Jim Butcher - Side Jobs

We walked along for several paces.

“Interesting inflection, there,” I said. “Speaking about those times as if you’d seen them firsthand. You expect me to believe you’re better than a thousand years old?”

“Would it be so incredible?” she asked.

She had me there. Lots of supernatural critters were immortal, or the next-best thing to it. Even mortal wizards could hang around for three or four centuries. On the other hand, I’d rarely run into an immortal who felt so human to my wizard’s senses.

I stared at her for a second and then said, “You wear it pretty well, if it’s true. I would have guessed you were about thirty.”

Her teeth flashed in the dim light. “I believe it’s currently considered more polite to guess twenty-nine.”

“Me and polite have never been on close terms.”

Gard nodded. “I like that about you. You say what you think. You act. It’s rare in this age.”

I kept on the trail, quiet for a time, until Mouse stopped in his tracks and made an almost inaudible sound in his chest. I held up a hand, halting. Gard went silent and still.

I knelt down by the dog and whispered, “What is it, boy?”

Mouse stared intently ahead, his nose quivering. Then he paced forward, uncertainly, and pawed at the floor near the wall.

I followed him, light in hand. On the wet stone floor were a few tufts of greyish hair. I chewed my lip and lifted the light to examine the wall. There were long scratches in the stone—not much wider than a thumbnail, but they were deep. You couldn’t easily see the bottom of the scratch marks.

Gard came up and peered over my shoulder. Amid the scents of lime and mildew, her perfume, something floral I didn’t recognize, was a pleasant distraction. “Something sharp made those,” she murmured.

“Yeah,” I said, collecting the hairs. “Hold up your ax.”

She did. I touched the hairs to the edge of the blade. They curled away from it as they touched it, blackening and shriveling, and adding the scent of burned hair to the mix.

“Wonderful.” I sighed.

Gard lifted her eyebrows and glanced at me. “Faeries?”

I nodded. “Malks, almost certainly.”

“Malks?”

“Winterfae,” I said. “Felines. About the size of a bobcat.”

“Nothing steel can’t handle, then,” she said, rising briskly.

“Yeah,” I said. “You could probably handle half a dozen.”

She nodded once, brandished the ax, and turned to continue down the tunnel.

“Which is why they tend to run in packs of twenty,” I added, a couple of steps later.

Gard stopped and gave me a glare.

“That’s called sharing information,” I said. I gestured at the wall. “These are territorial markings for the local pack. Malks are stronger than natural animals, quick, almost invisible when they want to be, and their claws are sharper and harder than surgical steel. I once saw a malk shred an aluminum baseball bat to slivers. And if that wasn’t enough, they’re sentient. Smarter than some people I know.”

“Od’s bodkin,” Gard swore quietly. “Can you handle them?”

“They don’t like fire,” I said. “But in an enclosed space like this, I don’t like it much, either.”

Gard nodded once. “Can we treat with them?” she asked. “Buy passage?”

“They’ll keep their word, like any fae,” I said. “If you can get them to give it in the first place. But think of how cats enjoy hunting, even when they aren’t hungry. Think about how they toy with their prey sometimes. Then distill that joyful little killer instinct out of every cat in Chicago and pour it all into one malk. They’re to cats what Hannibal Lecter is to people.”

“Negotiation isn’t an option, then.”

I shook my head. “I don’t think we have anything to offer them that they’ll want more than our screams and meat, no.”

Gard nodded, frowning. “Best if they never notice us at all, then.”

“Nice thought,” I said. “But these things have a cat’s senses. I could probably hide us from their sight or hearing, but not both. And they could still smell us.”

Gard frowned. She reached into her coat pocket and drew out a slim box of aged, pale ivory. She opened it and began gingerly sorting through a number of small ivory squares.

“Scrabble tiles?” I asked. “I don’t want to play with malks. They’re really bad about using plurals and proper names.”

“They’re runes,” Gard said quietly. She found the one she was after, took a steadying breath, and then removed a single square from the ivory box with the same cautious reverence I’d seen soldiers use with military explosives. She closed the box and put it back in her pocket, holding the single ivory chit carefully in front of her on her palm.

I was familiar with Norse runes. The rune on the ivory square in her hand was totally unknown to me. “Um. What’s that?” I asked.

“A rune of Routine,” she said quietly. “You said you were skilled with illusion magic. If you can make us look like them, even for a few moments, it should allow us to pass through them unnoticed, as if we were a normal part of their day.”

Technically, I had told Gard I was familiar with illusion magic, not skilled. Truth be told, it was probably my weakest skill set. Nobody’s good at everything, right? I’m good with the kaboom magic. My actual use of illusion hadn’t passed much beyond the craft’s equivalent of painting a few portraits of fruit bowls.

But I’d just have to hope that what Gard didn’t know wouldn’t get us both killed. Elizabeth didn’t have much time, and I didn’t have many options. Besides, what did we have to lose? If the bid to sneak by failed, we could always fall back on negotiating or slugging it out.

Mouse gave me a sober look.

“Groovy,” I said. “Let’s do it.”

A GOOD ILLUSION is all about imagination. You create a picture in your mind, imagining every detail; imagining so hard that the image in your head becomes nearly tangible, almost real. You have to be able to see it, hear it, touch it, taste it, smell it, to engage all your senses in its (theoretical) reality. If you can do that, if you can really believe in your fake version of reality, then you can pour energy into it and create it in the minds and senses of everyone looking at it.

For the record, it’s also how all the best liars do business—by making their imagined version of things so coherent that they almost believe it themselves.

I’m not a terribly good liar, but I knew the basics of how to make an illusion work, and I had two secret weapons. The first was the tuft of hair from an actual malk, which I could use to aid in the accuracy of my illusion. The second was a buddy of mine, a big grey tomcat named Mister who deigned to share his apartment with Mouse and me. Mister didn’t come with me on cases, being above such trivial matters, but he found me pleasant company when I was at home and not moving around too much, except when he didn’t, in which case he went rambling.

I closed my eyes once I’d drawn my chalk circle, gripped the malk hair in my hand, and started my image on a model of Mister. I’d seen malks a couple of times, and most of them bore the same kinds of battle scars Mister proudly wore. They didn’t look exactly like cats, though. Their heads were shaped differently, and their fur was rougher, stiffer. The paws had one too many digits on them, too, and were wider than a cat’s—but the motion as they moved was precisely the same.

“ Noctus ex illuminus ,” I murmured once the image was firmly fixed in my thoughts, that of three ugly, lean, battle-marked malks walking through on their own calm business. I sent out the energy that would power the glamour and broke the circle with a slow, careful motion.