angry and animalistic as the snarls of the wolf fighting him. I used the sound as my guide and rushed forward. The other wolf kept on screaming in agony, its shrieks slowly changing and becoming more and more eerily human.

The scarlet light of the flare fell across Nothing and the wolf-version of Will just as Nothing flung the wolf to the concrete floor with bone-jarring force. Will let out a shriek of pain, and bones popped and crackled—but he retained enough awareness to roll out of the way as Nothing sent one huge foot stomping down at his skull.

I started putting rounds into Nothing’s chest from maybe fifteen feet away.

I was shooting one-handed and was hyped up on adrenaline. It wasn’t an ideal state for marksmanship. But I wasn’t trying for points on a target—this was instinct shooting, the kind of accuracy that comes only with endless hours of practice, with thousands and thousands of rounds sent downrange. It takes a lot of work to make that happen.

I’d worked.

I was using a 9mm weapon. The rounds were on the small side for real combat—and Nothing was on the other end of the combat universe from small. He turned toward me, and I saw he no longer had the projectile tube—or two of the fingers on the hand that had been holding it. One of the wolves had tried for his throat and evidently had torn open the fine cloth of the sweater’s neck, because I could see his gills flaring as he charged me.

Shots struck home in his torso. I was aiming for the heart, which few people realize is fairly low in the chest, a couple of inches below the left nipple. I hit him with every shot, six, seven, eight. . . .

It takes an attacker about two seconds to close a gap of thirty feet and get within range for a strike with a knife or fist. Nothing was about five feet closer than that. Eight shots, all of them hits, was damn solid combat shooting.

It just wasn’t enough.

Nothing plowed into me like a runaway truck, sending me sprawling. We both hit the concrete. Pushing against him, I barely managed to keep his weight from coming down on my chest so that it came down somewhere around my hips instead. He seized my right hand and squeezed.

Pain. Tendons tearing. Bones cracking. He shook his arm once, and my Sig went tumbling away.

I didn’t hesitate. I just doubled up, leaning toward him, and rammed the blazing end of the flare into the open flap of his gills.

He screamed, louder than a human being could have, and both hands flew to his throat to clutch at the flare. I got a leg free and kicked him in the chin, hard, driving down with all the power of my leg behind a crushing heel. I heard something crack, and he screamed, flinching. I freed my other leg and scrambled away from him, clutching awkwardly at my right ankle with my left hand.

Nothing tore the flare out, his pale eyes nearly luminous with rage, and came after me, roaring.

I had never been more frightened in my life. I couldn’t get to the damn holdout gun before he reached me, so I did the only thing I could. I ran, blind, into the dark, and he came after me like a rabid locomotive.

I knew I didn’t have much room left. I knew that I would hit a wall in a few seconds, and that then he’d have me. I could only pray that the shots I’d put in him were more serious than his reaction to them indicated—that he was already bleeding massively, and that the extra few seconds would be enough time to let him die.